Lee Walton

American, active 21st century

Explore selected works

See all 24 works of art
The image portrays irregular, cloud-like shapes in shades of beige, blue, and red. The arrangement suggests an abstract pattern, resembling an aerial view of a landscape. The blue areas may suggest rivers or waterways, while the red shapes could be seen as land formations or islands. The colors and shapes evoke natural elements, such as water and land formations or cloud formations in the sky.
Gay Outlaw, Case Hudson, Rachel Fuller, Lee Walton, Crown Point Press, Trial Pattern: Sunset, 2001, color aquatint with sugarlift aquatint and softground etching on wove Somerset paper, Gift of Kathan Brown, 2006.122.83

Trial Pattern: Sunset

Gay Outlaw, Case Hudson, Rachel Fuller, Lee Walton, Crown Point Press · 2001 · color aquatint with sugarlift aquatint and softground etching on wove Somerset paper ·  Accession ID  2006.122.83

The image shows irregular black thin lines on a textured beige background. Two orange circles are on the left side. The lines create an abstract composition with the circles adding contrast.
Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press, Tender Jokes, 2001, color sugarlift and spitbite aquatint with softground etching on Somerset paper, Gift of Kathan Brown, 2006.122.30.1

Tender Jokes

Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press · 2001 · color sugarlift and spitbite aquatint with softground etching on Somerset paper ·  Accession ID  2006.122.30.1

The image features rectangles filled with intricate squiggly lines, drips, and splatters on a beige and white background. The abstract composition forms a complex landscape with elements that may resemble pathways, vases, and figures. The black and gray lines create a pattern similar to street maps or schematics, with parts suggesting hints of city skylines or machinery. The overall presentation resembles an assembly of puzzle pieces.
Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press, Textbook Comic Devices, 2001, color sugarlift and spitbite aquatint with drypoint on Hosho paper chine collé, Gift of Kathan Brown, 2006.122.31

Textbook Comic Devices

Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press · 2001 · color sugarlift and spitbite aquatint with drypoint on Hosho paper chine collé ·  Accession ID  2006.122.31

The image displays an array of curved and linear abstract shapes, with soft, overlapping circles and sharp lines intersecting the canvas. These elements create a dynamic sense of movement. In the upper right, a vivid red circle stands out against the muted background. The surrounding lines and forms suggest floating clouds or distant geological formations.
Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press, Tender Jokes, 2001, color sugarlift and spitbite aquatint with softground etching on Somerset paper, Gift of Kathan Brown, 2006.122.30.5

Tender Jokes

Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press · 2001 · color sugarlift and spitbite aquatint with softground etching on Somerset paper ·  Accession ID  2006.122.30.5

The image shows a central, wavy, vertical shape surrounded by thin lines and scribbles intersecting across the composition. The artwork includes delicate lines resembling branches or veins, with curved and straight elements that may suggest tools or musical notes. In the background, light smudges and faint outlines enhance the textured appearance, evoking an organic landscape in its simplest forms.
Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press, Tender Jokes, 2001, color sugarlift and spitbite aquatint with softground etching on Somerset paper, Gift of Kathan Brown, 2006.122.30.3

Tender Jokes

Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press · 2001 · color sugarlift and spitbite aquatint with softground etching on Somerset paper ·  Accession ID  2006.122.30.3

A large red apple is placed on top of a yellow banana. Both objects are centered on a white background with alternating red and yellow horizontal stripes. The color palette consists of dominant shades of red, yellow, and cream, contrasting with the dark brown of the apple. The artist's name, GAY OUTLAW, is visible at the bottom right corner of the white section.
Gay Outlaw, Crown Point Press, Case Hudson, Rachel Fuller, Lee Walton, First Painting/First Print, 2001, color softground etching, aquatint and spitbite and soapground aquatints on wove Somerset paper, Gift of Kathan Brown, 2011.119.94

First Painting/First Print

Gay Outlaw, Crown Point Press, Case Hudson, Rachel Fuller, Lee Walton · 2001 · color softground etching, aquatint and spitbite and soapground aquatints on wove Somerset paper ·  Accession ID  2011.119.94

The image displays abstract black lines and markings on an orange-brown background. The lines vary in direction and some are horizontal, creating a structured composition. The background has a soft, textured appearance.
Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press, Tender Jokes, 2001, color sugarlift and spitbite aquatint with softground etching on Somerset paper, Gift of Kathan Brown, 2006.122.30.8

Tender Jokes

Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press · 2001 · color sugarlift and spitbite aquatint with softground etching on Somerset paper ·  Accession ID  2006.122.30.8

The image depicts irregular cloud-like shapes scattered across the canvas, organized into two distinct horizontal sections. The shapes resemble patches of camouflage often seen in textiles or military attire. The colors of the shapes range from deep browns to reds against a background of muted earth tones, evoking a sense of natural objects like leaves or rocks.
Gay Outlaw, Case Hudson, Rachel Fuller, Lee Walton, Crown Point Press, Trial Pattern: Animal, 2001, color aquatint with sugarlift aquatint and softground etching on wove Somerset paper, Gift of Kathan Brown, 2006.122.81

Trial Pattern: Animal

Gay Outlaw, Case Hudson, Rachel Fuller, Lee Walton, Crown Point Press · 2001 · color aquatint with sugarlift aquatint and softground etching on wove Somerset paper ·  Accession ID  2006.122.81

The image shows the outline of a person standing sideways, facing to the right. The figure is in a pink hue against a beige background. There are no facial features or detailed clothing visible. The background is plain with subtle texture. The artist's signature and date are at the bottom.
Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press, Copper Plate Nudes II (2), 2001, color sugarlift and spitbite aquatint with aquatint and texture from the back of a discarded plate on wove Somerset paper, Gift of Kathan Brown, 2006.122.67

Copper Plate Nudes II (2)

Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press · 2001 · color sugarlift and spitbite aquatint with aquatint and texture from the back of a discarded plate on wove Somerset paper ·  Accession ID  2006.122.67

The image shows soft, organic forms with curved lines creating an abstract impression on the canvas. The arrangement of these shapes suggests the outline of a figure bent over. The earthy tones add to the abstract nature.
Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press, Copper Plate Nudes II (6), 2001, color spitbite aquatint with aquatint, chine collé and texture from the back of a discarded plate on wove Somerset paper, Gift of Kathan Brown, 2006.122.71

Copper Plate Nudes II (6)

Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press · 2001 · color spitbite aquatint with aquatint, chine collé and texture from the back of a discarded plate on wove Somerset paper ·  Accession ID  2006.122.71