Crown Point Press

Saga

Mamma Andersson, Emily York, Ianne Kjorlie, Fanny Retsek, Crown Point Press

2013

Color sugarlift and spitbite aquatints, softground etching, and drypoint with chine collé on legion revere wove paper Accession ID 2019.115.34

Not on view

The image shows an array of abstract shapes and lines overlapped in a collage style. The shapes form human-like figures with rough, textured surfaces and simplistic facial features. The figures resemble familiar activities such as people playing instruments, wearing different clothes, and in various postures. A building façade with rectangular window-like shapes is cut out in the background, adding to the layered composition.

Untitled

Jockum Nordström, Crown Point Press

2013

Paper cutout collage with graphite, colored pencil, ink, and watercolor Accession ID 2013.167.1

Not on view

The image is a collage artwork showing portions of a man's face. Various parts of the face, such as the eyes, nose, and mustache, are visible through multi-layered, torn paper sections in different bright colors. The man appears to be wearing round glasses and has a mustache and beard. His facial features are distinctly visible through different color contrasts. He is wearing a dark shirt, visible in the lower part of the image. In the background, there are overlapping sheets of paper, creating an abstract composition. The overall effect is a fragmented, stylized representation of the man's face.

Self-Portrait (collage made from discarded cut-up proofs)

Chuck Close, Crown Point Press

2013

Collage of color photogravure proofs, cut and assembled Accession ID 2014.5.1

Not on view

The image shows three vertical, rectangular shapes filled with different colors. Each shape transitions from a pale yellow, to a muted green, to a warm orange.

False Iris [working proof 4]

Anne Appleby, Emily York, Crown Point Press

2012

Color aquatint on wove paper [working proof 4] Accession ID 2024.132.23

Not on view

The image shows three vertical rectangles of different hues arranged side by side. The first rectangle is beige, the second is lemon yellow, and the third is pistachio green.

False Iris [working proof 3]

Anne Appleby, Emily York, Crown Point Press

2012

Color aquatint on wove paper [working proof 3] Accession ID 2024.132.22

Not on view

Mountain in Rain

Pat Steir, Emily York, Ianne Kjorlie, Crown Point Press

2012

Color direct gravure with chine collé on somerset wove paper Accession ID 2019.115.259

Not on view

The image shows three vertical elongated rectangles positioned side by side in a parallel arrangement. Each rectangle is filled with a different soft pastel hue, transitioning from muted pink on the left, light mint green in the center, to pale beige on the right.

False Iris [working proof 1]

Anne Appleby, Emily York, Crown Point Press

2012

Color aquatint on wove paper [working proof 1] Accession ID 2024.132.20

Not on view

The image features three vertically oriented rectangular shapes with gradient fills on a plain background. The left rectangle is light pink, the middle is beige, and the right one is light green.

False Iris [working proof 2]

Anne Appleby, Emily York, Crown Point Press

2012

Color aquatint on wove paper [working proof 2] Accession ID 2024.132.21

Not on view

Self-Portrait (study for unpublished progression print)

Chuck Close, Crown Point Press

printed 2010, assembled 2013

Photogravure in yellow on wove paper Accession ID 2014.5.2.4

Not on view

Self-Portrait (study for unpublished progression print)

Chuck Close, Crown Point Press

printed 2010, assembled 2013

Photogravure in purple on wove paper Accession ID 2014.5.2.3

Not on view

The image presents five portraits of a person facing forward with a neutral expression. The person has a bald head, a medium-length facial beard, and round wire-framed glasses. He is wearing a casual t-shirt and no visible jewelry. Each portrait is in a different color filter: red, blue, purple, yellow, and natural tones. The background is uniformly dark.

Self-Portrait (study for unpublished progression print)

Chuck Close, Crown Point Press

printed 2010, assembled 2013

Color photogravure: four color-separation proofs and one full-color working proof Accession ID 2014.5.2.1-5

Not on view

Self-Portrait (study for unpublished progression print)

Chuck Close, Crown Point Press

printed 2010, assembled 2013

Color photogravure on wove paper Accession ID 2014.5.2.5

Not on view