Lee Walton

American, active 21st century

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  • The image shows soft, organic forms with curved lines creating an abstract impression on the canvas. The arrangement of these shapes suggests the outline of a figure bent over. The earthy tones add to the abstract nature.

    Copper Plate Nudes II (6)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color spitbite aquatint with aquatint, chine collé and texture from the back of a discarded plate on wove somerset paper  Accession ID  2006.122.71

    Not on view
  • The image portrays irregular, cloud-like shapes in shades of beige, blue, and red. The arrangement suggests an abstract pattern, resembling an aerial view of a landscape. The blue areas may suggest rivers or waterways, while the red shapes could be seen as land formations or islands. The colors and shapes evoke natural elements, such as water and land formations or cloud formations in the sky.

    Trial Pattern: Sunset

    Gay Outlaw, Case Hudson, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color aquatint with sugarlift aquatint and softground etching on wove somerset paper  Accession ID  2006.122.83

    Not on view
  • The image shows irregular black thin lines on a textured beige background. Two orange circles are on the left side. The lines create an abstract composition with the circles adding contrast.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.1

    Not on view
  • The image features rectangles filled with intricate squiggly lines, drips, and splatters on a beige and white background. The abstract composition forms a complex landscape with elements that may resemble pathways, vases, and figures. The black and gray lines create a pattern similar to street maps or schematics, with parts suggesting hints of city skylines or machinery. The overall presentation resembles an assembly of puzzle pieces.

    Textbook Comic Devices

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with drypoint on hosho paper chine collé  Accession ID  2006.122.31

    Not on view
  • The image displays an array of curved and linear abstract shapes, with soft, overlapping circles and sharp lines intersecting the canvas. These elements create a dynamic sense of movement. In the upper right, a vivid red circle stands out against the muted background. The surrounding lines and forms suggest floating clouds or distant geological formations.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.5

    Not on view
  • The image shows a central, wavy, vertical shape surrounded by thin lines and scribbles intersecting across the composition. The artwork includes delicate lines resembling branches or veins, with curved and straight elements that may suggest tools or musical notes. In the background, light smudges and faint outlines enhance the textured appearance, evoking an organic landscape in its simplest forms.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.3

    Not on view
  • A large red apple is placed on top of a yellow banana. Both objects are centered on a white background with alternating red and yellow horizontal stripes. The color palette consists of dominant shades of red, yellow, and cream, contrasting with the dark brown of the apple. The artist's name, GAY OUTLAW, is visible at the bottom right corner of the white section.

    First Painting/First Print

    Gay Outlaw, Crown Point Press, Case Hudson, Rachel Fuller, Lee Walton

    2001

    Color softground etching, aquatint and spitbite and soapground aquatints on wove somerset paper  Accession ID  2011.119.94

    Not on view
  • ""

    Copper Plate Nudes II (1)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color spitbite aquatint with aquatint, foulbiting and drypoint on wove somerset paper  Accession ID  2006.122.66

    Not on view
  • The image displays abstract black lines and markings on an orange-brown background. The lines vary in direction and some are horizontal, creating a structured composition. The background has a soft, textured appearance.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.8

    Not on view
  • ""

    Copper Plate Nudes II (7)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with texture from the back of a discarded plate on chine collé on wove somerset paper  Accession ID  2006.122.72

    Not on view
  • The image depicts irregular cloud-like shapes scattered across the canvas, organized into two distinct horizontal sections. The shapes resemble patches of camouflage often seen in textiles or military attire. The colors of the shapes range from deep browns to reds against a background of muted earth tones, evoking a sense of natural objects like leaves or rocks.

    Trial Pattern: Animal

    Gay Outlaw, Case Hudson, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color aquatint with sugarlift aquatint and softground etching on wove somerset paper  Accession ID  2006.122.81

    Not on view
  • The image shows the outline of a person standing sideways, facing to the right. The figure is in a pink hue against a beige background. There are no facial features or detailed clothing visible. The background is plain with subtle texture. The artist's signature and date are at the bottom.

    Copper Plate Nudes II (2)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with aquatint and texture from the back of a discarded plate on wove somerset paper  Accession ID  2006.122.67

    Not on view