Bruce Conner

American, 1933 - 2008

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    RAIN

    Bruce Conner, Tamarind Institute

    1965

    Lithograph (stone) in black on white arches paper  Accession ID  1983.18.410

    Not on view
  • The image displays black intricate lines and shapes on an orange background. The lines create patterns resembling mountainous landscapes, flowing water, and abstract depictions of machinery or architecture. Text elements such as "Sun" and "Rip" are present in some sections.

    SUNSET STRIP

    Bruce Conner, Tamarind Institute

    1965

    Lithograph (stone and aluminum) in red-orange and black on white arches paper  Accession ID  1983.18.414

    Not on view
  • The image shows an array of overlapping and intersecting lines on a canvas. The lines form a chaotic and intricate pattern. The dark hues and varying intensities of shading create a sense of depth.

    UNTITLED

    Bruce Conner, Tamarind Institute

    1965

    Lithograph (stone) in black on white arches paper  Accession ID  1983.18.409

    Not on view
  • The image depicts an array of intricate lines and shapes converging and diverging in an abstract manner. Curved and jagged lines intertwine to create formations, with denser and textured areas contrasting with lighter, sparser patterns. The overall effect is a chaotic yet harmonious blend of recognizable elements transformed through abstraction.

    LANDSCAPE

    Bruce Conner, Tamarind Institute

    1965

    Lithograph (aluminum) in black on white arches paper  Accession ID  1983.18.411

    Not on view
  • The image shows an abstract composition with a circular form at the top, filled with dense, radiating lines, and wavy lines extending downward. This arrangement resembles a tree trunk or an old rope unraveling into tendrils, suggesting organic textures. The loose lines sprawling from the main form create a visual effect reminiscent of hair or roots, enhancing its organic connection.

    JELLY FISH

    Bruce Conner, Tamarind Institute

    1965

    Lithograph (aluminum) in black on white arches paper  Accession ID  1983.18.418

    Not on view
  • The image consists of jagged and curved lines creating irregular and organic shapes in an abstract composition. These shapes may suggest a mountainous landscape or intertwined figures within a cloud-like structure. The use of shading and cross-hatching adds depth, resembling natural scenes like rocky cliffs and swirling skies. The image is framed by a simple border, highlighting the abstract arrangement of lines and shapes.

    LANDSCAPE

    Bruce Conner, Tamarind Institute

    1965

    Lithograph (aluminum) in brown on white arches paper  Accession ID  1983.18.415

    Not on view
  • The image contains thin, meandering green lines on a white background, forming an abstract composition. The lines curve and twist, creating various shapes throughout the composition. Some sections are densely clustered, resembling intricate designs, while others expand outward. The design may suggest networks or organic patterns.

    GREEN LINE

    Bruce Conner, Tamarind Institute

    1965

    Lithograph (aluminum) in green on white arches paper  Accession ID  1983.18.412

    Not on view
  • The image shows a collection of intricate and chaotic black lines and shapes flowing across the canvas to create an abstract composition. Lines cluster in the central area and project outward like sunbursts, while on the right side, a dense mass of lines resembles a craggy rock or floating island amidst a lighter, textured background. The elements in the image may suggest various natural formations like mountains, islands, or celestial bodies, prompting viewers to explore and discover.

    UNTITLED

    Bruce Conner, Tamarind Institute

    1965

    Lithograph (aluminum) in black on white arches paper  Accession ID  1983.18.413

    Not on view
  • The image depicts bold, sweeping black lines and swirls on a textured, beige background. The thick, dark strokes form an abstract composition with dynamic shapes. The lines resemble a large 'X' or cross, with additional lines extending outwards. The strokes suggest movement and layers, evoking wind or waves.

    CANCELLATION

    Bruce Conner, Tamarind Institute

    1965

    Lithograph (stone) in black on white nacre paper  Accession ID  1983.18.417

    Not on view
  • This is an image showing text that reads "THIS SPACE RESERVED FOR JUNE WAYNE." The text is displayed in blue on a dark grey background, using a bold, modern font. "JUNE WAYNE" is in a larger font size to emphasize it.

    THIS SPACE RESERVED FOR JUNE WAYNE

    Bruce Conner, Tamarind Institute

    1965

    Lithograph (stone) in dark blue and black on whitearches paper  Accession ID  1983.18.416

    Not on view
  • The sculpture is an abstract rectangular box with a transparent front and an ornate patterned side. The inner space is three-dimensional and viewed through a translucent, textured surface with hues of black, brown, and muted red. The material is a combination of glass or plexiglass on the front and a painted or printed wooden frame. The side is decorated with a swirling red and white pattern. The sculpture offers a combination of transparency and texture, drawing attention to the outer ornate pattern and the inner layers seen through the front surface.

    CAMERA OBSCURA

    Bruce Conner

    1959

    Mixed media  Accession ID  1982.33.2

    Not on view
  • This is an image of the word "APPLAUSE" printed in bold, black, uppercase letters on a plain white background. The color scheme is simple, using only black and white. The word is displayed prominently in the image, occupying most of the frame.

    APPLAUSE

    Bruce Conner, Kaiser Graphics

    1966

    Offset lithograph in black on wove paper  Accession ID  2011.93.25

    Not on view