Rudy Pozzatti

Pozzatti, Rudy Otto

American, 1925 - 2021

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The image contains intricate shapes and lines, forming an abstract narrative of space exploration. Geometric forms resembling astronauts and a lunar module are at the top, with a cosmic background. Below are circular phases akin to the moon's cycle, with an Earth-like orb in the center. Further down, figures in spacesuits appear from a blue pattern, evoking a space shuttle scene. Rockets, spacecraft, and celestial motifs are integrated into the background, connecting human technology with a space journey.
Rudy Pozzatti, Apollo, 1970, color etching and aquatint on wove paper, Gift of Bob Stana and Tom Judy, 2016.148.41

Apollo

Rudy Pozzatti · 1970 · color etching and aquatint on wove paper ·  Accession ID  2016.148.41

This is a detailed black and white drawing depicting a heraldic composition with architectural elements and a lion. The drawing includes a heavily armored knight in a detailed helmet, abstract gothic arches, and a lion in a dynamic pose. Above the lion is a banner with the words "VERITE SANS PEUR," which translates to "Truth Without Fear." The drawing features intricate lines and textures that add depth and intensity to the composition.
Rudy Pozzatti, For Nasson College, 1970, wood engraving, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.3984

For Nasson College

Rudy Pozzatti · 1970 · wood engraving ·  Accession ID  2008.115.3984

The image showcases a complex arrangement of intricate lines and shapes forming an abstract composition. A large dome is at the center, surrounded by arches, staircases, and circular patterns. Above the dome, abstract wing-like shapes stretch outwards, and human-like faces are interspersed across the upper section. The lower part of the image contains framed portraits and circular designs resembling medallions with human profiles.
Rudy Pozzatti, Homage to Brunelleschi, 1968, liftground and softground etching and aquatint (zinc), Gift of Larry Dale Arnold, Indianapolis, IN, 1978.37.4

Homage to Brunelleschi

Rudy Pozzatti · 1968 · liftground and softground etching and aquatint (zinc) ·  Accession ID  1978.37.4

This is a drawing of anatomical illustrations and skeletal studies. The central image depicts a detailed anatomical drawing of a human figure with muscular structures exposed. Surrounding this central figure are a series of vignettes: on the left, a selection of skeletal components and two profiles of a human head illustrating musculature, as well as an enlarged skull with an artist's self-portrait beneath. On the right, various anatomical studies, including heads showcasing internal structures, a tabletop with scattered anatomical tools or bones, and a row of skulls reminiscent of scientific dissection studies. The composition is intricate, focusing on the detailed anatomy of the human body.
Rudy Pozzatti, Homage to Vesalius, 1968, liftground etching, aquatint, and engraving (zinc) with roulette and sandpaper toning in black and dark umber, Gift of Larry Dale Arnold, Indianapolis, IN, 1978.37.5

Homage to Vesalius

Rudy Pozzatti · 1968 · liftground etching, aquatint, and engraving (zinc) with roulette and sandpaper toning in black and dark umber ·  Accession ID  1978.37.5

The image is a portrait of a man showing his face and part of his neck. He is facing forward in an upright position, with his facial features including prominent eyes, a broad nose, and slightly parted lips. He has short, dark, coarse hair. The portrait uses a rough texture with bold, mixed tones of browns and blacks. He appears to be wearing a dark textured garment, but details are indistinct. There is no jewelry or objects visible. The background has a dark, abstract pattern that contrasts with the lighter areas of the face.
Rudy Pozzatti, Portrait, 1965, etching-softground and liftground aquatint (zinc) in sienna and black, Gift of Larry Dale Arnold, Indianapolis, IN, 1978.37.10

Portrait

Rudy Pozzatti · 1965 · etching-softground and liftground aquatint (zinc) in sienna and black ·  Accession ID  1978.37.10

The image features two rectangular panels filled with intricate abstract shapes and lines. Each panel contains faces that resemble both human and animal forms, blending organic curves and sharp details suggestive of eyes, mouths, and ears. On the left panel, there are four oval shapes that seem to contain heads with various expressions, one of which has a mane. The right panel also shows four circular forms, melding into faces that suggest creatures like a lion and a man with curly hair. The entire composition gives an abstract impression akin to looking at ancient stone carvings of mythological figures.
Rudy Pozzatti, Men and Beasts II, 1965, softground etching (zinc), Gift of Larry Dale Arnold, Indianapolis, IN, 1978.37.9

Men and Beasts II

Rudy Pozzatti · 1965 · softground etching (zinc) ·  Accession ID  1978.37.9

This is a drawing of a crab inside a circular shape. The image depicts a detailed and somewhat abstract representation of a crab lying within an oval or circular border. The lines are etched in a dark tone against a lighter background, creating a high contrast that emphasizes the texture of the crab's shell and legs. The drawing captures the intricate details of the crab's anatomy, with its segmented body and multiple legs spread around it. The artwork has a sketch-like quality, showing a combination of fine lines, cross-hatching, and shading to give depth and dimension to the creature. The circular border encloses the crab and adds to the composition by focusing the viewer's attention on the central figure. The overall style evokes a sense of meticulous study and captures the raw essence of the crab in its natural form.
Rudy Pozzatti, Louis XI, 1964, softground etching (copper), Gift of Larry Dale Arnold, Indianapolis, IN, 1978.37.7

Louis XI

Rudy Pozzatti · 1964 · softground etching (copper) ·  Accession ID  1978.37.7

The image depicts bold textured lines and irregular shapes forming an abstract design. In the center is the word "BUGS" with a distressed texture. Surrounding it are abstract representations of insects, leaves, and twigs, creating a natural scene in an unconventional style. The arrangement suggests a forest or natural habitat.
Rudy Pozzatti, Title Page from Bugs, 1963, lithograph in green-black from a portfolio of ten color lithographs on Nacre paper, Rosenwald Collection, 1964.8.2463.8

Title Page from Bugs

Rudy Pozzatti · 1963 · lithograph in green-black from a portfolio of ten color lithographs on Nacre paper ·  Accession ID  1964.8.2463.8

This is a drawing of a page featuring handwritten text arranged in the shape of a bug. The artwork features an illustration designed to mimic the form of a bug using handwritten text, with wings extending from the central body text and ink blots at the wing tips. The text includes messages about lithographs by Rudy Pozzatti, created in March 1963, with details of the edition and process. The words "Bugs" and various other texts are prominently written, along with signature-like markings at the bottom. The use of ink gives the piece a textured and organic appearance, while the paper carries a handmade quality with ragged edges.
Rudy Pozzatti, Colophon from Bugs, 1963, transfer lithograph in green-black from a portfolio of ten color lithographs on Nacre paper, Rosenwald Collection, 1964.8.2463.10

Colophon from Bugs

Rudy Pozzatti · 1963 · transfer lithograph in green-black from a portfolio of ten color lithographs on Nacre paper ·  Accession ID  1964.8.2463.10

The image shows a sketch of a moth with textured wings and a fuzzy body. The moth is centralized on the page with its wings spread wide, taking up most of the image. The color palette is black ink on a cream-colored background, creating contrast.
Rudy Pozzatti, Moth from Bugs, 1963, lithograph in green-black from a portfolio of ten color lithographs on Nacre paper, Rosenwald Collection, 1964.8.2463.9

Moth from Bugs

Rudy Pozzatti · 1963 · lithograph in green-black from a portfolio of ten color lithographs on Nacre paper ·  Accession ID  1964.8.2463.9