Emily York

American, active early 21st century

Displaying 13 - 24 of 174

Results

  • ""

    Clown and Beast [working proof 1]

    Wayne Thiebaud, Emily York, Sam Carr-Prindle, Courtney Sennish, Crown Point Press

    2017

    Hardground etching and drypoint in black on somerset wove paper [working proof 1]  Accession ID  2019.115.282

    Not on view
  • ""

    Clown [working proof 1]

    Wayne Thiebaud, Emily York, Sam Carr-Prindle, Courtney Sennish, Crown Point Press

    2017

    Hardground etching and drypoint in black on somerset wove paper [working proof 1]  Accession ID  2019.115.280

    Not on view
  • ""

    [poop emoji] (blue)

    Jacqueline Humphries, Sam Carr-Prindle, Emily York, Courtney Sennish, Crown Point Press

    2016

    Soapground aquatint and softground etching in blue and black with shaped blue chine collé on somerset wove paper  Accession ID  2019.115.176

    Not on view
  • This image displays a composition of red and white shapes and lines creating an abstract design. Diagonal red stripes fill the background, intersected by concentric circles towards the lower left. Above and to the right, red vertical stripes overlay the circles. The combination of lines and shapes creates a dynamic and visually engaging pattern with a bold, graphic style.

    Untitled (big circle)

    Tomma Abts, Emily York, Crown Point Press

    2015

    Aquatint in red and gray on revere wove paper  Accession ID  2019.115.2

    Not on view
  • The image shows diagonal, zigzagging lines in varying shades of green, creating a striped pattern. Bright orange circles are scattered across the image. These shapes and colors combine to create an abstract composition.

    Untitled (small circles)

    Tomma Abts, Emily York, Sam Carr-Prindle, Crown Point Press

    2015

    Color aquatint on revere wove paper  Accession ID  2019.115.1

    Not on view
  • ""

    Rain Gain

    Ed Ruscha, Emily York, Ianne Kjorlie, Crown Point Press

    2014

    Flatbite etching in black on revere wove paper  Accession ID  2019.115.223

    Not on view
  • The image shows an aerial view of a stylized landscape with a reflective body of water in the center. The horizon is near the top edge, separating the sky from the land below. The artwork features meticulous linework, delicate shading, and sweeping brushstrokes outlining the water and surrounding land. The color palette is primarily shades of gray, creating a serene atmosphere. Fields curve around the water, echoing its shape, and in the distance, there are rows of small trees and lines of vegetation.

    Dark Reservoir

    Wayne Thiebaud, Emily York, Crown Point Press

    2014

    Direct gravure, aquatint, and drypoint in black with chine collé on wove paper  Accession ID  2019.115.298

    Not on view
  • The image shows towering cliffs with a high perspective looking down on massive, vertically-oriented rock formations. The horizon is placed high against a pale sky. Tiny figures and sparse vegetation are visible on the horizon, emphasizing the scale of the cliffs. The brushstrokes are loose and textured with an emphasis on vertical lines. The color palette includes earthy tones, shades of brown and rust, and lighter hues highlighting the cliffs and sky.

    Canyon Bluffs

    Wayne Thiebaud, Emily York, Crown Point Press

    2014

    Color spitbite aquatint, direct gravure, and drypoint with chine collé on wove paper  Accession ID  2019.115.278

    Not on view
  • The image shows an elevated view of a vast landscape with a winding path. The horizon is placed high in the image, revealing a large oval-shaped body of water or clearing. The area is surrounded by dark brushstrokes representing roads or pathways that curve around the perimeter. The brushstrokes are smooth and fluid. The color palette is mainly sepia or grayish-brown tones. Close to us, there are paths with small trees or shrubs, while in the distance, there are lines indicating agricultural plots or fields. Faint structures or buildings can be seen near the horizon line.

    Reservoir [working proof 1]

    Wayne Thiebaud, Emily York

    2014

    Direct gravure with aquatint and drypoint on gampi paper chine cholle printed in brown on somerset paper (wp 1 – color proof, overall color is more brown) [working proof 1]  Accession ID  2024.132.717

    Not on view
  • ""

    Saga

    Mamma Andersson, Emily York, Ianne Kjorlie, Fanny Retsek, Crown Point Press

    2013

    Color sugarlift and spitbite aquatints, softground etching, and drypoint with chine collé on legion revere wove paper  Accession ID  2019.115.34

    Not on view
  • ""

    Mountain in Rain

    Pat Steir, Emily York, Ianne Kjorlie, Crown Point Press

    2012

    Color direct gravure with chine collé on somerset wove paper  Accession ID  2019.115.259

    Not on view
  • ""

    Horsetail [working proof 2]

    Anne Appleby, Emily York

    2012

    Color aquatint with burnishing on wove revire paper [working proof 2]  Accession ID  2024.132.19

    Not on view