Raphael
Santi, Raphael
Marchigian, 1483 - 1520
Raffaelo di Giovanni Santi was the younger contemporary of Leonardo and Michelangelo, and with them epitomizes the High Renaissance in Italy. For most of the history of Western art, the easy grace and harmonious balance of Raphael’s style has represented an ideal of perfection. A man noted also for wit and charm, he has often been called the “prince of painters.”
Raphael must have studied first with his father, painter at the court of Urbino, an environment rich in the arts and humanist learning. The elder Santi died when the boy was 11. Whether Raphael entered the workshop of Perugino at that time or, as seems more likely, many years later when he was already an acknowledged artist, he quickly mastered Perugino’s delicate, ornamental style, with its open landscapes and gentle figures. It was said that contemporaries had trouble distinguishing Perugino’s work from Raphael’s, but Raphael’s compositions were more sophisticated even when he was a young artist.
Late in 1504, Raphael moved to Florence, drawn there by accounts of Leonardo’s work there. Leonardo’s softly shadowed forms, natural figure groupings, and simplified settings were all stunningly new—and Raphael responded quickly to them. In 1508 the pope called Raphael to Rome. Influenced by the idealized, classical art of the city's ancient past, Raphael’s work took on a new grandeur. He also responded to the more the energetic and physical style of Michelangelo, whose works he had already begun to study in Florence.
Raphael remained in Rome for the last 12 years of his life. In those years he was extremely active, preparing monumental frescoes for the papal chambers, designing tapestries for the Sistine Chapel, and painting scenes that captured mythological stories with delight and exuberance. His work became widely influential through the dissemination of prints. Raphael was also the city’s leading portraitist, creating penetrating psychological images that engaged viewer and sitter with a new intensity. When he died at age 37, the pope ordered that Raphael, who had been keeper of antiquities, be buried in the Pantheon.
Explore Selected Works
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Paul Preaching at Athens
Paul Preaching at Athens
Simon Gribelin II, Raphael · 1707 · engraving on laid paper · Accession ID 2024.83.3
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Artwork

Eight Apostles
Eight Apostles
Raphael · c. 1514 · red chalk over stylus underdrawing and traces of leadpoint on laid paper, cut in two pieces and rejoined; laid down · Accession ID 1993.51.2
Artwork

A Marble Horse on the Quirinal Hill [recto]
A Marble Horse on the Quirinal Hill [recto]
Raphael · c. 1513 · red chalk and pen and brown ink, with stylus underdrawing and traces of leadpoint on laid paper · Accession ID 1993.51.3.a
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The Alba Madonna
The Alba Madonna
Raphael · c. 1510 · oil on panel transferred to canvas · Accession ID 1937.1.24
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The Prophets Hosea and Jonah
The Prophets Hosea and Jonah
Raphael · c. 1510 · pen and brown ink with brown wash over charcoal and blind stylus, heightened with white gouache and squared for transfer with blind stylus and red chalk, on laid paper · Accession ID 1991.217.4
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The Niccolini-Cowper Madonna
The Niccolini-Cowper Madonna
Raphael · 1508 · oil on panel · Accession ID 1937.1.25
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The Madonna and Child with Saint John the Baptist
The Madonna and Child with Saint John the Baptist
Raphael · c. 1507 · black chalk with traces of white chalk, outlines pricked for transfer; laid down · Accession ID 1986.33.1
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Saint George and the Dragon
Saint George and the Dragon
Raphael · c. 1506 · oil on panel · Accession ID 1937.1.26
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The Small Cowper Madonna
The Small Cowper Madonna
Raphael · c. 1505 · oil on panel · Accession ID 1942.9.57