Tim Baker

American, active late 20th century

Displaying 1 - 12 of 57

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  • The image features a close-up, black-and-white portrait of a person showing their head and shoulders. The individual is in a profile position, looking towards the right of the frame with their head slightly tilted. Their facial features include prominent cheekbones and a defined jawline. The person's hair is styled in natural curls framing the side of their face. They are wearing a dark-colored ribbed top, visible at their shoulder and neckline. The background is plain. No jewelry or objects are visible.

    Lorna

    Chuck Close, Tim Baker, Graphicstudio

    2002

    Photogravure on somerset textured white paper  Accession ID  2007.105.1

    Not on view
  • ""

    Lágrimas Negras (Black Tears)

    Ibrahim Miranda, Robert Hanning, Marcia Brown, Hank Hine, Deli Sacilotto, Tim Baker, Graphicstudio

    2000

    Color screenprint and intaglio on arches cover white paper  Accession ID  2002.111.17

    Not on view

  • Double Feature

    Burt Barr, Graphicstudio, Sarah Howard, Robert Hanning, Marcia Brown, Jennifer Melko, Jill Lerner, Hank Hine, Tim Baker, Tom Pruitt, William Lytch, Walter Morton

    2000

    Photolithograph in black on arches cover white paper  Accession ID  2002.111.1

    Not on view
  • The image shows swirling black lines in an abstract shape resembling a face with exaggerated features. Above are red circular forms with jagged edges and green lines suggesting stems and leaves. The abstract face is intertwined with elements resembling hair or facial features.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black and color aquatint on somerset paper  Accession ID  2002.111.35.7

    Not on view
  • ""

    Abend #3

    Markus Lüpertz, Chris Ballantyne, Robert Hanning, Marcia Brown, Hank Hine, Tim Baker, Erika Greenberg-Schneider, Stefanie Kohn, Tom Pruitt, Jill Lerner, Deli Sacilotto, Graphicstudio

    1999

    Color etching, sugarlift aquatint, and drypoint on chine collé of okawara japanese paper on somerset textured soft white paper  Accession ID  2002.111.15

    Not on view
  • The image showcases a collection of intertwined lines and shapes forming an abstract composition. Bold black lines create contours resembling hands and arms, with red circular shapes resembling flowers and green pointed lines suggesting leaves and stems. The overall effect is a visual representation blending human-like forms with floral elements in an abstract and striking manner.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black and color aquatint on somerset paper  Accession ID  2002.111.35.5

    Not on view
  • The image shows intersecting lines radiating from clusters of bright points arranged in a grid pattern against a dark background. The design forms the shape of the number "60," reminiscent of neon signs or digital clock displays. The lines link each point, creating a web-like effect that appears to emanate from the centers of the numbers.

    on/off

    Ellen Lupton, Abbott Miller, Robert Hanning, Tim Baker, Erika Greenberg-Schneider, Chris Ballantyne, Hank Hine, Marcia Brown, Deli Sacilotto, Graphicstudio

    1999

    Photogravure in black on two panels on somerset satin white paper  Accession ID  2002.111.16.1

    Not on view
  • ""

    Abend #1

    Markus Lüpertz, Chris Ballantyne, Robert Hanning, Hank Hine, Erika Greenberg-Schneider, Stefanie Kohn, Tom Pruitt, Tim Baker, Jill Lerner, Deli Sacilotto, Graphicstudio

    1999

    Color aquatint, drypoint, and softground etching on somerset textured soft white paper  Accession ID  2002.111.13

    Not on view
  • The image contains distinct shapes and lines in two contrasting sections. On the left are abstract outlines resembling a human form on a white background. On the right, there is a dense area of overlapping lines creating abstract patterns on a white background. These sections highlight the contrast between soft shapes and intricate patterns.

    Title Page

    Robert Creeley, Georg Baselitz, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black on somerset paper  Accession ID  2002.111.35.1

    Not on view
  • The image shows a pair of feet in a black line drawing on a white background. The feet are depicted with intricate details and minimalistic line work, positioned so the soles face each other with toes pointing slightly inward. There are no additional elements in the image.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Robert Hanning, Jennifer Melko, Graphicstudio

    1999

    Drypoint in black on somerset paper  Accession ID  2002.111.35.8

    Not on view
  • The image shows bold, black lines forming two leg-like shapes with feet positioned upwards. Below these forms, a red, textured shape with a green top is present.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black and color aquatint on somerset paper  Accession ID  2002.111.35.4

    Not on view
  • The image shows bold, sweeping black lines forming an abstract composition. There are curved lines and loops at the top, resembling eye-like shapes. Below them are two forms resembling clenched fists.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Robert Hanning, Jennifer Melko, Graphicstudio

    1999

    Drypoint in black on somerset paper  Accession ID  2002.111.35.6

    Not on view