Robert Rauschenberg

American, 1925 - 2008

Displaying 469 - 480 of 502

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  • The image includes abstract shapes and lines organized across the canvas. Two identical machine-like structures with curved arrows are at the top center, connected to labeled arrows with (S) and (F). Below them are textured rectangular forms with abstracted photographic elements. To the right, there is an irregular circular shape filled with swirling black. Near the top right, a small circle is rough and red with a textured border.

    Test Stone #5

    Robert Rauschenberg, Robert Bigelow, Octavio Pereira, Gemini G.E.L.

    1967

    Lithograph in black and red on rives bfk wove paper  Accession ID  1981.5.73

    Not on view
  • The image shows an arrangement of rectangular and irregular shapes with overlapping lines and varying textures, creating an abstract composition. Recognizable elements include a photograph of a man in aviator attire beside an aircraft, military-related visuals, and scenes of urban life with vehicles and buildings. These objects are integrated within the abstract layout, appearing as fragmented echoes of the original scenes, contributing to a collage-like effect.

    Test Stone #2

    Robert Rauschenberg, Kenneth Tyler, Robert Bigelow, Gemini G.E.L.

    1967

    Lithograph on rives bfk wove paper  Accession ID  1991.74.245

    Not on view
  • The image contains various overlapping shapes and lines, blending circular forms with angular edges to create an abstract composition. Among the overlapping imagery are a face, an athlete's jersey with the number "13," a vintage automobile, snippets of a woman's face, and mechanical parts suggesting engines or machinery. The composition evokes a collage of fragmented narratives.

    Test Stone #1

    Robert Rauschenberg, Octavio Pereira, James Webb, Gemini G.E.L.

    1967

    Lithograph on rives bfk wove paper  Accession ID  1981.5.230

    Not on view
  • The image displays intersecting shapes and lines in black and red tones. Broad brushstrokes meet sharp lines, creating a dynamic movement. There are elements resembling newspaper clippings and photographs, including a partially obscured face and text fragments.

    Test Stone #3

    Robert Rauschenberg, James Webb, Robert Bigelow, Gemini G.E.L.

    1967

    Lithograph in red and black on barcham green wove paper  Accession ID  1991.74.247

    Not on view
  • The image contains a variety of geometric shapes, grids, and organic forms. A blue chair silhouette is at the top, contrasting with gray-scale abstract shapes below. The shapes resemble skeletal structures, possibly hinting at an x-ray image. There are abstract lines, curves, and radial patterns in the background. Red lines form a grid-like pattern in the middle section. Textures and forms suggest gears, dials, or machinery parts. The composition blends abstract and recognizable elements in a complex way.

    Booster

    Robert Rauschenberg, Kenneth Tyler, Robert Bigelow, Gemini G.E.L.

    1967

    Color lithograph and screenprint on curtis domestic rag wove paper  Accession ID  1978.92.11

    Not on view
  • ""

    Test Stone #6

    Robert Rauschenberg, Kenneth Tyler, Robert Bigelow, Gemini G.E.L.

    1967

    Color lithograph on domestic etching wove paper  Accession ID  2017.54.88

    Not on view
  • ""

    Test Stone #7

    Robert Rauschenberg, Kenneth Tyler, Robert Bigelow, Octavio Pereira, Gemini G.E.L.

    1967

    Lithograph on domestic etching wove paper  Accession ID  1991.74.244

    Not on view
  • The image features a circular composition filled with overlapping geometric shapes and bold lines, creating an abstract quality. The circle contains colors such as pinks, yellows, blues, and blacks forming circles resembling vinyl records. Additionally, there are photographic snippets depicting objects like an eye, an orange produce display, and what appears to be a fan or bicycle wheel, contributing to the collage-like arrangement. The overall piece resembles an abstract collage blending pop art vibrancy with everyday life elements, prompting viewers to spot familiar objects within the composition.

    Passport

    Robert Rauschenberg, Tanglewood Press

    1967

    Color screenprint on three plexiglas discs mounted with metal bolt  Accession ID  2006.126.6

    Not on view
  • The image contains abstract shapes and lines in black and green colors. There are mechanical-looking objects with circular tops and arrow indicators that resemble drill bits. Various green brushstroke patterns and a grid-like shape with stripes are present, along with scattered black and white photographic segments of a car tire and a person. A round black form and an adjacent circle, partially filled with red, can be seen. The composition creates an abstract visual experience reminiscent of a collage of industrial and mechanical elements.

    Test Stone #5A

    Robert Rauschenberg, Octavio Pereira, Gemini G.E.L.

    1967

    Color lithograph on rives bfk wove paper  Accession ID  1985.47.153

    Not on view
  • ""

    Night Grip

    Robert Rauschenberg, Universal Limited Art Editions

    1966

    Lithograph in red and black on crisbrook british handmade paper  Accession ID  1976.56.138

    Not on view
  • The image displays swirling brushstrokes, haphazard lines, and patches of dark and light tones forming an abstract composition. A round form resembling a large wheel or planetary disc is surrounded by streaks and smudges resembling dark clouds or textured landscapes. Fragmented elements suggest a room with furnishings and architectural details, adding a sense of depth and partial recognition within the abstract chaos.

    Visitation II

    Robert Rauschenberg, Universal Limited Art Editions

    1965

    Lithograph in black on rives bfk wove paper  Accession ID  1976.56.136

    Not on view
  • The image shows bold black brushstrokes and smudges against a faint blue grid background. The abstract composition suggests clouds passing over a cityscape or an interior mechanical device. The interaction between the grid and brushstrokes creates a visual connection to blueprints or schematics.

    Visitation I

    Robert Rauschenberg, Ben Berns, Universal Limited Art Editions

    1965

    Lithograph in blue and black on rives brk wove paper  Accession ID  1991.116.124

    Not on view