Milton Avery

American, 1885 - 1965

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  • The image depicts a landscape viewed from a slightly elevated perspective. The horizon is positioned towards the upper third of the composition, marked by a dark, flat silhouette of mountains or hills. These landforms extend across the horizon line, dividing the textured blue sky above from the darker, patterned land below. The area closest is dominated by swirling brushstrokes or marks suggesting foliage or fields, rendered with a mix of deep blue and lighter highlights. The middle area of the composition features lighter linear patterns running horizontally, resembling reflections or waves, adding texture and depth to the scene. The color palette consists of rich blues with hints of lighter accents, creating a vibrant and contemplative atmosphere. The technique appears to utilize rough and expressive brushwork or printmaking techniques, adding a tactile quality to the visual experience.

    Lamb

    Milton Avery

    1954

    Color woodcut on wove paper  Accession ID  1991.233.77

    Not on view
  • The image displays a black, textured surface with incised lines forming an abstract design. The lines create irregular, angular shapes. The background is uniformly dark, emphasizing the simplicity of the etched lines. In the lower left corner, the initials "AM" are faintly visible.

    Beach Birds [verso]

    Milton Avery

    1954

    Carved woodblock  Accession ID  1991.233.122.b

    Not on view
  • The image displays a complex array of etched lines and shapes creating an abstract composition. Curved and jagged lines intersect the surface, forming patterns resembling ripples or scales. The etched lines suggest familiar shapes such as mountain ranges or ocean surfaces in shadow. The texture adds depth, conveying movement within the static form.

    Lamb [recto]

    Milton Avery

    1954

    Carved woodblock  Accession ID  1991.233.124.a

    Not on view
  • This is a woodcut print depicting a landscape. The image features a dense section of foliage shown in a stylized manner using dark, repetitive brushstrokes. In the background, there are simplified forms of mountains against a blank sky. The composition is dominated by black and white contrasts, creating a visually striking impact.

    Lamb

    Milton Avery

    1954

    Woodcut in black on wove paper  Accession ID  1991.233.76

    Not on view
  • The image features intersecting lines and angular shapes carved into a dark surface, forming an abstract representation. The form resembles a human figure with a squared head, outstretched arms, and bent legs. The texture and curvature of the lines within the composition evoke the appearance of flowing garments or feathers.

    Hen [verso]

    Milton Avery

    1954

    Carved woodblock  Accession ID  1991.233.123.b

    Not on view
  • The image displays a large, round shape with a circular outline and a smaller circle at the top. There are radiating lines and triangular forms extending from the central circle. The intersecting straight lines and curved edges suggest a stylized representation of feathers. There is also a crown-like form at the top, enclosed within a rectangular frame, creating an abstract depiction.

    Dancer [recto]

    Milton Avery

    1954

    Carved woodblock  Accession ID  1991.233.123.a

    Not on view
  • The image shows a sailboat on a textured body of water with mountains on the horizon. The sailboat is slightly off-center to the right, with a sail standing out against the contrasting colors. The artwork uses bold brushstrokes and blocky forms to depict movement in the water. The color palette is monochromatic, primarily black and white.

    Sailboat

    Milton Avery

    1954

    Woodcut in black on wove paper  Accession ID  1991.233.69

    Not on view
  • The image displays bold black curved lines outlining a fish, with zigzag and cross-hatch patterns across the body. Set against a blue background, wavy lines suggest water motion. The fish's face features a single black circle for an eye. Details like the fin and tail emerge from the abstract form. In the bottom right, text reads "HARRY ABRAMS INC." with an address and the artist's signature "Milton Avery."

    Fish

    Milton Avery

    1953

    Lithograph in black on blue laid paper  Accession ID  1991.233.42

    Not on view
  • The image displays irregular, bold black shapes outlined and filled with intricate blue lines. The outline resembles a silhouette that could be interpreted as a rooster. The shapes are set against a textural blue background framed by a thick black border.

    Rooster

    Milton Avery

    1953

    Color woodcut on wove paper  Accession ID  1991.233.62

    Not on view
  • This is a painting of an abstract figure resembling a bird with textured patterns. The artwork features a dark color palette, primarily in black and deep gray tones. The central focus is on an abstract form that suggests the outline of a bird, with two distinctly textured sections resembling a bird's body and tail or wing plumage. The lower section has a rough, woven texture forming the body, while the upper section is smooth with zigzag patterns suggesting feather details. Lines at the bottom merge into the background, indicating the feet. The piece reflects an abstract style using texture and etching to suggest form and design. This artwork is in the style of Paul Klee.

    Fantail Pigeon

    Milton Avery

    1953

    Carved woodblock  Accession ID  1991.233.115

    Not on view
  • The image shows a bold, angular shape with clean lines, representing a reclining figure beneath a band of stars. The arrangement of shapes suggests a person lying beneath a night sky adorned with stars and a crescent moon, viewed through a minimalist and abstract lens. The contrast between the dark figure and the light stars captures a serene night setting.

    Night Nude

    Milton Avery

    1953

    Woodcut in black on wove paper  Accession ID  1991.233.53

    Not on view
  • The image displays bold, contrasting shapes against a dark background. There is a distinct triangular and feather-like pattern creating an abstract depiction of a bird. The bird is simplified with a triangular tail and a rounded head, resembling a bird mid-flight. This composition highlights the geometric interpretation of a natural creature, blending simplicity with recognizable elements.

    Flight

    Milton Avery

    1953

    Woodcut in black on wove paper  Accession ID  1991.116.14

    Not on view