Bradford Morrow

American, born 1951

Displaying 25 - 36 of 36

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  • The image shows an irregular cluster of intersecting triangular shapes and lines forming an abstract design at the center of a blank canvas. The design consists mainly of shaded and outlined black lines, resembling a patchwork or star-like form with jagged edges. The arrangement suggests a fragmented star or a fabric swatch with uneven cuts and tiny spikes around its perimeter, creating a rugged appearance.

    Snake

    Joel Shapiro, Leslie Miller, Bradford Morrow

    1990

    Relief print in black on somerset paper  Accession ID  1998.124.4

    Not on view
  • The image features a series of soft, elongated pink shapes in a fan-like pattern in the upper left portion of the frame.

    Anemone

    Kiki Smith, Bradford Morrow, Leslie Miller, Grenfell Press

    1990

    Relief print in pink on somerset wove paper  Accession ID  1998.124.20

    Not on view
  • The image displays a rectangular section with two contrasting halves. The left side features a black abstract field with small white dots, resembling a starry night sky. The right side shows an intricate, abstract figure resembling a scarab beetle against a textured background resembling tree bark or a rough surface. The composition combines celestial and terrestrial elements, suggesting connections to space and nature.

    Beetle

    Vija Celmins, Leslie Miller, Bradford Morrow

    1990

    Relief print in black on somerset paper  Accession ID  1998.124.22

    Not on view
  • This is a drawing of a mushroom cap. The image features a detailed, black-and-white depiction of a mushroom cap, placed centrally on a plain background. The cap is intricately illustrated with fine lines radiating from the center, giving a sense of its textured surface. The use of bold black ink against the white background creates a stark contrast, emphasizing the contours and features of the mushroom. The minimalist approach focuses attention solely on the subject, highlighting its natural form and intricate details.

    Armadillo

    Michelle Stuart, Leslie Miller, Bradford Morrow

    1990

    Relief print in black on somerset paper  Accession ID  1998.124.14

    Not on view
  • The image shows wavy and jagged shapes, spotted oval forms, and thin vertical lines. A central shape with a red and white zigzag pattern is surrounded by other elements that resemble underground roots, stones, and plants. The composition evokes natural forms through its earthy colors and organic shapes.

    Earthworm

    Gregory Amenoff, Leslie Miller, Bradford Morrow

    1990

    Color relief print on somerset paper  Accession ID  1998.124.29

    Not on view
  • The image shows a large black rectangular area filled with fine, vertical striations and diagonal lines. Within this composition, a faint outline of a figure appears that resembles a seated human form. The intersecting lines and textural variations create an abstract look.

    Little Cock

    Mel Kendrick, Leslie Miller, Bradford Morrow

    1990

    Relief print in black on somerset paper  Accession ID  1998.124.16

    Not on view
  • The image features a silhouetted bird in the center against a textured background. The background has horizontal lines creating movement and depth. The color scheme is monochromatic with shades of black and gray. The contrast between the dark form and light background draws attention to the bird.

    Whale

    Vija Celmins, Leslie Miller, Bradford Morrow

    1990

    Relief print in black on somerset paper  Accession ID  1998.124.1

    Not on view
  • The image shows a square composition with an irregular line bisecting the space, creating a central fissure. The background is deep red, and the jagged line is gray.

    Unicorn

    Jamie Nares, Leslie Miller, Bradford Morrow

    1990

    Color relief print on somerset paper  Accession ID  1998.124.35

    Not on view
  • The image shows abstract shapes on the canvas. There are two blurred, blob-like forms connected by a thin, elongated line. The tones are gentle and muted, conveying simplicity in the artwork. Viewer might infer familiar elements like leaves or petals.

    Yak

    Michelle Stuart, Leslie Miller, Bradford Morrow

    1990

    Relief print in green on somerset paper  Accession ID  1998.124.26

    Not on view
  • The image features a black diamond shape against a white background. There is a small, white, curved void near the center of the diamond. The shapes create a sense of contrast and focus, highlighting the geometric symmetry and cleanliness of the composition.

    Firefly

    Joe Andoe, Leslie Miller, Bradford Morrow

    1990

    Relief print in black on somerset paper  Accession ID  1998.124.27

    Not on view
  • The image displays white abstract shapes and lines against a black background. In the center, there is a design resembling a horse in motion, with flowing lines indicating movement and connected with swirling patterns that could be interpreted as zebra stripes. The high contrast between the black and white elements enhances the abstract nature of the artwork.

    Horse

    Eric Fischl, Leslie Miller, Bradford Morrow

    1990

    Relief print in black on somerset paper  Accession ID  1998.124.9

    Not on view
  • The image shows thin, white lines intersecting and extending across a dark rectangular background.

    Hummingbird

    James Brown, Leslie Miller, Bradford Morrow

    1990

    Relief print in black on somerset paper  Accession ID  1998.124.33

    Not on view