Tim Baker

American, active late 20th century

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  • The image displays an abstract arrangement of bold, sweeping lines and shapes. There is a central looped figure resembling a simplified form, with a line crossing its middle. This figure is flanked by irregular shapes on either side that mirror each other. The composition suggests a human torso or a whimsical face, with the side shapes potentially representing ears or wings. The colors used are pink and orange, with inner black and white details. The lower part of the image features a continuation of these lines, forming a loosely structured body-like shape. A curved "T" shape at the bottom completes the composition, serving as limbs or legs. The abstract forms are set against a light neutral background.

    Changaloo

    Keith Sonnier, Jill Lerner, Tim Baker, David McDaniel, Mark Peterson, Shane Hoffman, Graphicstudio

    1996

    Color lithograph on okawara wove paper  Accession ID  1998.87.18

    Not on view
  • The image shows a complex network of vibrant swirling lines and shapes in various colors, predominantly red, blue, yellow, and orange. This abstract composition creates an intricate web across the canvas, with some sections forming a figure that resembles a seated or crouching person. The continuous, layered lines give a sense of energy and motion, reminiscent of tangled spaghetti or a chaotic nest of wires, offering a familiar yet abstract visual experience.

    Color of Mind and Muscle

    James Rosenquist, Tim Baker, Julie Maher, Graphicstudio

    1996

    Color screenprint on arches wove paper  Accession ID  1998.87.15

    Not on view
  • This is a painting of two revolvers being held and pointed towards the viewer. The artwork displays a pair of hands each gripping a revolver, aiming directly outward. The guns are depicted in grayscale, contrasting against a bright orange background. The style is slightly surreal, with the guns and hands exaggerated in size and texture.

    New Objective Picture

    James Rosenquist, Tim Baker, Julie Maher, Graphicstudio

    1996

    Color screenprint and lithograph on somerset satin wove paper  Accession ID  1998.87.16

    Not on view
  • Thick, dark, curved lines and angular shapes are scattered across a light background. The image features sweeping curves, zigzag shapes, and a looping form.

    Random Combination of Indeterminate Lines

    Bernar Venet, Jill Lerner, Tim Baker, Mark Callen, Graphicstudio

    1996

    Drypont, open bite etching, and aquatint on lana gravure paper  Accession ID  1998.87.25

    Not on view
  • ""

    Triple Loop

    Keith Sonnier, Stefanie Kohn, Julie Maher, Tim Baker, Xiaowen Chen, Jill Lerner, Mark Callen, Graphicstudio

    1995

    Color planographic/photoetching with paper collage on accordian-folded somerset satin white paper  Accession ID  1998.87.22

    Not on view
  • ""

    Neon and Cloth

    Keith Sonnier, Tim Baker, Xiaowen Chen, Stefanie Kohn, Jill Lerner, Julie Maher, Mark Callen, Graphicstudio

    1995

    Color planographic/photoetching on accordian-folded somerset satin white paper  Accession ID  1998.87.19

    Not on view
  • ""

    Lit Circle

    Keith Sonnier, Jill Lerner, Tim Baker, Xiaowen Chen, Stefanie Kohn, Julie Maher, Mark Callen, Graphicstudio

    1995

    Color planographic/photoetching on accordian-folded somerset satin white paper  Accession ID  1998.87.23

    Not on view
  • ""

    Hotel Delacourt

    Keith Sonnier, Tim Baker, Stefanie Kohn, Julie Maher, Xiaowen Chen, Jill Lerner, Mark Callen, Graphicstudio

    1995

    Color planographic/photoetching on accordian-folded somerset satin white paper  Accession ID  1998.87.20

    Not on view
  • ""

    In Between

    Keith Sonnier, Stefanie Kohn, Julie Maher, Xiaowen Chen, Tim Baker, Jill Lerner, Mark Callen, Graphicstudio

    1995

    Color planographic/photoetching on accordian-folded somerset satin white paper  Accession ID  1998.87.21

    Not on view
  • ""

    Computographics

    Keith Sonnier, Tim Baker, Julie Maher, Jill Lerner, Xiaowen Chen, Stefanie Kohn, Mark Callen, Graphicstudio

    1995

    Portfolio of five accordian-folded color planographic/photoetching with paper collage, text by robert rosenblum, and title page and colophon on somerset satin white paper  Accession ID  1998.87.19-23

    Not on view
  • The image shows a series of chaotic, intertwining lines and shapes spread across the canvas. The dark, swirling lines overlap and intersect, resembling tangled vines or branches. The background is a vibrant orange, contrasting with the deep brown lines, resembling autumn foliage or energetic scribbles. The abstract composition draws the viewer's eye to various sections, similar to observing the spontaneity and movement of nature.

    Untitled

    William S. Burroughs, Tim Baker, Julie Mahler, Graphicstudio

    1993

    Photolithograph on rives bfk creme 280 gm. paper  Accession ID  1995.61.10

    Not on view
  • The image shows elongated and curved dark shapes stretching vertically across the canvas. These shapes are set against a textured background. The abstract composition resembles dripping ink or liquid, forming shapes reminiscent of long-stemmed flowers or tall sea creatures. The smudged black and white tones contribute to an organic, fluid impression. The forms suggest movement and depth within the composition.

    Untitled

    William S. Burroughs, Julie Mahler, Tim Baker, Graphicstudio

    1993

    Photolithograph on rives bfk creme 280 gm. paper  Accession ID  1995.61.7

    Not on view