Stanley William Hayter

Hayter, Stanley

British, 1901 - 1988

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  • The image displays a complex array of lines and curves intertwined across the canvas, varying in density and direction. The abstract composition creates a sense of dynamic movement, with sweeping arcs. Some lines suggest forms reminiscent of feathers or elongated beaks. These elements blend into a textured background, enhancing the overall sense of an abstract, organic scene.

    Laocoön

    Stanley William Hayter, Marian Willard Gallery

    1943

    Engraving and softground etching in black on wove paper  Accession ID  1945.5.76

    Not on view
  • The image shows intersecting and overlapping lines forming intricate, angular shapes carefully arranged within a rectangular frame against a textured backdrop. The abstract composition resembles the outline of a landscape or a collection of organic forms, similar to a deliberate arrangement of figures or objects. The piece suggests a connection to familiar objects like maps or islands seen from above, conveying complexity and structure within a simple depiction.

    Archipelago

    Stanley William Hayter

    1941

    Engraving and softground etching in black on wove paper  Accession ID  2008.115.2399

    Not on view
  • The image displays curving lines and sharp angles that intertwine across the canvas in an abstract representation. Among these shapes, a silhouette resembling a human profile and an eye is present, giving the impression of a face reflected in a mirror. The interplay of lines and shapes suggests familiarity, like a human figure or modernistic sculpture that fluctuates between abstraction and recognizable form. Texture and shading within the composition add depth and complexity to the artwork.

    Mirror

    Stanley William Hayter

    1941

    Engraving and softground etching in black  Accession ID  1944.14.19

    Not on view
  • The image features a mix of curving and angular lines overlapping on the canvas, creating a complex layered pattern. Within the lines, there are forms that may vaguely resemble a face or mechanical structure. Light and shadow give depth to the forms, creating a dynamic and floating appearance. The composition suggests a blend of organic and synthetic elements.

    Myth of Creation

    Stanley William Hayter

    1940

    Plaster print  Accession ID  1945.5.1325

    Not on view
  • The image shows intersecting and angular lines creating an abstract representation of a figure in motion. The shapes outline a human form with dynamic posture, suggesting movement. The limbs are depicted with bold, geometric facets, resembling a robotic or armored appearance. In the background, abstract shapes and lines suggest an energetic environment.

    Runner

    Stanley William Hayter

    1939

    Engraving on japanese paper  Accession ID  2012.92.83

    Not on view
  • The image contains intersecting and overlapping lines with curved and angular shapes. It resembles a network of tangled threads or a chaotic web, with lines forming vague silhouettes like distorted faces or human-like figures. There is a circle at the center and an elongated form. The overall design suggests movement and encourages the viewer to find patterns within the abstract presentation.

    Solidarité

    Stanley William Hayter

    1938

    Engraving in black on laid paper  Accession ID  2008.115.713.6

    Not on view
  • The image shows intersecting lines, arcs, and geometric shapes creating an abstract composition. The lines suggest a bird-like figure with a long neck and a beak, holding a staff. Intricate patterns and textures at the center imply fabric or feathers, with curves conveying motion. The artwork blends elements reminiscent of a creature against a textured background, in an abstract form.

    Undersea

    Stanley William Hayter

    1937

    Engraving and softground etching in black  Accession ID  2012.92.82

    Not on view

  • Combat

    Stanley William Hayter

    1936

    Engraving and softground etching in black  Accession ID  2012.92.80

    Not on view
  • The image displays overlapping lines and shapes that create an intricate abstract composition. The lines form angular shapes that may resemble a seated figure, with elements hinting at a face or limbs. Some areas are densely filled, creating a textured pattern amid open spaces. The artwork invites viewers to discover familiar forms within its intricate design.

    Pâques (Easter)

    Stanley William Hayter

    1936

    Engraving and softground etching in black  Accession ID  2012.92.81

    Not on view
  • The image shows intersecting lines and shapes. Black lines crisscross the scene, overlaid on broader, lightly shaded strokes that form an X-like structure in the background. There are curved elements that could resemble petals or sails, and linear patterns that could remind one of stringed instruments' cords. The juxtaposition of fluid curves and sharp angles evokes a dynamic interplay between motion and structure.

    Pavane

    Stanley William Hayter

    1935

    Engraving, softground etching, and drypoint in black  Accession ID  2012.92.79

    Not on view
  • The image features swirling lines and intersecting shapes in an abstract design. A central form resembling an exaggerated "S" shape stretches horizontally. It is surrounded by elliptical and circular shapes, with some overlapping linear hatching and oval loops. The elements create a sense of motion, akin to a side profile of a bird or aircraft in flight. The lines vary in thickness and curvature, creating a harmonious interplay.

    Woman in a Net

    Stanley William Hayter

    1934

    Engraving and softground etching in black  Accession ID  1975.105.5

    Not on view
  • The image contains interconnected lines and shapes, including triangles, ovals, and curved lines, creating an abstract composition. The forms suggest a coiled spring, a leaf, and a bowl, merging and overlapping within a delicate balance. The elements are layered in a rectangular frame, indicating interaction within the artwork.

    Bride

    Stanley William Hayter

    1934

    Engraving, softground etching, and roulette on laid paper  Accession ID  2017.148.46

    Not on view