Tim Baker

American, active late 20th century

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  • The artwork displays jagged, black outlines forming irregular shapes, alongside a rectangular block of blue in the bottom right corner. The organic forms suggest a rugged landscape or rocky terrain with abstract markings resembling a geological map. The blue rectangle contains a small circular point, evoking a window or body of water, contrasting with the natural forms above.

    Blue Sharpshooter

    David Bradshaw, Julie Mahler, Tim Baker, Graphicstudio

    1993

    Photolithograph on rives bfk creme 250 gm. wove paper  Accession ID  1995.61.3

    Not on view
  • The image shows a series of chaotic, intertwining lines and shapes spread across the canvas. The dark, swirling lines overlap and intersect, resembling tangled vines or branches. The background is a vibrant orange, contrasting with the deep brown lines, resembling autumn foliage or energetic scribbles. The abstract composition draws the viewer's eye to various sections, similar to observing the spontaneity and movement of nature.

    Untitled

    William S. Burroughs, Tim Baker, Julie Mahler, Graphicstudio

    1993

    Photolithograph on rives bfk creme 280 gm. paper  Accession ID  1995.61.10

    Not on view
  • The image features swirling and textured shapes forming an abstract composition. A large, dark rectangular form is centrally placed, surrounded by intricate patterns resembling tree bark texture or geographical topography. Splashes of green and beige create an organic mosaic. The rectangular element contrasts with the chaotic forms, enhancing the abstract nature of the piece.

    Untitled

    William S. Burroughs, Xiaowen Chen, Julie Mahler, Mark Callen, Tim Baker, Graphicstudio

    1993

    Photolithograph and photo-etching on rives bfk wove paper  Accession ID  1995.61.9

    Not on view
  • The image displays irregular, fragmented shapes in shades of orange and red, with white and yellow highlights. The colors and shapes create an abstract composition.

    Untitled

    William S. Burroughs, Tim Baker, Julie Mahler, Graphicstudio

    1993

    Photolithograph on somerset satin 250 gm. paper  Accession ID  1995.61.8

    Not on view
  • ""

    Meridian Codex: Print Two

    Keith Sonnier, Brian Eddleman, Eric Vontillius, Tim Baker, Julie Mahler, Steve Espenshied, Graphicstudio

    1992

    Screenprint on balloon cloth stretched across aluminum frame  Accession ID  1995.61.27

    Not on view
  • ""

    Anemometer

    Keith Sonnier, Steve Espenshied, Tim Baker, Brian Eddleman, Eric Vontillius, Julie Mahler, Graphicstudio

    1991-1993

    Screenprint on white balloon cloth installed in an aluminum mount with blowers  Accession ID  1995.61.26

    Not on view
  • ""

    Meridian Codex: Print One

    Keith Sonnier, Brian Eddleman, Steve Espenshied, Julie Mahler, Eric Vontillius, Tim Baker, Graphicstudio

    1991-1992

    Screenprint on balloon cloth stretched across aluminum frame  Accession ID  1995.61.28

    Not on view
  • ""

    To See It Once is Better than to Hear It One Hundred Times

    Sergei Volkov, Julie Mahler, Bill Featheringill, Elizabeth Hagy, Steve Espenshied, Tim Baker, Graphicstudio

    1990-1992

    Lithograph on arches buff paper  Accession ID  1995.61.33

    Not on view
  • ""

    Black Flower Hand

    Lesley Dill, Robert Hanning, Marcia Brown, Hank Hine, Tim Baker, Eric Vontillius, Stefanie Kohn, Jill Lerner, Tom Pruitt, Deli Sacilotto, Graphicstudio

    1997

    2-color screenprint on copper plate with patina  Accession ID  2002.111.5

    Not on view