Experiments in Art and Technology

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  • The image displays a composition of geometric shapes and lines, with a large, curving outline defining a portrait set against a vibrant pink background. Cut-out and overlapping forms give an abstract quality, suggesting a human figure dressed in formal attire. The image includes a stylized depiction of a suit, with angular shapes hinting at shoulders and a collar, and a tie that combines a black background with a pattern of yellow dots.

    Lenin?

    Larry Rivers, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint and lithograph on wove paper  Accession ID  1976.66.22

    Not on view
  • This is a photograph of a typed survey result. The image displays typed text showing survey results from visitors to the John Weber Gallery regarding their voting preferences if an election were held. The survey results list the number of respondents and percentages for four categories: McGovern (634 votes, 74.7%), Nixon (55 votes, 6.4%), None (102 votes, 12.0%), Don't know (44 votes, 5.1%), and No answer (13 votes, 1.5%). The text further explains that 848 gallery visitors participated in the survey conducted by Hans Haacke between October 7 and 24, 1972, with 70.9% indicating a professional interest in art.

    420 West Broadway Visitors' Profile

    Hans Haacke, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint on wove paper  Accession ID  1976.66.10

    Not on view
  • This is a drawing of a cross-section view of a building element with a copper beam. The drawing shows a structural detail including an exterior wall, window glass, room interior, and a copper beam. Handwritten annotations detail the components and dimensions of the copper beam (10"x16"x15'). Notes indicate that the beam extends through the window glass, with one half polished and heated. The cross-section displays the beam passing through the window into the room interior, past the window casement and window sill. Key structural elements like the floor and exterior wall are depicted with simple lines and shading for material separation.

    Untitled

    Robert Morris, Styria Studio, Experiments in Art and Technology

    1973

    Lithograph on wove paper  Accession ID  1976.66.16

    Not on view
  • The image displays swirling lines and circular shapes in an intricate and abstract design. The central figure resembles an eye surrounded by elliptical rings and other geometric forms. The composition includes additional elliptical shapes and sharp, pointed extensions.

    Untitled

    Lee Bontecou, Styria Studio, Experiments in Art and Technology

    1973

    Screenprint in black and silver on wove paper  Accession ID  2015.115.1

    Not on view
  • The image features a series of concentric circles centered in the middle, bisected by diagonal lines that extend to each corner, creating a symmetrical pattern. These intersecting lines and circles form an abstract design. The geometric shapes echo familiar objects such as a dartboard or radiating ripples in water.

    Untitled

    Sol LeWitt, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint on wove paper  Accession ID  1976.66.14

    Not on view
  • The image shows a black circular line on a white background. The line is thick, uneven, and incomplete, resembling a broad ring or wheel. The gap at the top suggests a partially open door or archway. The edges of the line appear rough and textured, like an ink trace from a calligraphy brush.

    Untitled

    Richard Serra, Styria Studio, Experiments in Art and Technology

    1973

    Lithograph in black on wove paper  Accession ID  1976.66.25

    Not on view
  • The image displays a grid background with lines and geometric shapes intersecting and overlapping. Handwritten notes and measurements are scattered throughout, suggesting a technical or design focus. Some shapes resemble everyday objects like rectangles and circles, possibly tiles or architectural elements. Labeled areas and directional arrows guide the viewer across the structured space.

    Untitled

    Jim Dine, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint on wove paper  Accession ID  1976.66.6

    Not on view
  • The image depicts a man sitting in a relaxed pose, with one arm resting on his knee and the other hand positioned near his lap. His head is slightly turned to the right, and he has short, neatly combed hair with a side part. He is wearing a suit jacket over a sweater, paired with striped trousers. The background is plain and monochromatic pinkish-red, with a black and white graphic featuring a vertical, stylized pattern near his thigh.

    Untitled

    Dan Flavin, Styria Studio, Experiments in Art and Technology

    1973

    Color photo-screenprint and screenprint on wove paper  Accession ID  1976.66.7

    Not on view
  • The image shows a grid pattern with evenly spaced vertical and horizontal lines on a yellow background. Black ink markings and numbers are placed within the grid squares, resembling a technical drawing or mathematician's notes. This gives the impression of a carefully calculated equation or scientific data, connecting to the methodical nature of structured analysis.

    Untitled

    Alex Hay, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint on wove paper  Accession ID  1976.66.11

    Not on view