Paul Drake

American, active late 20th century

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  • The image shows a series of sweeping, curved lines and shapes forming an abstract composition. The most prominent shape resembles a large, sinuous number two or a stylized swan, with a curved neck and rounded body. Within this abstract form, textured areas with varying shades of grey suggest a mottled or weathered appearance, similar to the rough surface of stone. Overall, the image conveys an abstract quality.

    Figure 2

    Jasper Johns, Charles Ritt, Paul Drake, Gemini G.E.L.

    1968

    Lithograph in black and gray on copperplate deluxe wove paper  Accession ID  1991.74.77

    Not on view
  • The image features a bold numeral "9" formed by thick lines enclosed within a rectangular border. The design contrasts a black background with white lines in an abstract style. The composition includes a frame and negative spaces, resembling a poster or graphic print.

    Figure 9

    Jasper Johns, James Webb, Richard Wilke, Paul Drake, Gemini G.E.L.

    1968

    Lithograph in black and gray on copperplate deluxe wove paper  Accession ID  1991.74.83

    Not on view
  • The image features abstract shapes and lines. In the center, a sketch on a yellow notepad shows curving, flowing lines with a brown form near a large circular blue shape. Hand-drawn annotations such as "punch bag" and "set against a hillside" are included. Below the yellow paper, there is a black and white sketch of two overlapping oval shapes, along with another small abstract doodle in the bottom right corner. The composition is taped onto the page with four pieces of tan tape.

    Untitled (Punching Bag)

    Claes Oldenburg, Dan Gualdoni, Paul Drake, Gemini G.E.L.

    1968

    One from a portfolio of 12 lithographs on rives bfk wove paper  Accession ID  1981.5.121.1

    Not on view
  • The image displays a large, sweeping curve that moves from the top right to the bottom left. A circular form is enclosed at the top, expanding into a curved shape at the bottom. This abstract composition resembles a stylized question mark or a partially formed letter 'S'. Dark, textured areas within the curves resemble the surface of aged, weathered stone. The borders and lines appear incomplete, suggesting a work in progress.

    Figure 2 [trial proof]

    Jasper Johns, Charles Ritt, Paul Drake, Gemini G.E.L.

    1968

    Lithograph in black and gray on copperplate deluxe wove paper [trial proof]  Accession ID  2004.167.77

    Not on view
  • The image shows a large number "3" made up of intersecting lines. The composition creates a textured surface with a series of overlapping lines and circles. The abstract nature of the artwork may suggest various shapes or figures to viewers.

    Figure 3

    Jasper Johns, Charles Ritt, Paul Drake, Gemini G.E.L.

    1968

    Lithograph in black and gray on copperplate deluxe wove paper  Accession ID  1991.74.78

    Not on view
  • The image consists of swirling lines and geometric shapes forming an abstract composition. The face of the Mona Lisa is integrated into the design, surrounded by layers of lines and shapes.

    Figure 7 [trial proof]

    Jasper Johns, Kenneth Tyler, Charles Ritt, Paul Drake, Gemini G.E.L.

    1968

    Lighograph in black on copperplate deluxe wove paper [trial proof]  Accession ID  2004.167.85

    Not on view
  • The image shows abstract lines and shapes in shades of gray and black, with some overlapping. The Mona Lisa's face is subtly integrated into the patterns. The lines and shapes curve and overlap, suggesting waves or musical notes, creating a dynamic composition.

    Figure 7 [working proof]

    Jasper Johns, Kenneth Tyler, Charles Ritt, Paul Drake, Gemini G.E.L.

    1968

    Lithograph in black with crayon on newsprint [working proof]  Accession ID  2004.167.84

    Not on view
  • The image depicts swirling and jagged lines forming an abstract design. In the center, there is a shape resembling the number three amidst a network of lines. Surrounding this central figure, the lines resemble scribbles or doodles, adding movement and texture to the piece.

    Figure 3 [trial proof]

    Jasper Johns, Charles Ritt, Paul Drake, Gemini G.E.L.

    1968

    Lithograph in black on copperplate deluxe wove paper [trial proof]  Accession ID  2004.167.78

    Not on view
  • The image features illustrations of abstract shapes and lines. In the upper left are circular shapes resembling drum set pieces with accompanying text. To the right is an image resembling a dishwasher filled with dishes. At the bottom is an abstract depiction of a flashlight with swirling lines around it and vibrant orange color spilling out, accompanied by the handwritten note "flashlite."

    Untitled (Drum Set)

    Claes Oldenburg, Robert de la Rocha, Paul Drake, Gemini G.E.L.

    1968

    One from a portfolio of 12 lithographs on rives bfk wove paper  Accession ID  1981.5.121.11

    Not on view
  • The image displays a large, dark curving line with sharp angles and soft edges, dominating the center of the composition. This abstract form appears to intertwine within itself. The pattern within the shape has a textured appearance that suggests the dappled surface of a rocky terrain or perhaps the pattern of a flowing river depicted from above.

    Figure 2 [trial proof]

    Jasper Johns, Charles Ritt, Paul Drake, Gemini G.E.L.

    1968

    Lithograph in black on copperplate deluxe wove paper [trial proof]  Accession ID  2004.167.76

    Not on view
  • The image shows a large "9" shape outlined in a light color against a solid, dark rectangular background. Thick, bold lines form the number, with elegant curls at its base. The dark rectangle contrasts with the lighter negative space surrounding it. Handwritten notes and markings are visible at the bottom.

    Figure 9 [working proof]

    Jasper Johns, James Webb, Richard Wilke, Paul Drake, Gemini G.E.L.

    1968

    Lithograph in black and gray with ink and crayon on copperplate deluxe wove paper [working proof]  Accession ID  2004.167.89

    Not on view
  • The image shows a large number '3' composed of intertwining lines and cross-hatching patterns. The background is filled with vertical and diagonal lines.

    Figure 3 [trial proof]

    Jasper Johns, Charles Ritt, Paul Drake, Gemini G.E.L.

    1968

    Lithograph in black and gray on copperplate deluxe wove paper [trial proof]  Accession ID  2004.167.79

    Not on view