Crown Point Press

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  • ""

    CPP2

    Leonardo Drew, Sam Carr-Prindle, Crown Point Press

    2015

    Etching and aquatint on magnani revere wove paper  Accession ID  2019.115.114

    Not on view
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    CPP8

    Leonardo Drew, Sam Carr-Prindle, Crown Point Press

    2015

    Etching with softground etching printed in gray with black gampi paper chine collé on magnani revere wove paper  Accession ID  2019.115.122

    Not on view
  • The image shows diagonal, zigzagging lines in varying shades of green, creating a striped pattern. Bright orange circles are scattered across the image. These shapes and colors combine to create an abstract composition.

    Untitled (small circles)

    Tomma Abts, Emily York, Sam Carr-Prindle, Crown Point Press

    2015

    Color aquatint on revere wove paper  Accession ID  2019.115.1

    Not on view
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    CPP11

    Leonardo Drew, Sam Carr-Prindle, Crown Point Press

    2015

    Etching with aquatint on magnani revere wove paper  Accession ID  2019.115.126

    Not on view
  • The image depicts a composition of intricate cracked lines spanning horizontally across the canvas, dividing it into two main sections of brown and white. The left side displays darker, organic patterns resembling the look of rugged terrain. The right side, contrasted in stark white, continues the network of lines, resembling a mosaic or fragmented ice sheets. These elements create a visual resemblance to geographical maps or the patterns of dried out riverbeds.

    CPP6 [proof]

    Leonardo Drew, Sam Carr-Prindle, Crown Point Press

    2015

    Etching printed in black and brown on wove paper [proof]  Accession ID  2019.115.120

    Not on view
  • The image is divided into two sections with different textures and patterns. The upper portion has abstract rectangular shapes closely packed with intricate lines resembling a cobblestone pathway. The lower section shows a network of crack-like lines, resembling a parched desert ground or cracked ceramics. The clear contrast between the two sections emphasizes the juxtaposition of order and chaos.

    CPP6

    Leonardo Drew, Sam Carr-Prindle, Crown Point Press

    2015

    Etching on magnani revere wove paper  Accession ID  2019.115.118

    Not on view
  • ""

    CPP9

    Leonardo Drew, Sam Carr-Prindle, Crown Point Press

    2015

    Etching with aquatint on magnani revere wove paper  Accession ID  2019.115.123

    Not on view

  • CPP10

    Leonardo Drew, Sam Carr-Prindle, Crown Point Press

    2015

    Color aquatint and etching on magnani revere wove paper  Accession ID  2019.115.125

    Not on view
  • The image is divided horizontally into two sections. The top section features white circular shapes scattered across a deep blue background. The bottom section shows a complex network of crack-like lines that intersect and elongate. These two parts create an abstract representation.

    CPP7

    Leonardo Drew, Crown Point Press

    2015

    Aquatint and etching printed in blue and black on magnani revere wove paper  Accession ID  2019.115.121

    Not on view
  • ""

    Rain Gain

    Ed Ruscha, Emily York, Ianne Kjorlie, Crown Point Press

    2014

    Flatbite etching in black on revere wove paper  Accession ID  2019.115.223

    Not on view
  • The image shows an aerial view of a stylized landscape with a reflective body of water in the center. The horizon is near the top edge, separating the sky from the land below. The artwork features meticulous linework, delicate shading, and sweeping brushstrokes outlining the water and surrounding land. The color palette is primarily shades of gray, creating a serene atmosphere. Fields curve around the water, echoing its shape, and in the distance, there are rows of small trees and lines of vegetation.

    Dark Reservoir

    Wayne Thiebaud, Emily York, Crown Point Press

    2014

    Direct gravure, aquatint, and drypoint in black with chine collé on wove paper  Accession ID  2019.115.298

    Not on view
  • The image shows towering cliffs with a high perspective looking down on massive, vertically-oriented rock formations. The horizon is placed high against a pale sky. Tiny figures and sparse vegetation are visible on the horizon, emphasizing the scale of the cliffs. The brushstrokes are loose and textured with an emphasis on vertical lines. The color palette includes earthy tones, shades of brown and rust, and lighter hues highlighting the cliffs and sky.

    Canyon Bluffs

    Wayne Thiebaud, Emily York, Crown Point Press

    2014

    Color spitbite aquatint, direct gravure, and drypoint with chine collé on wove paper  Accession ID  2019.115.278

    Not on view