Robert Rauschenberg

American, 1925 - 2008

Displaying 13 - 24 of 497

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  • ""

    Reunion

    Robert Rauschenberg, Minyoung Park, James Reid, Gemini G.E.L.

    2000

    Color screenprint on rives bfk wove paper  Accession ID  2015.23.306

    Not on view
  • ""

    Gossip

    Robert Rauschenberg, Minyoung Park, James Reid, Gemini G.E.L.

    2000

    Color screenprint on pescia magnani wove paper  Accession ID  2015.23.313

    Not on view
  • This is a painting featuring a collage-like streetscape. The composition contains a blend of various elements from urban life, including stacked crates of beverages, patterned textiles, faded advertisements, and cultural motifs. Cut-out images of roses, calligraphy, and a profile illustration of a person are affixed above these elements. The overall feel is one of vibrant chaos, reflecting different textures and narratives within an urban environment. This painting is in the style of Robert Rauschenberg, known for his collage techniques and assemblages.

    Vamp

    Robert Rauschenberg, Richard Kaz, Maureen M. Staley, Gemini G.E.L.

    2000

    Color screenprint on john koller hmp canvas handmade paper  Accession ID  2007.52.2

    Not on view
  • ""

    Wash

    Robert Rauschenberg, Richard Kaz, Maureen M. Staley, Gemini G.E.L.

    2000

    Color screenprint on magnani pescia bianco wove paper  Accession ID  2015.23.318

    Not on view
  • ""

    Quattro Mani Marrakech III

    Robert Rauschenberg, Darryl Pottorf, Richard Kaz, Maureen M. Staley, Gemini G.E.L.

    2000

    Color screenprint on lanaquarelle wove paper  Accession ID  2015.23.316

    Not on view
  • ""

    Site

    Robert Rauschenberg, Minyoung Park, James Reid, Gemini G.E.L.

    2000

    Color screenprint on rives bfk wove paper  Accession ID  2015.23.305

    Not on view
  • ""

    Next Room

    Robert Rauschenberg, James Reid, Amy Robinson, Gemini G.E.L.

    2000

    Color screenprint on john koller hmp canvas handmade paper  Accession ID  2015.23.308

    Not on view
  • The image displays abstract shapes and lines in grey and brown tones. Silhouetted figures resembling athletes in motion are present. Ink splashes and blotches add texture, with dark lines and shaded areas suggesting a playfield. The composition conveys movement and athleticism within an abstract landscape.

    Ace

    Robert Rauschenberg, Craig Zammiello, Brian Berry, Nancy Mesenbourg, Universal Limited Art Editions

    1999

    Color photogravure on wove paper  Accession ID  2002.42.1

    Not on view
  • This is a painting of a collage of four images on a textured background. The artwork consists of four photographs incorporated into the composition, each with varying levels of clarity and within uniquely shaped frames that appear to be formed from splashes of ink. The images include individuals posed in different settings, such as in casual clothing and within an indoor environment, as well as a domestic landscape with a tree and building in the background. The overall presentation combines photographic realism with abstract forms creating a dynamic interplay between image and medium.

    Tanya

    Robert Rauschenberg, Brian Berry, Craig Zammiello, Lorena Salcedo-Watson, Universal Limited Art Editions

    1999

    Color photogravure on j. barcham green copperplate wove paper  Accession ID  2002.42.8

    Not on view
  • The image shows irregular dark watercolor blotches forming an organic shape across the center of the canvas. Within this design, there are elements resembling the American flag pattern and a photographic element of a man seated with a contemplative posture. The blending of fluid lines and details suggests a connection between abstraction and realism in a unified piece.

    Jap

    Robert Rauschenberg, Doug Bennett, Brian Berry, Universal Limited Art Editions

    1999

    Photogravure in black on arches cover wove paper  Accession ID  2002.42.6

    Not on view
  • The image consists of overlapping rectangles and smudged lines. In the top left corner, there is a rectangular shape resembling fabric with horizontal lines. In the center, there is a rectangle with a black-and-white image of a vintage building with pedestrians. Below it are amorphous brush-like strokes and gray shapes, with a silhouette resembling a dog. On the right side, there is a rectangle with layered portraits of a man and a woman in conversation. The piece has a textured, collage-like quality.

    Big and Little Bullys

    Robert Rauschenberg, Brian Berry, Craig Zammiello, Nancy Mesenbourg, Universal Limited Art Editions

    1999

    Color photogravure on lavis fidelis en tout cas wove paper  Accession ID  2002.42.2

    Not on view
  • The image displays a blend of sweeping, dark curves and lines that overlap various forms, creating an abstract composition. Vague outlines in the form of curving shapes may resemble familiar objects like a vintage car with a visible grille and headlamps, alongside a figure that seems to lean against the side of the vehicle. Within another part of the image, the profile of a person appears as they look out a window similarly presented in a mixture of shadowy swirls and indistinct shapes. The composition is a combination of textures that evoke imagery akin to photographic collages.

    John

    Robert Rauschenberg, Brian Berry, Jihong Shi, Doug Bennett, Universal Limited Art Editions

    1999

    Color photogravure on lana gravure wove paper  Accession ID  2002.42.7

    Not on view