Christopher Brown

American, born 1951

Displaying 1 - 12 of 101

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    Atlantic Crossing [working proof 1]

    Christopher Brown, Renée Bott

    1995

    Soft ground and hard ground etching with spit bite aquatint, aquatint and burnishing (wp 1 – black hard ground and soft ground)  Accession ID  2024.132.157

    Not on view
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    Full Moon [working proof 2]

    Christopher Brown, Renée Bott

    1995

    Aquatint with hard ground etching and burnishing on somerset paper (wp 2 – black aquatint, much more burnishing)  Accession ID  2024.132.162

    Not on view
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    Full Moon

    Christopher Brown, Crown Point Press

    1995

    Aquatint with hardground etching and burnishing in black on somerset soft white paper  Accession ID  1998.40.47

    Not on view
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    Rain [working proof 4]

    Christopher Brown, Renée Bott

    1995

    Color spit bite aquatint with aquatint and burnishing on somerset paper (wp 4 – spit bite & sugar lift aquatints & burnishing in black & turquoise with hand-painting in black paint)  Accession ID  2024.132.154

    Not on view
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    Atlantic Crossing [working proof 2]

    Christopher Brown, Renée Bott

    1995

    Soft ground and hard ground etching with spit bite aquatint, aquatint and burnishing (wp 2 – black hard and soft grounds with new hard ground plate in silver. (this plate inked in silver not used in edition) red pencil)  Accession ID  2024.132.158

    Not on view
  • The image displays a view of a turbulent sea, depicting waves rolling through the water. The horizon is obscured by the stormy sea, with no visible objects or land. The drawing uses vigorous strokes with a pencil or graphite to capture the motion of the waves. The color palette is monochromatic, consisting of shades of gray, black, and white. Close-up waves show detailed crests and troughs, while those further away are softer and less defined, indicating depth and movement.

    Atlantic Crossing [preparatory drawing]

    Christopher Brown

    1995

    Graphite on tracing paper [preparatory drawing]  Accession ID  2024.132.160

    Not on view
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    Atlantic Crossing

    Christopher Brown, Crown Point Press

    1995

    Soft and hardground etching with spitbite, aquatint, and burnishing in black on somerset soft white paper  Accession ID  1998.40.40

    Not on view
  • The image shows overlapping circular shapes forming a binocular-like pattern at the center, surrounded by a blurred background. The artwork combines abstract elements with a busy maritime scene. The circular view resembles looking through binoculars, focusing on a specific ship while other boats and water are faintly visible beyond the circles. This composition suggests observing life at sea, with the central imagery standing out as if examining a fleet from afar.

    Between the Eyes

    Christopher Brown, Crown Point Press, Renée Bott, Daria Sywulak

    1995

    Photogravure with softground etching and aquatint printed in yellow  Accession ID  2001.142.113.1

    Not on view
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    Rain

    Christopher Brown, Crown Point Press

    1995

    Color spitbite aquatint with aquatint and burnishing on somerset soft white paper  Accession ID  1998.40.49

    Not on view
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    Velázquez Hands

    Christopher Brown, Crown Point Press

    1995

    Color aquatint with soft and hardground etching with burnishing on somerset soft white paper  Accession ID  1998.40.68

    Not on view
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    Full Moon [working proof 1]

    Christopher Brown, Renée Bott

    1995

    Aquatint with hard ground etching and burnishing on somerset paper (wp 1 – grey aquatint, black hard ground (hard ground plate not used in edition), some burnishing)  Accession ID  2024.132.161

    Not on view
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    Velazquez Hands [working proof 1]

    Christopher Brown, Renée Bott

    1995

    Color aquatint with soft ground and hard ground etching and burnishing on somerset paper (wp 1 –aquatint + soft ground etching + burnishing in grey + black)  Accession ID  2024.132.155

    Not on view