Clinton Adams

American, 1918 - 2002

Displaying 13 - 24 of 72

Results

  • The image features smooth, undulating forms resembling hills or waves. These shapes are mirrored along a central horizontal line, creating a symmetrical effect. The forms suggest a simplified mountain range silhouette. The balance of curves and mirror-like quality create a serene yet dynamic composition.

    Venus in Cibola V

    Clinton Adams, Dan Socha, Tamarind Institute

    1968 (published 1969)

    Lithograph in beige and gray on german etching wove paper  Accession ID  1983.18.33.5

    Not on view
  • The image shows smooth, curving lines forming two large, petal-like shapes that converge at a central vertical seam, flanked by two rounded forms beneath, creating a sense of symmetry. The abstract composition resembles shapes of a butterfly or a stylized flower, where the top elements can be seen as wings or petals, while the bottom parts suggest leaves or additional petals. The grayscale palette enhances the design's mysterious quality.

    Venus in Cibola IX

    Clinton Adams, Manuel Fuentes, Tamarind Institute

    1968 (published 1969)

    Lithograph in gray on german etching wove paper  Accession ID  1983.18.33.9

    Not on view
  • The image presents an abstract form consisting of a light gray shape with flowing lines placed on an orange rectangle. The shape bears a resemblance to an abstract mountain peak or perhaps the outstretched wings of a bird in flight. The contrast between the gray and orange enhances the abstract design.

    Venus in Cibola I

    Clinton Adams, Jean Milant, Tamarind Institute

    1968 (published 1969)

    Color lithograph on german etching wove paper  Accession ID  1983.18.33.1

    Not on view
  • The image depicts an abstract blue curved "V" shape on a brown rectangular background.

    Venus in Cibola IV

    Clinton Adams, Jean Milant, Tamarind Institute

    1968 (published 1969)

    Lithograph in blue and green on german etching wove paper  Accession ID  1983.18.33.4

    Not on view
  • The image shows a large square at its center, surrounded by an abstract shape that curves fluidly. The inner square is neatly positioned within a broader tan border, creating a layered effect. The composition consists of clean lines and rounded shapes, resembling abstract art.

    Cibola Series (Green)

    Clinton Adams, Dan Socha, Tamarind Institute

    1968

    Lithograph in beige and green on german etching wove paper  Accession ID  1983.18.57

    Not on view
  • The image depicts two angular forms with clean, straight lines. The composition resembles rectangles with slanted edges. The shapes have subtle shading that gives the illusion of depth against a textured background.

    Fold

    Clinton Adams, Manuel Fuentes, Tamarind Institute

    1968

    Lithograph in black on rives bfk wove paper  Accession ID  1983.18.59

    Not on view
  • The image shows an abstract shape resembling a soft star or a stylized bird in flight against a bright yellow background. The shape is muted beige, creating contrast and depth. The form could be compared to wings of a mythical creature or the outline of a paper airplane seen from beneath. The composition's simplicity allows for intriguing connections to familiar aerodynamic or celestial objects within its abstract expression.

    Venus in Cibola VIII

    Clinton Adams, Dan Socha, Tamarind Institute

    1967 (published 1969)

    Lithograph in yellow and beige on german etching wove paper  Accession ID  1983.18.33.8

    Not on view
  • ""

    Sequence

    Clinton Adams, Anthony Stoeveken, John Butke, Dan Socha, Tamarind Institute

    1967

    Color lithograph on arches wove paper  Accession ID  1983.18.55

    Not on view
  • The image features an abstract gray shape with flowing lines on a beige background. The shape is bordered by a gray edge and could be perceived as resembling a mountain range or a stylized bat with outstretched wings. The design has gentle curves and peaks that suggest movement or a draped cloth.

    Cibola Series (Grey)

    Clinton Adams, Dan Socha, Tamarind Institute

    1967

    Lithograph in gray and beige on german etching wove paper  Accession ID  1983.18.56

    Not on view
  • The image displays abstract shapes outlined against a dark background. At the top, there is a heart-like form transitioning into a symmetrical pattern. Below, a horizontal band separates the upper and lower sections. The bottom section features two peaks resembling rolling hills or a stylized crown shape. The textures within the shapes create a pattern suggesting celestial bodies or speckled stone surfaces, adding depth and complexity.

    Arabesque

    Clinton Adams, Erwin Erickson, Tamarind Institute

    1966

    Lithograph in green and black on arches wove paper  Accession ID  1983.18.47

    Not on view
  • The image displays a composition of bold, curved shapes and lines. In the upper section, a red abstract form resembles extended wings or an hourglass shape against a soft pink background. Below, a mound-like shape in red sits on a rectangular base, with a softer, cloud-textured pink area beneath it. This abstract artwork uses organic shapes to suggest familiar objects while emphasizing form and color contrast.

    Little Red Arabesque

    Clinton Adams, Robert Bigelow, Erwin Erickson, Tamarind Institute

    1966

    Color lithograph on copperplate deluxe wove paper  Accession ID  1983.18.52

    Not on view
  • The image features an elongated, elliptical shape centered vertically within a rectangle. The design includes concentric lines in shades of red, orange, pink, and cream resembling a layered geological formation or a flower petal. The background has a textured surface with warm tones.

    Helios

    Clinton Adams, Robert Bigelow, Erwin Erickson, Tamarind Institute

    1966

    Color lithograph on copperplate deluxe wove paper  Accession ID  1983.18.53

    Not on view