Adja Yunkers

American, born Latvia, 1900 - 1983

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  • The image displays a composition of curved and angular lines that intertwine and overlap on a textured background. The shapes suggest elongated human figures, reminiscent of classical sculptures. Darker shades create a sense of movement and depth, while lighter hues could resemble aged bronze or stone surfaces. The complex arrangement of lines and shapes encourages viewers to connect with familiar human forms and natural textures.

    Las Lolitas

    Adja Yunkers

    1952

    Color woodcut on asian paper  Accession ID  1953.6.140

    Not on view
  • This image features a drawing of a poem titled "Praise to the End!" by Theodore Roethke. The poem is written in flowing script on textured paper. Below the poem is an abstract illustration with dynamic swirling forms in dark tones on a light background. The print includes a signature and is marked 50/50, indicating it is from a limited series.

    Praise to the End! from 21 Etchings and Poems

    Adja Yunkers, Theodore Roethke, Anderson-Lamb, Morris Gallery

    published 1960

    Etching and aquatint from a portfolio of 10 etchings; six etching and aquatints; two engraving and etchings; 2 etching and drypoints; and one etching, aquatint, and drypoint on rives paper  Accession ID  1997.6.1.21

    Not on view
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    Succubae

    Adja Yunkers

    published 1950

    Color woodcut on japan paper  Accession ID  1950.17.487

    Not on view
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    Cover

    Adja Yunkers

    published 1950

    Woodcut  Accession ID  1950.17.483

    Not on view
  • ""

    End Medallion

    Adja Yunkers

    published 1950

    Woodcut on wove paper  Accession ID  1950.17.485

    Not on view
  • The image displays intersecting lines and geometric shapes against a textured background with muted yellow and green hues. There are sinuously curved lines with oval and triangular shapes. The interplay of color and form, along with the dark lines, suggests a stylized human form or totem-like object in a landscape. The curved and angular elements evoke trees and forest elements, adding to the abstraction.

    Succubae

    Adja Yunkers

    1950

    Color woodcut  Accession ID  2008.115.5168

    Not on view
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    Title Page

    Adja Yunkers

    published 1950

    Woodcut on wove paper  Accession ID  1950.17.484

    Not on view
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    Prints in the Desert

    Adja Yunkers, Various Artists

    published 1950

    Portfolio with six woodcuts (including cover), 1 lithograph, 1 watercolor, 1 monospray, 1 linoleum cut, plus text and two photographs  Accession ID  1950.17.483-492

    Not on view
  • The image displays abstract shapes and lines in black, set against a backdrop of muted greens, yellows, and reds. The shapes intersect and curve, suggestive of humanoid figures with elongated limbs and unique head shapes. The scene also includes overlapping layers resembling cloaked figures or statues. This composition gives the impression of an animated assembly of beings, resembling phantoms or spirits.

    Succubae

    Adja Yunkers

    1950

    Color woodcut on wove paper  Accession ID  2015.19.729

    Not on view
  • The image shows a complex composition of abstract forms created by swirling lines and shapes. The lines overlap and intersect, with a small splash of red standing out against the monochromatic shades. Darker areas suggest shadowy spaces hinting at depth, while lighter streaks evoke movement. The overall arrangement forms an intricate tapestry that invites viewers to search for hidden forms within the chaos.

    Desert

    Adja Yunkers

    1949

    Monotype on wove paper  Accession ID  1950.1.126

    Not on view
  • The image displays an arrangement of curved, angular, and zigzagging lines on a textured background. Some shapes resemble a wheel and the edges of an arrowhead. Various colors such as blue, brown, green, and maroon are blended together with subdued tones in a layered abstract scene.

    Blue Shields

    Adja Yunkers

    1949

    Color monotype on wove papr  Accession ID  1950.1.128

    Not on view
  • The image displays an intricate assembly of crisscrossing lines and angular shapes that dominate the composition. The abstract artwork suggests the presence of shadowy figures and silhouettes. The grayscale tones of the image are interrupted by bursts of color, like orange and yellow patches.

    The Circus

    Adja Yunkers

    1949

    Monotype on wove paper  Accession ID  1950.1.112

    Not on view