Ed Ruscha

Ruscha, Edward Mr.

American, born 1937

Displaying 1 - 12 of 217

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  • ""

    Rain Gain

    Ed Ruscha, Emily York, Ianne Kjorlie, Crown Point Press

    2014

    Flatbite etching in black on revere wove paper  Accession ID  2019.115.223

    Not on view
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    OH / NO

    Ed Ruscha, Graphicstudio

    2008

    Cloth-covered hardbound book with color double fore-edge printing and silver gilt leaf edges, with colophon page  Accession ID  2016.145.4

    Not on view
  • The image features the words "NORTH," "EAST," "SOUTH," and "WEST" arranged along the sides in various sizes and orientations. The design includes overlapping words in different colors (blue to red) and creates an abstract pattern, akin to a modern art piece. The repetition and layering of words create a dynamic effect, resembling a compass rose or directional map.

    All Points from Artists for Obama

    Ed Ruscha, Erik Beehn, Gemini G.E.L.

    2008

    Color offset lithograph on wove somerset paper from a portfolio of eight lithographs and five etchings  Accession ID  2009.69.1.10

    On View: West Building Ground Floor, Gallery G24
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    Artists for Obama [special proof]

    Various Artists, John Baldessari, Jonathan Borofsky, Frank Gehry, Ann Hamilton, Jasper Johns, Ellsworth Kelly, Brice Marden, Julie Mehretu, Ken Price, Ed Ruscha, Richard Serra, Susan Rothenberg, Richard Tuttle, Gemini G.E.L.

    2008

    Portfolio of eight lithographs and five etchings (one with aquatint) on wove paper  Accession ID  2009.69.1.1-13

    Not on view
  • The image shows a rectangular shape with several rectangular cutouts and a smaller square cutout, all set within a vertically lined pattern. This abstract design resembles an architectural blueprint or a simplified building structure. The lines add texture to the composition.

    A Columbian Necklace...

    Ed Ruscha, Erik Beehn, Amber Rissman, Aili Schmeltz, Gemini G.E.L.

    2007

    Color lithograph on rives bfk wove paper  Accession ID  2015.23.69

    Not on view
  • The image displays a grid of rectangular cutouts arranged in parallel lines and columns, forming a symmetrical pattern. The surrounding texture appears rough and speckled, resembling stone or concrete. The design contrasts dark textured patterns against a pristine white background.

    If I Was You...

    Ed Ruscha, Erik Beehn, James Reid, Amber Rissman, Aili Schmeltz, Gemini G.E.L.

    2007

    Lithograph in black and gray on rives bfk wove paper  Accession ID  2015.23.68

    Not on view
  • The image contains a grid-like pattern of black rectangles and squares arranged on a white background. The shapes resemble a simplified architectural facade or a modern interpretation of a bar code. The composition evokes a balanced and symmetrical appearance, reminiscent of structured building windows.

    I Have Not Forgotten...

    Ed Ruscha, Erik Beehn, Scott Hassell, James Reid, Aili Schmeltz, Gemini G.E.L.

    2007

    Lithograph in black and gray on rives bfk wove paper  Accession ID  2015.23.70

    Not on view
  • The image shows a series of rectangular shapes arranged in a grid pattern. The rectangles vary in size and spacing, creating an abstract composition. The surface texture adds depth, resembling fabric or woven material.

    Listen If You Ever Tell...

    Ed Ruscha, Erik Beehn, James Reid, Aili Schmeltz, Gemini G.E.L.

    2007

    Color lithograph on rives bfk wove paper  Accession ID  2015.23.67

    Not on view
  • The image consists of rectangular shapes arranged vertically on a dark textured background. The rectangles resemble windows or slots and have a uniform placement against the irregular texture.

    Stick Up...

    Ed Ruscha, Xavier Fumat, James Reid, Gemini G.E.L.

    2007

    Color lithograph on rives bfk wove paper  Accession ID  2015.23.66

    Not on view
  • The image consists of abstract lines and shapes in gradients of black and grey, with splatters of yellow and blue. Stylized letters resembling a medieval script spell out the phrase 'The End.' The overall appearance is reminiscent of an aged book cover or old cinematic title card, with faded text and a streaky background similar to motion picture credits or chapter markings.

    The End #68

    Ed Ruscha

    2006

    Acrylic and ink on wove paper  Accession ID  2007.26.1

    Not on view
  • The image shows sharp, straight lines and angular forms creating an abstract shape resembling a directional sign or an arrow pointing to both sides. The intersecting lines and narrow central triangle evoke the image of road signs used for navigation, adding a sense of directionality. The light gray and off-white tones combined with minimal texture provide a simple appearance capturing familiar road side elements interpreted abstractly.

    City Space

    Ed Ruscha, Dena Schuckit, Crown Point Press

    2006

    Color aquatint with sugarlift flatbite and hardground etching on somerset wove paper  Accession ID  2011.119.105

    Not on view
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    Angel

    Ed Ruscha, Bill Lagattuta, Ed Hamilton, Tamarind Institute

    2006

    Color lithograph on rives bfk wove paper  Accession ID  2015.19.3512

    Not on view