Anne Appleby

American, born 1954

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  • Six vertical rectangles are aligned in a row against a pale background in this image. Each rectangle is filled with a gradient of colors. The colors transition smoothly from muted yellows and greens to deeper blues and reds.

    Verona Suite

    Anne Appleby, Dena Schuckit, Rachel Fuller, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.6

    Not on view
  • The image contains two large rectangular shapes side by side. The left rectangle is filled with a deep teal color, while the right one is a soft muted yellow. Both rectangles have soft, blurred edges.

    Verona Variation # 2

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.14

    Not on view
  • The image shows two large rectangular shapes on a white background. The left rectangle is a muted yellowish-green, while the right rectangle is dark teal.

    Verona Variation # 6

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.18

    Not on view
  • The image shows two large vertical rectangles standing side by side with soft, blurred edges. One rectangle is warm, rusty brown, while the other is muted, pale green. They are set against a plain white background.

    Verona Variation # 13

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.11

    Not on view
  • There are two large, vertically aligned rectangles side by side. Both rectangles have soft gradients of color, giving an abstract quality to the artwork. The rectangles resemble window panes or screens, with one edge lined in a different color, hinting at a transition or border.

    Verona Variation # 4

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on wove paper  Accession ID  2006.122.16

    Not on view
  • The image contains two large rectangular shapes side by side. One shape is a muted gray and the other is a rich olive green, set against a white background. The composition appears abstract, resembling viewing through frosted glass or misty windows, emphasizing simplicity and subtle color variations.

    Verona Variation # 1

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.7

    Not on view
  • The image features two large rectangles side by side on a plain background. The left rectangle is brownish in color, while the right one is a cool gray shade. Both rectangles have soft edges that blend slightly into the surrounding area.

    Verona Variation # 14

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.12

    Not on view
  • There are two adjacent rectangular shapes. The left one is thinner while the right one is larger and almost square. The left rectangle is a muted grey or beige color with a subtle light gradient, and the right rectangle is filled with a warm, earthy brown hue. There is a thin line bordering the right rectangle in a lighter shade. The background is white.

    Jasmine [working proof 2]

    Anne Appleby, Dena Schuckit

    2000

    Color aquatint with burnishing on somerset paper (wp 2 - color proof of 2 panel print)  Accession ID  2024.132.24

    Not on view
  • Three vertical rectangular shapes are placed side by side, creating a triptych effect. Each rectangle features a gradient of muted colors: beige, dark green, and a blend of soft purple and reddish tones. The rectangles resemble painted windowpanes, providing a view as if through translucent panels.

    Winter Aspen

    Anne Appleby, Dena Schuckit, Case Hudson, Crown Point Press

    2000

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.22

    Not on view
  • The image shows three vertical rectangles placed next to each other. Each rectangle is filled with a gradient of colors that subtly shift across the shapes. The artwork has an abstract composition, suggesting changing lights and shadows. The transitions within each rectangle can be likened to various times of day, such as a foggy morning or dusk.

    Summer Aspen

    Anne Appleby, Dena Schuckit, Case Hudson, Crown Point Press

    2000

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.5

    Not on view
  • The image shows two large rectangular shapes positioned adjacent to each other vertically. The left rectangle is a muted grayish-beige, while the right rectangle is a darker earthy green color.

    Jasmine

    Anne Appleby, Dena Schuckit, Case Hudson, Crown Point Press

    2000

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.3

    Not on view
  • The image displays three vertically oriented rectangular shapes side by side, each filled with a gradient of a different color. The rectangles are in muted golden-brown, rich reddish-brown, and vibrant green hues.

    Spring Aspen

    Anne Appleby, Dena Schuckit, Case Hudson, Crown Point Press

    2000

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.4

    Not on view