Universal Limited Art Editions

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  • This image features a large vertical rectangle with thin, uneven lines to create a weathered texture. It contains two skeletal figures with exaggerated ribcages, one positioned above the other within a casket-like shape. The abstract composition of the image hints at elements of an old, worn tombstone or coffin with a skeletal figure donning a small hat, while the lower portion features another skull encased in a similar setting. Surrounding this central figure are disorganized shapes, with jumbled letters on the left resembling an incomplete or fragmented letterpress and hand signs on the right that appear like an abstract representation of communication methods. At the bottom, two simplified stick figures stand off to the side.

    Untitled

    Jasper Johns, Universal Limited Art Editions

    2018

    Intaglio with chine collé on gampishi white laid down on whatman crestwick paper  Accession ID  2019.77.1

    Not on view
  • ""

    Perfection, Way, Origin (La perfection, le chemin, l'origine)

    Terry Winters, Jean Starobinski, Universal Limited Art Editions, Universal Limited Art Editions

    2001

    Illustrated book with twenty-eight etchings on wove lana gravure paper, supplementary suite of ten etchings on wove ruscombe mill paper, and folio with original french text  Accession ID  2022.35.77.A-C

    Not on view
  • The image features vertical green and black stripes, a spiral design, and a set of diagonal diamonds in a grid pattern on the right side. These elements are layered against a blue background that curves gently from the bottom left to the top right. Additionally, there is an old sepia-toned family photograph within the composition.

    Untitled [artist's proof]

    Jasper Johns, Universal Limited Art Editions

    1999

    Color aquatint, spitbite aquatint, sugarlift aquatint, etching, and photogravure on wove paper [artist's proof]  Accession ID  2001.28.5

    Not on view
  • The image features a collection of overlapping shapes and lines. In the upper left, a rectangular shape encloses the image of a young child reaching upward. To the right, an irregular, cloud-like form contains a partially obscured face. Below these, the lower section is dominated by the figure of a reclining woman, draped in flowing clothing amidst swirling patterns. The entire composition blends different photographic elements.

    'topher

    Robert Rauschenberg, Craig Zammiello, Bruce Wankel, Brian Berry, Douglas Volle, Jihong Shi, Universal Limited Art Editions

    1999

    Color photogravure on hahnemühle copperplate wove paper  Accession ID  2002.42.9

    Not on view
  • The image displays a blend of sweeping, dark curves and lines that overlap various forms, creating an abstract composition. Vague outlines in the form of curving shapes may resemble familiar objects like a vintage car with a visible grille and headlamps, alongside a figure that seems to lean against the side of the vehicle. Within another part of the image, the profile of a person appears as they look out a window similarly presented in a mixture of shadowy swirls and indistinct shapes. The composition is a combination of textures that evoke imagery akin to photographic collages.

    John

    Robert Rauschenberg, Brian Berry, Jihong Shi, Doug Bennett, Universal Limited Art Editions

    1999

    Color photogravure on lana gravure wove paper  Accession ID  2002.42.7

    Not on view
  • The image is a composite artwork featuring various photographic elements. On the left side, there is a portrait of a woman with her upper body visible, positioned in a relaxed manner with her hand resting gently on her chin. Her hair is styled neatly, and she has distinct facial features, including expressive eyes and a subtle smile. She is wearing a light, long-sleeved top. Surrounding her image is a green, textured background that blends into the other elements. To the right, a collage of more faded black and white images shows several people in different poses, including close-up shots of smiling faces and a more distant view of a group embracing. On the far right, there is a smaller, separate photo of two adults, one holding a child, all dressed in light-colored clothing. The overall background of the image is a plain, neutral tone, providing a stark contrast that highlights the layered and faded photographic elements.

    Ileana

    Robert Rauschenberg, Brian Berry, Doug Bennett, Universal Limited Art Editions

    1999

    Color photogravure on somerset wove paper  Accession ID  2002.42.5

    Not on view
  • The image consists of overlapping rectangles and smudged lines. In the top left corner, there is a rectangular shape resembling fabric with horizontal lines. In the center, there is a rectangle with a black-and-white image of a vintage building with pedestrians. Below it are amorphous brush-like strokes and gray shapes, with a silhouette resembling a dog. On the right side, there is a rectangle with layered portraits of a man and a woman in conversation. The piece has a textured, collage-like quality.

    Big and Little Bullys

    Robert Rauschenberg, Brian Berry, Craig Zammiello, Nancy Mesenbourg, Universal Limited Art Editions

    1999

    Color photogravure on lavis fidelis en tout cas wove paper  Accession ID  2002.42.2

    Not on view
  • This is a painting of a collage of four images on a textured background. The artwork consists of four photographs incorporated into the composition, each with varying levels of clarity and within uniquely shaped frames that appear to be formed from splashes of ink. The images include individuals posed in different settings, such as in casual clothing and within an indoor environment, as well as a domestic landscape with a tree and building in the background. The overall presentation combines photographic realism with abstract forms creating a dynamic interplay between image and medium.

    Tanya

    Robert Rauschenberg, Brian Berry, Craig Zammiello, Lorena Salcedo-Watson, Universal Limited Art Editions

    1999

    Color photogravure on j. barcham green copperplate wove paper  Accession ID  2002.42.8

    Not on view
  • The image displays abstract shapes and lines in grey and brown tones. Silhouetted figures resembling athletes in motion are present. Ink splashes and blotches add texture, with dark lines and shaded areas suggesting a playfield. The composition conveys movement and athleticism within an abstract landscape.

    Ace

    Robert Rauschenberg, Craig Zammiello, Brian Berry, Nancy Mesenbourg, Universal Limited Art Editions

    1999

    Color photogravure on wove paper  Accession ID  2002.42.1

    Not on view
  • The image shows irregular dark watercolor blotches forming an organic shape across the center of the canvas. Within this design, there are elements resembling the American flag pattern and a photographic element of a man seated with a contemplative posture. The blending of fluid lines and details suggests a connection between abstraction and realism in a unified piece.

    Jap

    Robert Rauschenberg, Doug Bennett, Brian Berry, Universal Limited Art Editions

    1999

    Photogravure in black on arches cover wove paper  Accession ID  2002.42.6

    Not on view
  • The image shows overlapping shapes and lines forming an abstract composition. The lines and forms suggest scenes of urban structures and figures. Fragmented images in the upper section include a shadowy silhouette of a man's torso overlapping a cityscape. To the left, there are representations of buildings and a horse blending architectural features with animal forms. In the lower right, swirling dark forms and faintly visible numbered elements evoke industrial machinery or old architectural facades. The composition includes familiar objects like buildings, animals, and a man's form within an abstract configuration.

    Eagle Eye

    Robert Rauschenberg, Craig Zammiello, Nancy Mesenbourg, Lorena Salcedo-Watson, Brian Berry, Universal Limited Art Editions

    1999

    Color photogravure on arches en tout cas wove paper  Accession ID  2002.42.4

    Not on view
  • ""

    Multiple Visualization Technique

    Terry Winters, Jihong Shi, Craig Zammiello, Universal Limited Art Editions

    1998

    Color sugarlift aquatint and open bite etching on wove paper  Accession ID  2015.19.3106

    Not on view