June Wayne

Wayne, June C.

American, 1918 - 2011

Displaying 85 - 96 of 156

Results

  • ""

    One Up, One Down

    June Wayne, Tamarind Institute

    1969

    Lithograph (stone) in three blacks on calendered rives paper  Accession ID  1984.34.1116

    Not on view
  • ""

    Because It's There

    June Wayne, Tamarind Institute

    1969

    Lithograph (stone) in three blues, gray-green, ochre, orange and red on uncalendered rives paper  Accession ID  1984.34.1117

    Not on view
  • ""

    Plus ca Reste--Meme

    June Wayne, Tamarind Institute

    1968/1969

    Lithograph (stone) in brown-green, blue and two blacks on uncalendered rives paper  Accession ID  1984.34.1113

    Not on view
  • ""

    Wave Nineteen Twenty

    June Wayne, Tamarind Institute

    1968

    Lithograph (stone) in black on german etching paper  Accession ID  1984.34.1115

    Not on view
  • ""

    Lemmings' Night

    June Wayne, Tamarind Institute

    1968

    Lithograph (stone) in light brown, gray and black on copperplate deluxe paper  Accession ID  1984.34.1114

    Not on view
  • The image features diagonal, angular shapes and lines in red, pink, and orange. The abstract composition suggests movement. The shapes resemble a pattern of human-like figures in different poses, similar to a crowd. The figures are silhouetted against the background, creating depth.

    Lemmings' Choice

    June Wayne, Tamarind Institute

    1967/1968

    Lithograph (stone) in yellow, two reds, orange andbrown-green on white nacre paper  Accession ID  1984.34.1110

    Not on view
  • ""

    Plus ca Change-

    June Wayne, Tamarind Institute

    1967/1968

    Lithograph (stone) in black on copperplate deluxe paper  Accession ID  1984.34.1112

    Not on view
  • In the image, jagged lines and creases radiate from a central point. The abstract composition resembles a crumpled piece of paper, with folds forming a starburst-like appearance. Shadows and highlights emphasize the texture. The interplay of light and dark areas adds depth and dimension, reminiscent of natural formations.

    To Get to the Other Side

    June Wayne, Tamarind Institute

    1967/1968

    Lithograph (aluminum and stone) in two blacks on rives paper  Accession ID  1984.34.1111

    Not on view
  • The image shows swirling and looping lines on a textured background. The lines resemble a spiral shape on top of sketch-like figures, giving the impression of a crowded group. The image conveys a sense of motion and chaos. The colors and figures suggest a crayon or pastel-like technique.

    Lemmings Crush

    June Wayne, Tamarind Institute

    1967

    Lithograph (aluminum) in yellow, two greens, violet, orange, red and blue on copperplate deluxe paper  Accession ID  1984.34.1106

    Not on view
  • The image displays indistinct, softly colored shapes and lines resembling smeared text or patterns on a textured surface. The composition evokes faded letters, similar to words disappearing on an old letter or fabric. Muted beige and earthy red tones create the impression of weathered paper, enhancing the sense of time-worn memories and forgotten messages.

    Thirteenth Memory

    June Wayne, Tamarind Institute

    1967

    Lithograph (stone) in gray, brown, ochre and whiteon buff arches paper  Accession ID  1984.34.1109

    Not on view
  • The image displays irregular intersecting shapes and lines forming an abstract composition. In a shadowy background, outlines and patterns resembling human limbs, such as arms and hands, emerge. The shapes are distributed and shaded to convey depth and mystery similar to a partially concealed figure. The abstract forms suggest human presence without precise definition, like shadows in dim light.

    Stone Circle

    June Wayne, Tamarind Institute

    1967

    Lithograph (stone and aluminum) in gray-green, black, orange-brown and pink on german etching paper  Accession ID  1984.34.1107

    Not on view
  • The image displays swirling lines and overlapping shapes that create an intricate abstract composition. The lines and curves form a dynamic pattern. The color palette includes warm hues such as reds, oranges, and greens. Viewers may perceive hints of forms resembling human figures. The abstract nature of the piece invites viewers to explore familiar shapes and patterns within the artwork.

    Two Thousand Too Soon

    June Wayne, Tamarind Institute

    1967

    Lithograph (aluminum) in yellow-orange, light green and two reds on white nacre paper  Accession ID  1984.34.1105

    Not on view