Wayne Thiebaud

Thiebaud, Morton Wayne

American, 1920 - 2021

Displaying 97 - 108 of 116

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  • This print shows a large brown cylindrical object with a glossy finish and a single red cherry on top. The surface below the object is bright teal and shows a reflection of the cylindrical object in colorful lines. The colors of the print include deep browns, vibrant blues, teals, turquoises, and bright greens, with some hints of red. The background behind the central object is dark blue.

    Dark Cake [artist's proof]

    Wayne Thiebaud, Crown Point Press

    1983

    Woodcut on handmade tosa kozo paper [artist's proof]  Accession ID  1996.93.90

    Not on view

  • Sardines

    Wayne Thiebaud, Crown Point Press

    1982

    Color hardground etching, aquatint, spitbite etching, and drypoint on somerset satin paper  Accession ID  1996.93.89

    Not on view
  • The image shows a cityscape with buildings and street viewed from an elevated angle. The artwork is detailed with cross-hatching strokes creating depth and shadow. The color palette is monochromatic with black ink on a white background. The street close by has a textured pattern, while buildings in the distance have clear outlines and crosshatched façades.

    Hotel Corner

    Wayne Thiebaud, Crown Point Press, Daria Sywulak, Dena Schuckit, Case Hudson

    1979/1998

    Hardground etching with drypoint in black on somerset textured white paper  Accession ID  2001.142.100

    Not on view
  • The image shows an overhead view of a street receding into the distance with architectural elements on both sides. The horizon is obscured by hills and trees. The painting features detailed cross-hatching to depict shadows and depth. The colors used are monochromatic, with shades of black, white, and gray. Close buildings display sharp light and shadow effects, while distant buildings diminish towards the horizon.

    Downgrade

    Wayne Thiebaud, Stephen Thomas, Parasol Press

    1979

    Hardground etching with aquatint and drypoint in black on wove paper  Accession ID  2015.19.3163

    Not on view
  • A multi-lane highway curves from the upper left corner to the bottom right edge of this nearly square aquatint and drypoint print. A row of sketchily drawn street lamps lines the top and right edge of the freeway. Black and white trucks and cars cast lapis-blue shadows on the charcoal-gray road. The artist wrote “Trial Proof III” in graphite in the lower left margin under the print and signed it with a heart and text reading, “Thiebaud 1979" in the lower right.

    Freeway Curve

    Wayne Thiebaud, Stephen Thomas, Parasol Press

    1979

    Color sugarlift aquatint and drypoint on wove paper  Accession ID  2015.19.3164

    Not on view
  • The image shows sketches of a jug, slices of fruit, and a knife. The artwork is in black and white, using shading and line work. In the top portion of the image, there is a jug and two fruit slices on a plate. In the middle, there are skewered fruit wedges. At the bottom, there are sliced fruit segments with two labels marked '89' on top.

    Studies of Watermelon

    Wayne Thiebaud

    1974

    Graphite on wove paper  Accession ID  2015.19.2765

    Not on view
  • ""

    Glasses

    Wayne Thiebaud

    1971

    Lithograph  Accession ID  2008.115.275

    Not on view
  • This print shows an array of large, round lollipops with various designs on them, such as hearts, spiral patterns, and swirls. The designs are colored in shades of red, green, yellow, brown, and blue. The lollipops are arranged in two horizontal rows, each positioned with a stick pointing downward, some of them slightly diagonal. The lollipops cast dark blue shadows on the off-white background.

    Big Suckers

    Wayne Thiebaud, Kathan Brown, Parasol Press

    1971

    Color aquatint on rives bfk wove paper  Accession ID  2015.19.3158

    Not on view
  • The image shows a group of six candy apples arranged closely together with sticks inserted into them. The color palette is monochromatic in black and white. Shadows are cast on the surface below. Three candy apples are on the left side, followed by the others moving towards the right. The apples are in the foreground with sticks extending upwards, creating patterns of shadows and highlights.

    Suckers State I

    Wayne Thiebaud, Charles Ritt, Bruce Lowney, Dan Gualdoni, Gemini G.E.L.

    1967, published 1968

    Lithograph on rives bfk wove paper  Accession ID  2015.19.1573

    Not on view
  • The image shows six red candy apples with sticks set against a white background. The apples are arranged in two rows with three apples in each row, slightly to the right side of the image. Shadows are cast to the left of the apples.

    Suckers State II

    Wayne Thiebaud, Bruce Lowney, Charles Ritt, Dan Gualdoni, Gemini G.E.L.

    1967, published 1968

    Lithograph in red on rives bfk wove paper  Accession ID  1991.74.230

    Not on view
  • The image shows six candied apples with sticks, arranged in two rows on a flat surface. The color palette is mainly black and white, emphasizing the contrast. The apples are positioned towards the center and right side of the image, each with a long stick. Shading is used to create volume, and overlapping shadows form a pattern on the surface.

    Suckers State I

    Wayne Thiebaud, Charles Ritt, Bruce Lowney, Dan Gualdoni, Gemini G.E.L.

    1967, published 1968

    Lithograph on rives bfk wove paper  Accession ID  1981.5.101

    Not on view
  • This painting depicts six cakes in two rows of three. The color scheme consists of black, white, pale yellow, and gray hues. The cakes are closely arranged in the center of the image, and they cast stark black shadows on a white surface. The cakes are all decorated differently; some have decorations on the top or decorative icing on the top or the sides.

    Study of Cakes

    Wayne Thiebaud

    c. 1965

    Brush and black ink and chinese white on wove paper  Accession ID  1991.227.1

    Not on view