Crown Point Press

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Bumping Clowns [working proof 1]

Wayne Thiebaud, Emily York, Sam Carr-Prindle, Courtney Sennish, Crown Point Press · 2017 · hardground etching in black on Somerset wove paper [working proof 1] ·  Accession ID  2019.115.274

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Rain Reverse

Mary Heilmann, Sam Carr-Prindle, Courtney Sennish, Crown Point Press · 2017 · sugarlift aquatint and spitbite aquatint with black and tan with chine collé on Somerset wove paper ·  Accession ID  2019.115.165

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Clown and Beast [working proof 1]

Wayne Thiebaud, Emily York, Sam Carr-Prindle, Courtney Sennish, Crown Point Press · 2017 · hardground etching and drypoint in black on Somerset wove paper [working proof 1] ·  Accession ID  2019.115.282

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Clown [working proof 1]

Wayne Thiebaud, Emily York, Sam Carr-Prindle, Courtney Sennish, Crown Point Press · 2017 · hardground etching and drypoint in black on Somerset wove paper [working proof 1] ·  Accession ID  2019.115.280

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CPP9 (proof)

Leonardo Drew, Crown Point Press · 2016 · hardground etching (crackle technique) with aquatint ·  Accession ID  2019.115.124

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[poop emoji] (blue)

Jacqueline Humphries, Sam Carr-Prindle, Emily York, Courtney Sennish, Crown Point Press · 2016 · soapground aquatint and softground etching in blue and black with shaped blue chine collé on Somerset wove paper ·  Accession ID  2019.115.176

The image depicts irregular crack-like lines that intersect to create an abstract pattern. On the left, a dark brown area is filled with these lines. On the right, the background is white, with dark lines forming a network resembling fragmented ice or broken pottery. The image showcases a combination of distinct areas with variations in color and texture.
Leonardo Drew, Crown Point Press, CPP6 (proof), 2016, etching and aquatint printed in black and brown, Gift of Kathan Brown, 2019.115.119

CPP6 (proof)

Leonardo Drew, Crown Point Press · 2016 · etching and aquatint printed in black and brown ·  Accession ID  2019.115.119

The image depicts a composition of intricate cracked lines spanning horizontally across the canvas, dividing it into two main sections of brown and white. The left side displays darker, organic patterns resembling the look of rugged terrain. The right side, contrasted in stark white, continues the network of lines, resembling a mosaic or fragmented ice sheets. These elements create a visual resemblance to geographical maps or the patterns of dried out riverbeds.
Leonardo Drew, Crown Point Press, CPP6 (proof), 2016, etching printed in black and brown, Gift of Kathan Brown, 2019.115.120

CPP6 (proof)

Leonardo Drew, Crown Point Press · 2016 · etching printed in black and brown ·  Accession ID  2019.115.120

The image is divided horizontally into two sections. The top section features white circular shapes scattered across a deep blue background. The bottom section shows a complex network of crack-like lines that intersect and elongate. These two parts create an abstract representation.
Leonardo Drew, Crown Point Press, CPP7, 2015, aquatint and etching in blue and black on Magnani Revere, Gift of Kathan Brown, 2019.115.121

CPP7

Leonardo Drew, Crown Point Press · 2015 · aquatint and etching in blue and black on Magnani Revere ·  Accession ID  2019.115.121

The image displays an abstract composition divided into two sections. The upper half consists of irregular, rectangular shapes resembling a patchwork. The lower section shows a more fluid pattern of cracks and lines.
Leonardo Drew, Crown Point Press, CPP5, 2015, etching printed in gray with black gampi paper chine collé on Magnani Revere, Gift of Kathan Brown, 2019.115.117

CPP5

Leonardo Drew, Crown Point Press · 2015 · etching printed in gray with black gampi paper chine collé on Magnani Revere ·  Accession ID  2019.115.117