James V. Smith

American, active late 20th century

Displaying 145 - 156 of 159

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  • The image displays two rectangular panels. Each panel features a central shape resembling a chalice or goblet created through symmetrical curves and edges. A mirrored profile of a human face is on either side of the chalice sketch. The left panel shows a color gradient transitioning from red to yellow to blue, while the right panel displays a similar gradient with a darker, shaded overlay.

    Cups 4 Picasso [working proof]

    Jasper Johns, Bill Goldston, James V. Smith, Universal Limited Art Editions

    1972

    Color lithograph with crayon additions on wove paper [working proof]  Accession ID  2008.27.9

    Not on view
  • The image features overlapping shapes and lines. Fragments of words appear suspended, some resembling street signs or magazine cutouts. Dark brushstrokes and scribbles create a background. A can-like object is depicted. A large, irregular cream-colored shape is in the upper right quadrant. The layering of text and visual elements contributes to the abstract nature of the artwork.

    Decoy II

    Jasper Johns, Bill Goldston, James V. Smith, Universal Limited Art Editions

    1971-1973

    10-color lithograph on rives bfk paper  Accession ID  1976.56.103

    Not on view
  • The image features bold black shapes and fluid lines across the canvas. Broad strokes of black form asymmetrical contours framing the center. Scattered letters are visible within the negative space, appearing to float and overlap. The contrast between the dark areas and the lighter central space invites comparisons to shadowy cliffs or tunnels against a misty sky, with the letters evoking remnants of ancient ruins or underwater archaeological sites.

    Decoy [trial proof]

    Jasper Johns, Bill Goldston, James V. Smith, Zigmunds Priede, Steve Anderson, Universal Limited Art Editions

    1971

    Lithograph in black on japan paper [trial proof]  Accession ID  2006.136.13

    Not on view
  • The image contains various overlapping, swirling shapes and lines with an abstract quality. A large vertical block of dark color contrasts with lighter textured areas. Scattered text in different orientations and colors, like cream and blue, weaves across the composition. A can's label design is faintly visible in the center, adding to the collage-like and abstract nature of the image.

    Decoy [trial proof]

    Jasper Johns, Bill Goldston, James V. Smith, Zigmunds Priede, Steve Anderson, Universal Limited Art Editions

    1971

    Lithograph, trial proof with die cut on rives bfk paper [trial proof]  Accession ID  2006.136.8

    Not on view
  • The image contains overlapping shapes, lines, and colors, creating an abstract composition. There are fragmented forms, textured backgrounds, textual elements, block-shaped forms resembling letters and symbols, and a can-like object at the center. The color scheme includes browns, blacks, and cool blue hues, blending together in a collage-like aesthetic.

    Decoy [working proof]

    Jasper Johns, Bill Goldston, James V. Smith, Zigmunds Priede, Steve Anderson, Universal Limited Art Editions

    1971

    Color lithograph with additions in gold paint on wove paper [working proof]  Accession ID  2006.136.10

    Not on view
  • The image shows two identical prints of a cylindrical object placed side by side towards the center of the page. The color palette is primarily black and white with shades of gray creating shadows and details on the cylindrical object. The two printed cylinders are slightly off-center to the right, positioned horizontally next to each other. Each print includes a rectangular border surrounding the cylinder, with the top half of each cylinder casting a shadow to its left.

    Decoy [misc. proof]

    Jasper Johns, Bill Goldston, James V. Smith, Universal Limited Art Editions

    1971

    Lithograph in black on j. green paper [misc. proof]  Accession ID  2006.136.12

    Not on view
  • The image displays a collection of irregular shapes and lines, dominated by a swirling mass of dark and light contrasting areas. This artwork is abstract, with overlapping textures and forms that blend into a seemingly chaotic, yet purposeful arrangement. Throughout the composition, there are letter-like shapes that curve across the image. Moreover, there is a discernible image of a can with detailed markings. The surrounding area is filled with deep greens and blacks.

    Decoy [trial proof]

    Jasper Johns, Bill Goldston, James V. Smith, Zigmunds Priede, Steve Anderson, Universal Limited Art Editions

    1971

    Color lithograph on rives bfk paper [trial proof]  Accession ID  2006.136.6

    Not on view
  • The image shows a variety of shapes, including irregular blotches and geometric forms, with bold lines intersecting the canvas. The abstract composition incorporates elements resembling familiar objects, such as a tin can in the center with a label and scattered letters. Patchy colors and textured layers create depth, drawing attention to the can and lettering surrounding it on a dark background.

    Decoy

    Jasper Johns, Zigmunds Priede, Steve Anderson, Bill Goldston, James V. Smith, Universal Limited Art Editions

    1971

    19-color lithograph (stone and aluminum) on rives bfk paper  Accession ID  1976.56.98

    Not on view
  • The image displays an arrangement of overlapping shapes and lines in different directions, with prominent vertical and horizontal strokes. The background features dark areas with teal and beige hues, along with scattered letters that appear to form partial words. A rectangular element resembling a can sketch is at the center. The composition combines abstract and recognizable elements, creating a visually engaging scene.

    Decoy [working proof]

    Jasper Johns, Bill Goldston, James V. Smith, Zigmunds Priede, Steve Anderson, Universal Limited Art Editions

    1971

    Color lithograph with additions in crayon, wash, color pencil, paint and chalk on rives bfk paper [working proof]  Accession ID  2006.136.9

    Not on view
  • The image shows thick black brushstrokes and lighter, textured areas shaping an irregular frame around a white square in the center. Sections of text are visible, partially obscured or mirrored. The composition may evoke a cityscape against a bright sky, and the interplay of positive and negative space invites exploration of further abstractions.

    Decoy [misc. proof]

    Jasper Johns, Bill Goldston, James V. Smith, Zigmunds Priede, Steve Anderson, Universal Limited Art Editions

    1971

    Lithograph in black on wove paper [misc. proof]  Accession ID  2006.136.14

    Not on view
  • This image displays bold black shapes with rough edges against a white background. The shapes frame a central white space, resembling an irregular cityscape or skyline with architectural-like forms. The abstract composition suggests various interpretations, such as mountain ranges or tree lines, through the contrast between the dark shapes and light background.

    Decoy [proof]

    Jasper Johns, Bill Goldston, James V. Smith, Zigmunds Priede, Steve Anderson, Universal Limited Art Editions

    1971

    Lithograph in black on rives bfk paper [proof]  Accession ID  2006.136.15

    Not on view
  • The image contains a mix of angular and curved shapes, along with letters and numbers. The composition includes printed letters, drawn lines, and painted shapes resembling objects. In the center, there is an outlined cylindrical object similar to a can. The color palette consists of earthy tones, blue, and red against a dark background. Overlapping letters add to the abstract nature of the piece, highlighting and concealing underlying layers.

    Decoy [working proof]

    Jasper Johns, Bill Goldston, James V. Smith, Zigmunds Priede, Steve Anderson, Universal Limited Art Editions

    1971

    Lithograph, working proof with watercolor, paint and crayon additions on rives bfk paper [working proof]  Accession ID  2006.136.7

    Not on view