Tim Baker

Baker, Timothy

American, active late 20th century

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The image features a close-up, black-and-white portrait of a person showing their head and shoulders. The individual is in a profile position, looking towards the right of the frame with their head slightly tilted. Their facial features include prominent cheekbones and a defined jawline. The person's hair is styled in natural curls framing the side of their face. They are wearing a dark-colored ribbed top, visible at their shoulder and neckline. The background is plain. No jewelry or objects are visible.
Chuck Close, Tim Baker, Graphicstudio, Lorna, 2002, photogravure on Somerset Textured white paper, Gift of Graphicstudio/University of South Florida, 2007.105.1

Lorna

Chuck Close, Tim Baker, Graphicstudio · 2002 · photogravure on Somerset Textured white paper ·  Accession ID  2007.105.1

Burt Barr, Graphicstudio, Sarah Howard, Robert Hanning, Marcia Brown, Jennifer Melko, Jill Lerner, Hank Hine, Tim Baker, Tom Pruitt, William Lytch, Walter Morton, Double Feature, 2000, photolithograph in black on Arches Cover white paper, Gift of Graphicstudio/University of South Florida, 2002.111.1

Double Feature

Burt Barr, Graphicstudio, Sarah Howard, Robert Hanning, Marcia Brown, Jennifer Melko, Jill Lerner, Hank Hine, Tim Baker, Tom Pruitt, William Lytch, Walter Morton · 2000 · photolithograph in black on Arches Cover white paper ·  Accession ID  2002.111.1

The image shows bold, sweeping black lines forming an abstract composition. There are curved lines and loops at the top, resembling eye-like shapes. Below them are two forms resembling clenched fists.
Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Robert Hanning, Jennifer Melko, Graphicstudio, Untitled, 1999, drypoint in black on Somerset paper, Gift of Graphicstudio/University of South Florida, 2002.111.35.6

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Robert Hanning, Jennifer Melko, Graphicstudio · 1999 · drypoint in black on Somerset paper ·  Accession ID  2002.111.35.6

The image shows intersecting lines radiating from clusters of bright points arranged in a grid pattern against a dark background. The design forms the shape of the number "60," reminiscent of neon signs or digital clock displays. The lines link each point, creating a web-like effect that appears to emanate from the centers of the numbers.
Ellen Lupton, Abbott Miller, Robert Hanning, Tim Baker, Erika Greenberg-Schneider, Chris Ballantyne, Hank Hine, Marcia Brown, Deli Sacilotto, Graphicstudio, on/off, 1999, photogravure in black on two panels on Somerset Satin white paper, Gift of Graphicstudio/University of South Florida, 2002.111.16.1

on/off

Ellen Lupton, Abbott Miller, Robert Hanning, Tim Baker, Erika Greenberg-Schneider, Chris Ballantyne, Hank Hine, Marcia Brown, Deli Sacilotto, Graphicstudio · 1999 · photogravure in black on two panels on Somerset Satin white paper ·  Accession ID  2002.111.16.1

The image showcases a collection of intertwined lines and shapes forming an abstract composition. Bold black lines create contours resembling hands and arms, with red circular shapes resembling flowers and green pointed lines suggesting leaves and stems. The overall effect is a visual representation blending human-like forms with floral elements in an abstract and striking manner.
Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio, Untitled, 1999, drypoint in black and color aquatint on Somerset paper, Gift of Graphicstudio/University of South Florida, 2002.111.35.5

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio · 1999 · drypoint in black and color aquatint on Somerset paper ·  Accession ID  2002.111.35.5

The image shows bold, black lines forming two leg-like shapes with feet positioned upwards. Below these forms, a red, textured shape with a green top is present.
Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio, Untitled, 1999, drypoint in black and color aquatint on Somerset paper, Gift of Graphicstudio/University of South Florida, 2002.111.35.4

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio · 1999 · drypoint in black and color aquatint on Somerset paper ·  Accession ID  2002.111.35.4

The image shows a pair of feet in a black line drawing on a white background. The feet are depicted with intricate details and minimalistic line work, positioned so the soles face each other with toes pointing slightly inward. There are no additional elements in the image.
Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Robert Hanning, Jennifer Melko, Graphicstudio, Untitled, 1999, drypoint in black on Somerset paper, Gift of Graphicstudio/University of South Florida, 2002.111.35.8

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Robert Hanning, Jennifer Melko, Graphicstudio · 1999 · drypoint in black on Somerset paper ·  Accession ID  2002.111.35.8

The image shows a dense network of thin black lines on the left side, forming an intricate web-like pattern. On the right side, the lines are sparser and more curvilinear, outlining a human arm and hand, with a hint of a torso and head. This juxtaposes the abstract and representational elements in the image.
Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio, Untitled, 1999, drypoint in black on Somerset paper, Gift of Graphicstudio/University of South Florida, 2002.111.35.10

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio · 1999 · drypoint in black on Somerset paper ·  Accession ID  2002.111.35.10

Curving lines intersect with bold, red circular shapes. The shapes resemble large roses with detailed green leaves. Black lines are intertwined with the floral elements, suggesting a tactile connection to the abstract composition.
Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio, Untitled, 1999, drypoint in black and color aquatint on Somerset paper, Gift of Graphicstudio/University of South Florida, 2002.111.35.3

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio · 1999 · drypoint in black and color aquatint on Somerset paper ·  Accession ID  2002.111.35.3

Black linear shapes resembling two human forearms and hands are elevated upwards against a vivid backdrop. These lines curve and bend, while below them, two red circular forms with green appendages suggest tomatoes with leafy tops.
Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio, Untitled, 1999, drypoint in black and color aquatint on Somerset paper, Gift of Graphicstudio/University of South Florida, 2002.111.35.9

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio · 1999 · drypoint in black and color aquatint on Somerset paper ·  Accession ID  2002.111.35.9