Joan Miró

Spanish, 1893 - 1983

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Two angular, cream-white buildings flanking a central, stylized tree are surrounded by brown soil, small animals, and farmhouse objects like watering cans and buckets beneath a clear, azure-blue sky in this square landscape painting. We look straight onto the buildings and slightly down onto the earth in front of us. About a third of the way up the composition, the horizon is lined with trees and mountains in the deep distance. The long, spindly branches of the central tree nearly reach the top edge of the painting and abstracted, sickle-shaped leaves are silhouetted against the sky so no leaves overlap. The far edge of the whitewashed structure to our left is cropped. The façade is pierced by two small rectangular windows and an arched hatch at the top under a winch. The back end of a horse is visible through an open door at the bottom center. Horizontal bands in front of the building suggest furrows in plowed earth, and a single stalk of corn grows up into the scene, seeming close to us. A pen protected by netting stretches out in front of the second structure, to our right of center. That wood-frame building has a triangular peaked roof, and the left half is open, like a lean-to. A goat, rooster, birds, and several rabbits occupy the pen. Watering cans, buckets and pails, a hoe, newspaper, lizard, and snail are spaced around the buildings. A tiny stylized person, perhaps a baby, appears in the distance between the buildings near a well where a woman works. A covered wagon, a round mill, trees, and plants fill the rest of the space between the buildings. A disk-like moon hangs in the sky to the right of the tree. The artist signed and dated the lower left corner, "Miro. 1921-22."
Joan Miró, The Farm, 1921-1922, oil on canvas, Gift of Mary Hemingway, 1987.18.1

The Farm

Joan Miró · 1921-1922 · oil on canvas ·  Accession ID  1987.18.1

Joan Miró, Woman, 1976, oil on canvas, Gift of George L. Erion, 1977.45.1

Woman

Joan Miró · 1976 · oil on canvas ·  Accession ID  1977.45.1

As tall as the spindly trees behind it, a bronze, abstract, free-standing sculpture is made up of a circle set within a shallow box, which is balanced on the tip of an upside-down, thick-legged, V shape. The textured, lumpy legs taper as they move up. A sinewy rope-like texture runs, like a hem, along the outside of the pointed arch. Another form, like a lip, lines the inner edge where the legs pinch together at the top of the arch. The box balanced on the apex is nearly as wide as the legs. The box has a projecting rim, and is corrugated along the outer surfaces and the front edge, as if it had been cut down from a cardboard box. The circle centered in the box also has a projecting rim, like a tall cake pan. Within the circle, a shape like the wing of a bird appears to have been incised. A curving, bowtie-like shape protruding on a rod from the top of the box is incised with a dot at the center of another circle.
Joan Miró, Personnage Gothique, Oiseau-Eclair (Gothic Personage, Bird-Flash), model 1974, cast 1977, bronze, Gift of The Morris and Gwendolyn Cafritz Foundation, 1992.53.1

Personnage Gothique, Oiseau-Eclair (Gothic Personage, Bird-Flash)

Joan Miró · model 1974, cast 1977 · bronze ·  Accession ID  1992.53.1

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La demoiselle á bascule (The Rocking Lady)

Joan Miró, Adrien Maeght, Galerie Maeght, Paris · 1969 · color etching, aquatint, and carborundum on wove paper ·  Accession ID  2015.19.3392

A tomato-red, oval floating in a field of blue-violet nearly fills this horizontal abstract painting. A thin, vertical, gently waving line and a black dot float near the red oval, near the upper right corner of the canvas. The red oval is wider at our right side, like an egg. The oval, wavy line, and the dot are all outlined in white. The blue-violet background is painted with short, visible strokes, giving it a mottled look.
Joan Miró, Flight of the Dragonfly in Front of the Sun, 1968, oil on canvas, Collection of Mr. and Mrs. Paul Mellon, 1983.1.23

Flight of the Dragonfly in Front of the Sun

Joan Miró · 1968 · oil on canvas ·  Accession ID  1983.1.23

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Untitled

Joan Miró, Atelier Mourlot, Pierre Matisse Gallery · 1965 · color lithograph on Arches wove paper ·  Accession ID  2015.19.3393

Maurice Estève, Paul Guiramand, Bernard Cathelin, Richard Florsheim, André Brasilier, Maurice Brianchon, Jean Cocteau, André Minaux, Paul Jenkins, Akira Kito, Alfred Manessier, Jean Adhémar, Various Artists, Marc Chagall, Pablo Picasso, Joan Miró, André Beaudin, Henri Matisse, Alexander Calder, Alberto Giacometti, Prints from the Mourlot Press, 1964, bound volume with 19 lithographs, The John U. and Evelyn S. Nef Collection, 2011.60.85

Prints from the Mourlot Press

Maurice Estève, Paul Guiramand, Bernard Cathelin, Richard Florsheim, André Brasilier, Maurice Brianchon, Jean Cocteau, André Minaux, Paul Jenkins, Akira Kito, Alfred Manessier, Jean Adhémar, Various Artists, Marc Chagall, Pablo Picasso, Joan Miró, André Beaudin, Henri Matisse, Alexander Calder, Alberto Giacometti · 1964 · bound volume with 19 lithographs ·  Accession ID  2011.60.85

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Fond Marin I

Joan Miró · 1963 · color aquatint on Rives paper ·  Accession ID  2002.157.31

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Work of the Wind I (Ouvrage du Vent I)

Joan Miró · 1962 · aquatint in black and green on wove paper ·  Accession ID  1996.88.3

Joan Miró, Untitled [plate LIII], 1958, woodcut in green, black, and gray on China paper, Rosenwald Collection, 1963.11.318

Untitled [plate LIII]

Joan Miró · 1958 · woodcut in green, black, and gray on China paper ·  Accession ID  1963.11.318

Bibliography

1989

  • Cramer, Patrick. Joan Miró, The Illustrated Books: Catalogue Raisonné. Geneva, 1989.