Crown Point Press

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  • ""

    Bumping Clowns [working proof 1]

    Wayne Thiebaud, Emily York, Sam Carr-Prindle, Courtney Sennish, Crown Point Press

    2017

    Hardground etching in black on somerset wove paper [working proof 1]  Accession ID  2019.115.274

    Not on view
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    Clown and Beast [working proof 1]

    Wayne Thiebaud, Emily York, Sam Carr-Prindle, Courtney Sennish, Crown Point Press

    2017

    Hardground etching and drypoint in black on somerset wove paper [working proof 1]  Accession ID  2019.115.282

    Not on view
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    Rain Reverse

    Mary Heilmann, Sam Carr-Prindle, Courtney Sennish, Crown Point Press

    2017

    Sugarlift aquatint and spitbite aquatint with black and tan with chine collé on somerset wove paper  Accession ID  2019.115.165

    Not on view
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    Clown [working proof 1]

    Wayne Thiebaud, Emily York, Sam Carr-Prindle, Courtney Sennish, Crown Point Press

    2017

    Hardground etching and drypoint in black on somerset wove paper [working proof 1]  Accession ID  2019.115.280

    Not on view
  • The image depicts a composition of intricate cracked lines spanning horizontally across the canvas, dividing it into two main sections of brown and white. The left side displays darker, organic patterns resembling the look of rugged terrain. The right side, contrasted in stark white, continues the network of lines, resembling a mosaic or fragmented ice sheets. These elements create a visual resemblance to geographical maps or the patterns of dried out riverbeds.

    CPP6 (proof)

    Leonardo Drew, Crown Point Press

    2016

    Etching printed in black and brown  Accession ID  2019.115.120

    Not on view
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    [poop emoji] (blue)

    Jacqueline Humphries, Sam Carr-Prindle, Emily York, Courtney Sennish, Crown Point Press

    2016

    Soapground aquatint and softground etching in blue and black with shaped blue chine collé on somerset wove paper  Accession ID  2019.115.176

    Not on view
  • The image depicts irregular crack-like lines that intersect to create an abstract pattern. On the left, a dark brown area is filled with these lines. On the right, the background is white, with dark lines forming a network resembling fragmented ice or broken pottery. The image showcases a combination of distinct areas with variations in color and texture.

    CPP6 (proof)

    Leonardo Drew, Crown Point Press

    2016

    Etching and aquatint printed in black and brown  Accession ID  2019.115.119

    Not on view
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    CPP9 (proof)

    Leonardo Drew, Crown Point Press

    2016

    Hardground etching (crackle technique) with aquatint  Accession ID  2019.115.124

    Not on view
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    CPP1

    Leonardo Drew, Crown Point Press

    2015

    Etching with aquatint printed in blue on magnani revere  Accession ID  2019.115.113

    Not on view
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    CPP2

    Leonardo Drew, Crown Point Press

    2015

    Etching and aquatint on magnani revere  Accession ID  2019.115.114

    Not on view
  • The image shows diagonal, zigzagging lines in varying shades of green, creating a striped pattern. Bright orange circles are scattered across the image. These shapes and colors combine to create an abstract composition.

    Untitled (small circles)

    Tomma Abts, Emily York, Sam Carr-Prindle, Crown Point Press

    2015

    Color aquatint on revere wove paper  Accession ID  2019.115.1

    Not on view

  • CPP3

    Leonardo Drew, Crown Point Press

    2015

    Color aquatint and etching on magnani revere  Accession ID  2019.115.115

    Not on view