Dena Schuckit

Schuckit, Dena Ms.

American, active late 20th century

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  • The image depicts a full-body silhouette of a person in a dynamic stance. Facial features and clothing details are not visible. The figure is outlined in shades of gray against a textured background. No objects or jewelry are visible in the silhouette.

    Copper Plate Nude 3 [working proof 1]

    Nathan Oliveira, Dena Schuckit

    1998

    Spit bite aquatint and etching on wove somerset paper [working proof 1]  Accession ID  2024.132.538

    Not on view
  • The image depicts a humanoid figure resembling an ape, possibly a gorilla. The figure faces forward, showing the upper torso and head area. The features such as eyes, nose, and mouth are abstractly drawn with heavy black lines. The hair and fur are represented with dark strokes. The background is muted and warm-toned. There are no visible clothing, jewelry, or objects in the image.

    Missing Link

    Nathan Oliveira, Crown Point Press, Dena Schuckit, Case Hudson

    1998

    Color drypoint and spitbite aquatint on somerset textured white paper  Accession ID  2001.142.90

    Not on view
  • The image shows a wispy, elongated shape twisting and stretching diagonally across a soft, beige canvas, with a couple of small circular forms nearby. This abstract composition could be perceived as resembling a delicately posed dancer captured mid-movement. The smooth and flowing line suggests a leg and outstretched arm. The combination of ethereal forms and subtle shading gives it an airy, almost dreamlike quality.

    Copper Plate Nude 2 [working proof 2]

    Nathan Oliveira, Dena Schuckit

    1998

    Spit bite aquatint and aquatint in orange on wove somerset paper [working proof 2]  Accession ID  2024.132.526

    Not on view
  • The image shows a pencil sketch of a person's face, focusing on their head and neck. The person's features include sharp eyes, a defined nose, and closed lips. The hair is short and neatly combed around the face. There are no visible jewelry or objects. The background is plain, emphasizing the detailed facial features.

    SFW

    William Bailey, Crown Point Press, Daria Sywulak, Case Hudson, Dena Schuckit

    1998

    Hardground etching on gampi chine collé on white somerset satin paper  Accession ID  2001.142.11

    Not on view
  • ""

    At a Grand Hall in the Forest

    Katsura Funakoshi, Crown Point Press, Case Hudson, Daria Sywulak, Dena Schuckit

    1998

    Aquatint in black with drypoint on somerset textured soft white paper  Accession ID  2001.142.36

    Not on view
  • The image shows an abstract collection of swirling lines and shapes in black, white, and muted gold tones. The forms suggest movement and texture, resembling rippling water or organic matter. The dark central area contrasts with lighter sections, creating depth and the illusion of three-dimensional mounds or waves. The artwork evokes dynamic, ever-changing natural forms.

    Cairn 4

    Bryan Hunt, Dena Schuckit, Case Hudson, Crown Point Press

    1998

    Color soapground and sugarlift aquatint with softground etching and drypoint on somerset paper  Accession ID  2006.122.42

    Not on view
  • The image displays a cliff edge with a row of trees, shrubs, and structures along the top. The drawing uses cross-hatching to define the cliff's form. The color palette is monochromatic, with black ink on a white background. The lines add detail to the landscape and structures.

    Estate #1

    Wayne Thiebaud, Crown Point Press, Daria Sywulak, Case Hudson, Dena Schuckit

    1998

    Hardground etching in black on somerset textured white paper  Accession ID  2001.142.98

    Not on view
  • The image shows vertical lines of various colors including red, blue, yellow, and black on a white background. The lines are arranged in an abstract pattern converging towards the center, resembling a bunch of grass or a spray of fireworks. The lines create a sense of movement as they extend upwards and outwards.

    Finger Lines (Grey)

    Tom Marioni, Crown Point Press, Dena Schuckit

    1998

    Color softground etching with aquatint and embossing on wove paper  Accession ID  2011.119.47

    Not on view
  • ""

    Cairn 1 [working proof 2]

    Bryan Hunt, Dena Schuckit

    1998

    Color spit bite, sugar lift and soap ground aquatints with soft ground etching and drypoint on somerset paper [working proof 2]  Accession ID  2024.132.354

    Not on view
  • Three thin rectangular shapes stacked diagonally on a plain background. The rectangles are pastel-colored in shades of pink, light green, and light blue. The design has a soft gradient and minimalistic style, creating a stepped pattern.

    Mandevilla 3

    Richard Tuttle, Crown Point Press, Paul Mullowney, Daria Sywulak, Dena Schuckit, Case Hudson

    1998

    Color aquatint on somerset textured white paper  Accession ID  2001.142.108

    Not on view
  • The image displays a landscape seen from elevated view, showing a plateau or cliff. The top of the image features a horizon with trees, small buildings, distinct houses, and tall trees like cypress and palms. The rest of the landscape above the horizon is less detailed. The style is detailed with fine cross-hatching and strokes creating texture for depth. The color palette is light turquoise against a white background, emphasizing the linear details over color contrast.

    Estate 2

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Daria Sywulak, Case Hudson

    1998

    Etching with drypoint in blue on wove somerset paper  Accession ID  2006.122.148

    Not on view
  • The image shows a large rectangle filled with a muted olive green hue, bordered by a white margin. The composition gives a minimalist impression, similar to a simple landscape or a flat swatch of green pasture. The colors blend at the edges, creating a soft transition.

    Sweet Pine [working proof 5B]

    Anne Appleby, Dena Schuckit

    1997

    Color aquatint on wove somerset paper [working proof 5b]  Accession ID  2024.132.30

    Not on view