Max Weber

American, born Russia (now Poland), 1881 - 1961

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  • The image shows abstract shapes and lines forming a face-like figure with bold strokes. It includes elongated, semicircular lines for hair, two rounded wide shapes for eyes, a triangular shape for a nose, and a red, curved line for lips. The design uses different colors and patterns to create an abstract representation of a human face, framed by a rough border.

    Head

    Max Weber

    1920

    Color linocut on laid paper  Accession ID  2015.114.60

    Not on view
  • The image is a print showing two figures, with their upper bodies and heads prominently featured. The primary figure, a woman, is positioned in an embrace with another smaller figure, possibly a child, in front of her. Both of their faces feature stylized, exaggerated features such as large eyes and prominent noses. The woman has long, flowing hair, and the child has a simpler hairstyle. The clothing depicted is simple and stylized, with flowing lines suggesting drapery. The surrounding area includes elements that might represent fabric patterns or abstract designs. In the background, patterns and shading create a contrast that adds depth to the overall design. There is an abstract pattern on the lower section of the print, which includes geometric elements that may resemble a decorative surface. The print is monochromatic.

    Mother Love

    Max Weber

    1920

    Woodcut in black on laid paper  Accession ID  2015.114.57

    Not on view
  • The image depicts angular shapes and strong lines forming an abstract scene. Central figures with elongated facial features are seated at a table with an open book. Raised hands and gazes suggest interaction or communication.

    Feast of Passover

    Max Weber

    1920

    Woodcut in black on laid paper  Accession ID  1997.128.17

    Not on view
  • The image depicts abstract shapes and figures in a reddish-brown hue. The style is reminiscent of expressionism with bold outlines and a textured appearance. Overlapping shapes suggest movement and interaction within a rectangular composition. The figures are formed by curved lines and blocks of color, creating ambiguity. The use of space and form creates depth and complexity. It is in the style of Erich Heckel.

    Mother Love

    Max Weber

    1920 (printed 1950)

    Woodcut in brown on laid paper  Accession ID  2015.114.58

    Not on view
  • The image is a monochromatic artwork depicting two stylized figures from the chest up. The larger figure is positioned closely above and behind the smaller one. Both figures have simplified, angular facial features, prominent eyes and noses, and flowing hair. They wear patterned garments and are in a protective or comforting posture. Various objects and geometric shapes are below them, possibly representing a table setting. Abstract shapes and lines fill the background. The bottom section is blank with a signature "Max Weber" on the lower right. The entire composition is framed.

    Mother Love

    Max Weber

    1920

    Woodcut in brown on laid paper mounted to paperboard  Accession ID  2015.114.59

    Not on view
  • The image shows angular and curved lines forming abstract shapes resembling three human-like figures. The figures have elongated facial features and expressive eyes. The central figure appears to be pointing to an open book-like shape. The composition suggests individuals engaged in a discussion or presentation, perhaps in a setting related to reading or storytelling. The lines and shapes create depth and interaction among the figures, merging familiar elements with an abstract motif.

    Feast of Passover

    Max Weber, The Spiral Press, Joseph Blumenthal, Weyhe Gallery

    1920 (published 1956)

    Woodcut in black on laid paper  Accession ID  2015.114.52

    Not on view
  • The image shows an abstract human figure from head to feet, in a standing position with hands pressed together in front of the chest. The face has geometric shapes, and the head is slightly bowed. The hair is abstract and continuous above the head. The body is outlined with simple lines, and there are no clothes or adornments on the figure. The background is a textured, dark rectangle, with the artist's signature "Max Weber" at the bottom.

    Prayer

    Max Weber, The Spiral Press, Joseph Blumenthal, Weyhe Gallery

    1920 (published 1956)

    Linocut in black on laid paper  Accession ID  2015.114.53

    Not on view
  • The image is a monochromatic artwork featuring a close-up of a person's face, with only the face and part of the neck visible. The individual is depicted in a frontal position with stylized facial features, including large, rounded eyes with prominent eyelids and thick horizontal eyebrows. The nose is elongated and broad, and the mouth is small. The hair appears textured with parallel lines and flows down the sides of the face. There is no visible jewelry or objects held, as it focuses solely on the facial features. The background is a plain, textured surface with the name "Max Weber" inscribed at the bottom right. The overall style is abstract and heavily stylized, with a rustic appearance.

    Head

    Max Weber

    1920

    Linocut in black on laid paper  Accession ID  2015.114.61

    Not on view
  • The image shows a close-up of a person's face, focusing on the head and shoulders. The person is depicted in a forward-facing position. The facial features include large, oval eyes with prominent eyebrows, and the face appears to have a beard, stylized in brown and white lines. The person is wearing a hat that is golden-brown in color. The background of the image features abstract shapes in various colors, including purple, red, blue, and green. There is no visible jewelry or objects the person is holding in this image. The artwork is framed by a purple border, and the artist's name, Max Weber, is visible at the bottom.

    Rabbi

    Max Weber

    1920

    Color linocut on laid paper mounted to paperboard  Accession ID  2015.114.20

    Not on view
  • The image shows a person's full body standing upright with hands clasped in front of the chest. The face is depicted with geometric shapes and lines. The hair is long and dark, styled angularly. The person is depicted in a minimalist style in various shades of brown. There are textured areas and swatches of blue and red around the figure. The background is off-white with hints of blue and earthy tones, creating a textured effect.

    Prayer

    Max Weber

    1920

    Color linocut on laid paper  Accession ID  2015.114.19

    Not on view
  • The image shows a composition of bold, interlocking lines and shapes forming an intricate design. This abstract artwork features overlapping rounded and angular forms. The crisscrossing lines and varied shading create a texture resembling carved stone or wood. Shapes suggest familiar objects and hint at limbs and facial features, lending a human-like quality to the design.

    Crouching Nude

    Max Weber

    1919-1920

    Woodcut in black on laid paper  Accession ID  2015.114.24

    Not on view
  • The image shows an abstract composition with a central figure holding a rectangular object with linear patterns. The figure's face is partially covered by one hand, rendered in a simplified, geometric fashion. The background features angular lines and forms.

    Study

    Max Weber

    1919-1920

    Woodcut in brown on laid paper  Accession ID  2015.114.50

    Not on view