Josef Albers

American, born Germany, 1888 - 1976

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  • There are two compositions of geometric shapes and lines against a neutral background. On the left, there is an abstract arrangement of black and orange lines forming a grid-like structure. On the right, there is a smaller square composition in shades of gray and green with a pattern that resembles a computer chip or a section of a piano keyboard. Both compositions use simple shapes and a limited color palette to convey rhythm and interconnection.

    Folder 31

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.31

    Not on view
  • The image contains two rectangular compositions side-by-side. Each features a series of nested squares and rectangles of varying hues. On the left, there is an abstract arrangement with a green square at the center, surrounded by progressively larger gray and darker green rectangles. On the right, there is another abstract configuration with an orange square at the center, bordered by light orange and darker orange rectangles. Both compositions use contrasting colors to accentuate depth.

    Folder 17

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.17

    Not on view
  • The image shows geometric shapes with sharp angles and clean lines, primarily in shades of gray and black. The abstract design includes overlapping parallelograms and triangles that create a sense of depth and dimension. These forms are set against a pale background, emphasizing the contrast and interaction between the shapes.

    Folder 26

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in black and gray on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.26

    Not on view
  • The image is a diptych with two abstract compositions. The left side shows horizontal lines in white and black on a mustard-yellow background. The right side displays repeated arrangements of small brown triangles on a blue background. Both panels use abstract shapes and lines to form patterns.

    Folder 15

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.15

    Not on view
  • The image shows four blue rectangular outlines with complex arrangements of overlapping oval and elliptical shapes. The abstract designs within each rectangle resemble aspects of familiar objects like eyes, masks, or paisley prints. The repetition of ovals and elongated lines creates a sense of fluid movement, and the consistent use of blue and white ties the composition together visually.

    Folder 2

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in blue on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.2

    Not on view
  • The image shows two identical panels side by side. Each panel depicts a series of abstract shapes, layered angular lines forming a zigzag pattern on a gray background. In the upper left corner of each panel, there are three overlapping transparent rectangles resembling floating envelopes. The colors are varying shades of gray with white outlines, emphasizing a minimalist and geometric abstraction suggestive of folded paper or architectural elements.

    Folder 1

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.1

    Not on view
  • The image shows an arrangement of nested rectangles creating a geometric pattern with distinct lines and edges. It features two main sections with layers of rectangles varying in color from blue to green. The left section has a large blue rectangle, a medium green rectangle, and a smaller, darker green rectangle at the center. The right section mirrors this pattern with a larger green rectangle, a medium darker green rectangle, and a blue rectangle at the center. The composition resembles nested picture frames or window panes, creating depth with the overlapping layers.

    Folder 33

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.33

    Not on view
  • The image shows intersecting geometric shapes arranged in a symmetrical pattern with bold lines creating depth and dimension. The composition is abstract, characterized by two large hexagonal forms and trapezoidal extensions. The arrangement plays with perspective, resembling open doorways or book pages amidst a flat, neutral background.

    Folder 7

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in black and gray on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.7

    Not on view
  • The image displays two geometric compositions side by side, each featuring overlapping shapes forming abstract 3D structures. The left composition is predominantly green, while the right is various shades of blue. The intersecting lines and planes within each shape give the impression of folded paper or an open book. The shapes create depth and perspective, with each quadrilateral adding to the sense of dimensionality.

    Folder 25

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.25

    Not on view
  • The image shows two adjacent rectangles filled with geometric shapes forming an abstract design. Each rectangle has small white and grey parallelograms that interlock like origami paper folds. One rectangle is grey, while the other has a bold blue strip at the top edge. The design resembles architectural forms or open origami figures.

    Folder 23

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.23

    Not on view
  • The image shows a series of nested rectangular shapes aligned in a row, with each set composed of progressively smaller rectangles positioned within each other. The composition features dominant shades of red and orange with a pale background.

    Folder 27

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.27

    Not on view
  • The image shows abstract, nested rectangles on a light background, divided into two sections. The left side features cool tones with rectangles in shades of teal, green, and dark gray, getting smaller towards the center. The right side includes warm tones with rectangles in shades of yellow, orange, and muted gold towards the center.

    Folder 14

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.14

    Not on view