Case Hudson

American, born 1968

Displaying 217 - 228 of 292

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    Loops & Curves Gray/Gray

    Sol LeWitt, Daria Sywulak, Dena Schuckit, Case Hudson, Rachel Fuller, Crown Point Press

    1999

    Color sugarlift aquatint with aquatint on somerset paper  Accession ID  2006.122.48

    Not on view
  • The image displays a series of interlocking zigzag lines forming a pattern of jagged shapes. The abstract composition creates an intricate tapestry that could resemble a maze or road map. The lines interweave and overlap, drawing the eye through a convoluted journey that echoes the appearance of tree branches or lightning strikes against a contrasting background.

    Loops & Curves Blue/Red

    Sol LeWitt, Crown Point Press, Rachel Fuller, Case Hudson, Daria Sywulak, Dena Schuckit

    1999

    Color sugarlift aquatint with aquatint on somerset textured paper  Accession ID  2001.142.62

    Not on view
  • The image shows an abstract composition of wavy, organic lines in deep brown on a darker brown background. The lines create a flowing pattern.

    Loops & Curves Gray/Red

    Sol LeWitt, Crown Point Press, Daria Sywulak, Dena Schuckit, Case Hudson, Rachel Fuller

    1999

    Color sugarlift aquatint with aquatint on wove somerset paper  Accession ID  2011.119.43

    Not on view
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    Cairn 2

    Bryan Hunt, Dena Schuckit, Case Hudson, Crown Point Press

    1998

    Color spitbite, sugarlift, and soapground aquatint with softground etching and drypoint on somerset paper  Accession ID  2006.122.40

    Not on view
  • The image shows a rectangular shape outlined in a black, uneven line. Within the rectangle are abstract horizontal bands of color - red at the top, followed by a gradient from yellow to green, and more red hues below. The bands of color resemble broad, brushstroke-like stripes. Outside the rectangle, abstract splashes of blue and red are visible.

    Garden Study

    Mary Heilmann, Daria Sywulak, Case Hudson, Crown Point Press

    1998

    Color spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.37

    Not on view
  • The image shows a horizontal arrangement of rectangles and squares on a plain background. There is a long rectangle with two halves - one side is brown and the other side is beige. Below the middle point of this rectangle is a smaller red square.

    Mandevilla 1

    Richard Tuttle, Crown Point Press, Case Hudson, Dena Schuckit, Daria Sywulak, Paul Mullowney

    1998

    Color aquatint on somerset textured white paper  Accession ID  2001.142.106

    Not on view
  • Three thin rectangular shapes stacked diagonally on a plain background. The rectangles are pastel-colored in shades of pink, light green, and light blue. The design has a soft gradient and minimalistic style, creating a stepped pattern.

    Mandevilla 3

    Richard Tuttle, Crown Point Press, Paul Mullowney, Daria Sywulak, Dena Schuckit, Case Hudson

    1998

    Color aquatint on somerset textured white paper  Accession ID  2001.142.108

    Not on view
  • The image displays a landscape seen from elevated view, showing a plateau or cliff. The top of the image features a horizon with trees, small buildings, distinct houses, and tall trees like cypress and palms. The rest of the landscape above the horizon is less detailed. The style is detailed with fine cross-hatching and strokes creating texture for depth. The color palette is light turquoise against a white background, emphasizing the linear details over color contrast.

    Estate 2

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Daria Sywulak, Case Hudson

    1998

    Etching with drypoint in blue on wove somerset paper  Accession ID  2006.122.148

    Not on view
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    Copper Plate Nude 2

    Nathan Oliveira, Crown Point Press, Dena Schuckit, Case Hudson

    1998

    Color spitbite aquatint and texture from the back of a discarded plate on somerset textured white paper  Accession ID  2001.142.84

    Not on view
  • The image shows geometric shapes made of overlapping quadrilaterals, including a green rectangle pointing upwards and a pink form with angled edges. Negative space between the shapes creates a pathway or guide resembling a map. The design gives the impression of folded paper or origami, adding dimensionality to the composition.

    Mandevilla 5

    Richard Tuttle, Crown Point Press, Dena Schuckit, Daria Sywulak, Case Hudson, Paul Mullowney

    1998

    Color aquatint on somerset textured white paper  Accession ID  2001.142.110

    Not on view
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    Copper Plate Nude 3

    Nathan Oliveira, Crown Point Press, Case Hudson, Dena Schuckit

    1998

    Color spitbite aquatint and texture from the back of a discarded plate on somerset textured white paper  Accession ID  2001.142.85

    Not on view
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    Copper Plate Nude 1

    Nathan Oliveira, Crown Point Press, Dena Schuckit, Case Hudson

    1998

    Color spitbite aquatint and texture from the back of a discarded plate on somerset textured white paper  Accession ID  2001.142.83

    Not on view