Crown Point Press

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This is a painting featuring a vehicle with a flag on it and a hand pointing upward. The scene shows an automobile with visible headlights, front badge, and an American flag attached to its front. The background consists of green and yellow hues blending into each other, creating a vintage ambiance. There is a partial view of another person in uniform, their details blurred or obscured, contrasting with the clear design of the car. The painting is in the style of Gerhard Richter.
Christopher Brown, Crown Point Press, Renée Bott, Flag from the set Five Studies from an Endless Film, 1994, color softground etching and spitbite aquatint with scraping and burnishing on Lana Royal White paper, Gift of Kathan Brown, 1998.40.55

Flag from the set Five Studies from an Endless Film

Christopher Brown, Crown Point Press, Renée Bott · 1994 · color softground etching and spitbite aquatint with scraping and burnishing on Lana Royal White paper ·  Accession ID  1998.40.55

The image depicts irregular crack-like lines that intersect to create an abstract pattern. On the left, a dark brown area is filled with these lines. On the right, the background is white, with dark lines forming a network resembling fragmented ice or broken pottery. The image showcases a combination of distinct areas with variations in color and texture.
Leonardo Drew, Sam Carr-Prindle, Crown Point Press, CPP6 [proof], 2016, etching and aquatint printed in black and brown on wove paper [proof], Gift of Kathan Brown, 2019.115.119

CPP6 [proof]

Leonardo Drew, Sam Carr-Prindle, Crown Point Press · 2016 · etching and aquatint printed in black and brown on wove paper [proof] ·  Accession ID  2019.115.119

The image is divided horizontally into two sections. The top section features white circular shapes scattered across a deep blue background. The bottom section shows a complex network of crack-like lines that intersect and elongate. These two parts create an abstract representation.
Leonardo Drew, Crown Point Press, CPP7, 2015, aquatint and etching printed in blue and black on Magnani Revere wove paper, Gift of Kathan Brown, 2019.115.121

CPP7

Leonardo Drew, Crown Point Press · 2015 · aquatint and etching printed in blue and black on Magnani Revere wove paper ·  Accession ID  2019.115.121

The image displays an abstract composition divided into two sections. The upper half consists of irregular, rectangular shapes resembling a patchwork. The lower section shows a more fluid pattern of cracks and lines.
Leonardo Drew, Sam Carr-Prindle, Crown Point Press, CPP5, 2015, etching printed in gray with black gampi paper chine collé on Magnani Revere wove paper, Gift of Kathan Brown, 2019.115.117

CPP5

Leonardo Drew, Sam Carr-Prindle, Crown Point Press · 2015 · etching printed in gray with black gampi paper chine collé on Magnani Revere wove paper ·  Accession ID  2019.115.117

The image is divided into two parts. The upper section contains intricate networks of lines and shapes that trickle downward. The lower section features a smooth gradient transitioning from deep blue at the bottom to a darker shade near the middle.
Leonardo Drew, Sam Carr-Prindle, Crown Point Press, CPP4, 2015, aquatint and etching printed in blue and black on Magnani Revere wove paper, Gift of Kathan Brown, 2019.115.116

CPP4

Leonardo Drew, Sam Carr-Prindle, Crown Point Press · 2015 · aquatint and etching printed in blue and black on Magnani Revere wove paper ·  Accession ID  2019.115.116

Leonardo Drew, Sam Carr-Prindle, Crown Point Press, CPP10, 2015, color aquatint and etching on Magnani Revere wove paper, Gift of Kathan Brown, 2019.115.125

CPP10

Leonardo Drew, Sam Carr-Prindle, Crown Point Press · 2015 · color aquatint and etching on Magnani Revere wove paper ·  Accession ID  2019.115.125

The image is divided into two sections with different textures and patterns. The upper portion has abstract rectangular shapes closely packed with intricate lines resembling a cobblestone pathway. The lower section shows a network of crack-like lines, resembling a parched desert ground or cracked ceramics. The clear contrast between the two sections emphasizes the juxtaposition of order and chaos.
Leonardo Drew, Sam Carr-Prindle, Crown Point Press, CPP6, 2015, etching on Magnani Revere wove paper, Gift of Kathan Brown, 2019.115.118

CPP6

Leonardo Drew, Sam Carr-Prindle, Crown Point Press · 2015 · etching on Magnani Revere wove paper ·  Accession ID  2019.115.118

The image depicts a composition of intricate cracked lines spanning horizontally across the canvas, dividing it into two main sections of brown and white. The left side displays darker, organic patterns resembling the look of rugged terrain. The right side, contrasted in stark white, continues the network of lines, resembling a mosaic or fragmented ice sheets. These elements create a visual resemblance to geographical maps or the patterns of dried out riverbeds.
Leonardo Drew, Sam Carr-Prindle, Crown Point Press, CPP6 [proof], 2015, etching printed in black and brown on wove paper [proof], Gift of Kathan Brown, 2019.115.120

CPP6 [proof]

Leonardo Drew, Sam Carr-Prindle, Crown Point Press · 2015 · etching printed in black and brown on wove paper [proof] ·  Accession ID  2019.115.120

The image shows diagonal, zigzagging lines in varying shades of green, creating a striped pattern. Bright orange circles are scattered across the image. These shapes and colors combine to create an abstract composition.
Tomma Abts, Emily York, Sam Carr-Prindle, Crown Point Press, Untitled (small circles), 2015, color aquatint on Revere wove paper, Gift of Kathan Brown, 2019.115.1

Untitled (small circles)

Tomma Abts, Emily York, Sam Carr-Prindle, Crown Point Press · 2015 · color aquatint on Revere wove paper ·  Accession ID  2019.115.1

This image displays a composition of red and white shapes and lines creating an abstract design. Diagonal red stripes fill the background, intersected by concentric circles towards the lower left. Above and to the right, red vertical stripes overlay the circles. The combination of lines and shapes creates a dynamic and visually engaging pattern with a bold, graphic style.
Tomma Abts, Emily York, Crown Point Press, Untitled (big circle), 2015, aquatint in red and gray on Revere wove paper, Gift of Kathan Brown, 2019.115.2

Untitled (big circle)

Tomma Abts, Emily York, Crown Point Press · 2015 · aquatint in red and gray on Revere wove paper ·  Accession ID  2019.115.2