Rudy Pozzatti

Pozzatti, Rudy Otto

American, 1925 - 2021

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  • This is a detailed black and white drawing depicting a heraldic composition with architectural elements and a lion. The drawing includes a heavily armored knight in a detailed helmet, abstract gothic arches, and a lion in a dynamic pose. Above the lion is a banner with the words "VERITE SANS PEUR," which translates to "Truth Without Fear." The drawing features intricate lines and textures that add depth and intensity to the composition.

    For Nasson College

    Rudy Pozzatti

    1970

    Wood engraving  Accession ID  2008.115.3984

    Not on view
  • The image contains intricate shapes and lines, forming an abstract narrative of space exploration. Geometric forms resembling astronauts and a lunar module are at the top, with a cosmic background. Below are circular phases akin to the moon's cycle, with an Earth-like orb in the center. Further down, figures in spacesuits appear from a blue pattern, evoking a space shuttle scene. Rockets, spacecraft, and celestial motifs are integrated into the background, connecting human technology with a space journey.

    Apollo

    Rudy Pozzatti

    1970

    Color etching and aquatint on wove paper  Accession ID  2016.148.41

    Not on view
  • The image showcases a complex arrangement of intricate lines and shapes forming an abstract composition. A large dome is at the center, surrounded by arches, staircases, and circular patterns. Above the dome, abstract wing-like shapes stretch outwards, and human-like faces are interspersed across the upper section. The lower part of the image contains framed portraits and circular designs resembling medallions with human profiles.

    Homage to Brunelleschi

    Rudy Pozzatti

    1968

    Liftground and softground etching and aquatint (zinc)  Accession ID  1978.37.4

    Not on view
  • This is a drawing of anatomical illustrations and skeletal studies. The central image depicts a detailed anatomical drawing of a human figure with muscular structures exposed. Surrounding this central figure are a series of vignettes: on the left, a selection of skeletal components and two profiles of a human head illustrating musculature, as well as an enlarged skull with an artist's self-portrait beneath. On the right, various anatomical studies, including heads showcasing internal structures, a tabletop with scattered anatomical tools or bones, and a row of skulls reminiscent of scientific dissection studies. The composition is intricate, focusing on the detailed anatomy of the human body.

    Homage to Vesalius

    Rudy Pozzatti

    1968

    Liftground etching, aquatint, and engraving (zinc) with roulette and sandpaper toning in black and dark umber  Accession ID  1978.37.5

    Not on view
  • The image is a portrait of a man showing his face and part of his neck. He is facing forward in an upright position, with his facial features including prominent eyes, a broad nose, and slightly parted lips. He has short, dark, coarse hair. The portrait uses a rough texture with bold, mixed tones of browns and blacks. He appears to be wearing a dark textured garment, but details are indistinct. There is no jewelry or objects visible. The background has a dark, abstract pattern that contrasts with the lighter areas of the face.

    Portrait

    Rudy Pozzatti

    1965

    Etching-softground and liftground aquatint (zinc) in sienna and black  Accession ID  1978.37.10

    Not on view
  • The image features two rectangular panels filled with intricate abstract shapes and lines. Each panel contains faces that resemble both human and animal forms, blending organic curves and sharp details suggestive of eyes, mouths, and ears. On the left panel, there are four oval shapes that seem to contain heads with various expressions, one of which has a mane. The right panel also shows four circular forms, melding into faces that suggest creatures like a lion and a man with curly hair. The entire composition gives an abstract impression akin to looking at ancient stone carvings of mythological figures.

    Men and Beasts II

    Rudy Pozzatti

    1965

    Softground etching (zinc)  Accession ID  1978.37.9

    Not on view
  • This is a drawing of a crab inside a circular shape. The image depicts a detailed and somewhat abstract representation of a crab lying within an oval or circular border. The lines are etched in a dark tone against a lighter background, creating a high contrast that emphasizes the texture of the crab's shell and legs. The drawing captures the intricate details of the crab's anatomy, with its segmented body and multiple legs spread around it. The artwork has a sketch-like quality, showing a combination of fine lines, cross-hatching, and shading to give depth and dimension to the creature. The circular border encloses the crab and adds to the composition by focusing the viewer's attention on the central figure. The overall style evokes a sense of meticulous study and captures the raw essence of the crab in its natural form.

    Louis XI

    Rudy Pozzatti

    1964

    Softground etching (copper)  Accession ID  1978.37.7

    Not on view
  • The image shows an array of swirling lines and circular shapes, creating an abstract composition. Within this abstract scene, shapes resembling faces and profiles are visible, reminiscent of masks or disembodied heads. These faces are rendered in muted tones of brown and turquoise, interwoven with layers that give the appearance of a collage or a textured surface. The overlapping forms and indistinct lines evoke a sense of crowding, like a gathering of familiar yet distorted human features.

    Janus

    Rudy Pozzatti

    1963

    Lithograph in dark brown and blue-green  Accession ID  1964.8.2483

    Not on view
  • The image displays a composition of vertical and horizontal lines, along with various geometric and organic shapes that intersect to create a dense pattern.

    Ruins at Night

    Rudy Pozzatti

    1963

    Lithograph on arches paper  Accession ID  1964.8.2488

    Not on view
  • The image shows a series of curving lines and shapes in a circular pattern. The abstract arrangement creates a sense of motion. The lines and textures suggest an aged, weathered surface resembling old buildings. Text within the shapes adds to the impression of historical significance.

    XII Romans

    Rudy Pozzatti

    1963

    Portfolio of fourteen color lithographs including title page and colophon; brown wrapper with title printed in stencil for each print  Accession ID  1964.8.2490-2503

    Not on view
  • This is a photograph of a tan fabric-covered book with a black ribbon tab. The closed book is depicted facing the viewer, occupying most of the frame with its simple, muted texture prominently visible. The fabric appears tactile with linear thread patterns. A black ribbon tab appears to the left. The background is a neutral light shade. The minimalistic composition underscores a sense of simplicity and elegance.

    Bugs

    Rudy Pozzatti

    1963

    Portfolio of ten color lithographs (including title page, dedication page, and colophon)  Accession ID  1964.8.2463.1-10

    Not on view
  • This is a drawing of a detailed, enlarged flea. The image depicts the intricate details of a flea, with a focus on its legs and torso. Each of the flea’s legs is intricately drawn, highlighting the fine bristles and segments. The body of the flea is rounded, with shading used to create a sense of volume and texture. The drawing is made in black ink on a textured, tan paper. The title at the bottom reads "Tiny but Mighty."

    Tiny but Mighty from Bugs

    Rudy Pozzatti

    1963

    Lithograph in green-black from a portfolio of ten color lithographs on nacre paper  Accession ID  1964.8.2463.1

    Not on view