Nicola Michetti

Italian, 1675 - 1759

Explore selected works

This is a drawing of an architectural installation featuring a large, ornate structure with classical design elements. The drawing showcases a scene depicting the structure, adorned with sculptures and figures, situated in a public square. The base of the installation features a pediment with intricate designs, garlands, and classical columns. The background includes detailed depictions of buildings from the same architectural period. The foreground is populated with figures dressed in period attire. The drawing is detailed with fine lines, showcasing the architecture and scene below.
Domenico Franceschini, The Seconda Macchina for the Chinea of 1733: Jupiter and Minerva and the Forge of Vulcan, 1733, etching and engraving on laid paper, Gift of Mr. and Mrs. Paul Gourary, 1996.48.2

The Seconda Macchina for the Chinea of 1733: Jupiter and Minerva and the Forge of Vulcan

Domenico Franceschini · 1733 · etching and engraving on laid paper ·  Accession ID  1996.48.2
The artwork depicts a vertical architectural structure in an urban setting, executed in a monochromatic engraving style. At the top, a group of classical figures is arranged on a rocky formation, with Apollo sitting prominently, surrounded by the Muses in poses. The figures are detailed and occupy the upper section. Below this tableau, an archway forms the base of the structure, with additional figures and decorative elements, such as garlands, adorning it. The scene is set in a street, with elegantly dressed people engaging in various activities in the foreground, and classical buildings flanking the composition.
Giovanni Battista Sintes, The Prima Macchina for the Chinea of 1733: Parnassus with Apollo and the Muses, 1733, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.67.23

The Prima Macchina for the Chinea of 1733: Parnassus with Apollo and the Muses

Giovanni Battista Sintes · 1733 · etching ·  Accession ID  2016.121.67.23
The artwork is a detailed engraving depicting an elaborate architectural structure set within an urban square. The structure is adorned with classical elements, featuring a large central arch supported by ornate columns. Atop the arch, figures of Jupiter and Minerva are seated amidst swirling clouds and decorative motifs, including weapons and laurel wreaths. Below, the Forge of Vulcan is depicted with dynamic figures engaged in crafting activities. The scene is populated with individuals moving around the structure. The background consists of classical buildings. The engraving showcases intricate line work, capturing the texture and detail of both the architectural elements and the figures.
Domenico Franceschini, The Seconda Macchina for the Chinea of 1733: Jupiter and Minerva and the Forge of Vulcan, 1733, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.67.24

The Seconda Macchina for the Chinea of 1733: Jupiter and Minerva and the Forge of Vulcan

Domenico Franceschini · 1733 · etching ·  Accession ID  2016.121.67.24
The image shows a busy square with an ornate building in the background. The building has a domed structure and a detailed facade. Figures are spread across the square, some talking or moving. In the center, there is a cloud-like formation supporting a smaller domed structure with figures inside and around it. The scene is depicted with detailed line work characteristic of engraving. The color scheme is monochrome. Additional architectural elements are visible in the background.
Giovanni Battista Sintes, The Prima Macchina for the Chinea of 1732: The Council of the Gods, 1732, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.2

The Prima Macchina for the Chinea of 1732: The Council of the Gods

Giovanni Battista Sintes · 1732 · etching ·  Accession ID  2016.121.2
The artwork is an intricately detailed engraving depicting a scene with classical architectural elements and figures. In the center, a large, ornate structure resembling a temple or pavilion is elevated on a base of clouds. Inside this structure, a gathering of figures is visible, engaging in various gestures. Surrounding the central structure are numerous smaller figures, some in dynamic poses, positioned on the clouds. The background features classical buildings with detailed facades and windows. Below the clouds, a procession with people and a horse-drawn carriage is underway. Decorative elements and inscriptions are present at the bottom. The composition is arranged with architectural and human elements.
Giovanni Battista Sintes, The Prima Macchina for the Chinea of 1732: The Council of the Gods, 1732, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.67.21

The Prima Macchina for the Chinea of 1732: The Council of the Gods

Giovanni Battista Sintes · 1732 · etching ·  Accession ID  2016.121.67.21
The image shows a detailed etching with an elevated view of a scene. The horizon is obscured by architectural structures, with buildings and a circular structure serving as upper boundaries. Figures, chariots, and buildings are depicted in a classical style with intricate brushstrokes. The monochromatic color palette consists of shades of gray and beige. In the foreground, figures are engaged in activities, including a procession and a chariot around a fountain. The scene extends into a cloud-like structure with ornate elements and a dome in the background.
Giovanni Battista Sintes, The Prima Macchina for the Chinea of 1732: The Council of the Gods, 1732, etching and engraving on laid paper, Gift of Mr. and Mrs. Paul Gourary, 1996.48.1

The Prima Macchina for the Chinea of 1732: The Council of the Gods

Giovanni Battista Sintes · 1732 · etching and engraving on laid paper ·  Accession ID  1996.48.1
The artwork is a detailed engraving depicting a theatrical scene. Dominating the center is a large, sculptural representation of an eagle carrying a figure amidst swirling clouds. This focal point is set against a backdrop of classical architecture, with a prominent building to the right featuring balconies filled with spectators. Below, a procession or gathering takes place, with figures in various poses, some interacting and others observing. The scene is rich in texture and intricate line work. The composition is balanced with architectural elements on either side, and the use of shading adds depth and dimension to the landscape and figures.
Giovanni Battista Sintes, The Seconda Macchina for the Chinea of 1732: The Rape of Ganymede, 1732, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.67.22

The Seconda Macchina for the Chinea of 1732: The Rape of Ganymede

Giovanni Battista Sintes · 1732 · etching ·  Accession ID  2016.121.67.22
The artwork depicts an architectural scene showcasing the Seconda Macchina for the Chinea festival of 1731. The composition is viewed from a frontal perspective, with the horizon positioned high, focusing on a grand archway dedicated to Charles VI. The detailing of the arch includes classical architectural elements such as columns and sculptures, with an eagle perched at the top center. The scene includes people, some in groups, others pushing carts. The surrounding buildings have garlands and banners. The color palette is monochromatic, typical of engravings, with detailed linework that emphasizes the texture and depth of the structures and figures. The artwork includes inscriptions in the lower section, providing context and dedication information.
Bartolomeo de Pietri, The Seconda Macchina for the Chinea of 1731: The Arch of Peace Dedicated to Charles VI, 1731, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.67.20

The Seconda Macchina for the Chinea of 1731: The Arch of Peace Dedicated to Charles VI

Bartolomeo de Pietri · 1731 · etching ·  Accession ID  2016.121.67.20