Hans Springinklee

German, German, c. 1495 - after 1522

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Hans Springinklee, Saint Jerome Writing, 1522, woodcut, Rosenwald Collection, 1946.11.196

Saint Jerome Writing

Hans Springinklee · 1522 · woodcut ·  Accession ID  1946.11.196

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Hortulus anime

Hans Springinklee, Erhard Schön, German 16th Century · published 1519 · 1 vol: ill: 79 woodcuts (including title), 46 by Springinklee (full-page), 28 by Schön and 5 by an anonymous earlier artist (within text) ·  Accession ID  1998.14.1

Hans Springinklee, Saint Augustine, 1518, woodcut, Rosenwald Collection, 1951.10.181

Saint Augustine

Hans Springinklee · 1518 · woodcut ·  Accession ID  1951.10.181

Hans Springinklee, Saint Sebaldus, 1518, woodcut, Rosenwald Collection, 1944.8.34

Saint Sebaldus

Hans Springinklee · 1518 · woodcut ·  Accession ID  1944.8.34

Hans Springinklee, Saint John, 1518, woodcut, Rosenwald Collection, 1945.5.1330

Saint John

Hans Springinklee · 1518 · woodcut ·  Accession ID  1945.5.1330

Hans Springinklee, The War at Hainault, 1515, woodcut, Rosenwald Collection, 1943.3.3680

The War at Hainault

Hans Springinklee · 1515 · woodcut ·  Accession ID  1943.3.3680

A stepped, ornately decorated structure made up of forty-four individual woodcuts and etchings printed with black ink on ivory-white paper fills this vertical composition. The structure has a tall central tower flanked by two shorter towers on each side. All three have an arched opening at the bottom. The outer towers are then flanked by three columns. Almost every inch of the structure is densely covered with architectural ornaments, coats of arms, Gothic text, and panels showing scenes with people in interiors or huge crowds in landscapes. Some scenes show soldiers engaged in battle, groups of kings and clergy, or individual men. Architectural ornament includes mythical creatures, gargoyles, saints, kings, and cherubs. The arched openings are tall and narrow, and have checkered floors. Words in elaborate Latin script appear inside the top of each of the three arches. Two ringed-tailed creatures resembling monkeys prowl outside the central arch. Two shallow steps lead down from the structure to five panels that line the base of the composition. Those five panels are filled with Gothic text. The date, "1515," appears at the base of the outermost column to each side.
Albrecht Dürer, Wolf Traut, Hans Springinklee, Albrecht Altdorfer, Adam von Bartsch, The Triumphal Arch of Maximilian, 1515 (1799 edition), 42 woodcuts and 2 etchings on laid paper assembled to form one image, Gift of David P. Tunick and Elizabeth S. Tunick, in honor of the appointment of Andrew Robison as Andrew W. Mellon Senior Curator, 1991.200.1

The Triumphal Arch of Maximilian

Albrecht Dürer, Wolf Traut, Hans Springinklee, Albrecht Altdorfer, Adam von Bartsch · 1515 (1799 edition) · 42 woodcuts and 2 etchings on laid paper assembled to form one image ·  Accession ID  1991.200.1

Hans Springinklee, Coat of Arms of Lazarus Spengler, woodcut, Rosenwald Collection, 1943.3.3694

Coat of Arms of Lazarus Spengler

Hans Springinklee · · woodcut ·  Accession ID  1943.3.3694

Hans Springinklee, Judgment of Paris, woodcut, Rosenwald Collection, 1943.3.3693

Judgment of Paris

Hans Springinklee · · woodcut ·  Accession ID  1943.3.3693

Hans Springinklee, Saint Jerome in Penitence, woodcut, Rosenwald Collection, 1943.3.3696

Saint Jerome in Penitence

Hans Springinklee · · woodcut ·  Accession ID  1943.3.3696