George Bunker

American, 1923 - 1991

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  • The image shows a sketch with an elevated perspective, possibly of a landscape. There is a horizon line in the upper third of the image, represented by a darker horizontal band. The sketch consists of loose, expressive brushstrokes in shades of gray and black, giving it an impressionistic feel. Closer objects have thicker, darker lines, while lighter strokes convey distance. The background features soft, swirling strokes that suggest clouds in the sky. The color palette is subdued, using gray tones to create depth and form.

    Untitled

    George Bunker

    c. 1973

    Graphite on white wove paper  Accession ID  1995.58.46

    Not on view
  • The image features black lines and shapes on a light background, forming a structured yet chaotic design. The lines vary in thickness and shape, some curving elegantly while others have sharp angles. Clusters of lines on the left resemble intertwining branches or tree trunks, while denser collections on the right could be seen as mountains or rocky outcrops. Smaller, squiggly lines at the bottom suggest grass or shrubs. The artwork combines organic curves with angular formations.

    Untitled

    George Bunker

    c. 1969

    Pen and black ink on wove paper  Accession ID  1995.58.23

    Not on view
  • The artwork presents an abstract landscape with bold, gestural brushstrokes in a monochromatic color palette. The scene includes implied trees on the horizon, a structure in the foreground, and simplified depictions of trees and natural forms extending into the distance.

    Untitled

    George Bunker

    c. 1969

    Felt-tip pen on wove paper  Accession ID  1995.58.35

    Not on view
  • The image shows a sketchy drawing of a natural scene with trees and abstract shapes. The perspective is from a standing position, with no clearly defined horizon. The drawing uses intense, dark charcoal marks and finer lines to create a dynamic effect. The color palette is monochromatic, with black lines on a white background. The foreground features jagged rocks or foliage, while the background shows more abstract trees and landscape elements, becoming less detailed further away.

    Untitled

    George Bunker

    1969

    Felt-tip pen on wove paper  Accession ID  1995.58.28

    Not on view
  • The image shows intersecting lines and scribbles creating a chaotic and intricate pattern within a rectangular frame. The lines twist and turn, forming shapes resembling a dense forest or tall buildings. The composition suggests a cityscape or the growth of trees in nature.

    Untitled

    George Bunker

    c. 1969

    Pen and ink on wove paper  Accession ID  1995.58.32

    Not on view
  • The image displays dynamic, overlapping lines and shapes in various colors like green, blue, purple, and orange. The black lines form rectangular and angular shapes. Brush-like strokes and patches of color suggest movement.

    Untitled

    George Bunker

    c. 1969

    Pastel on wove paper  Accession ID  1995.58.25

    Not on view
  • The image shows jagged and intersecting lines creating an intricate and chaotic pattern. The pattern could be compared to tree branches or tall reeds. The lines may also suggest a distant cityscape with tall structures and movement. The shapes are dynamic and open to interpretation, similar to quick sketches of familiar scenes.

    Untitled

    George Bunker

    c. 1969

    Pen and ink on wove paper  Accession ID  1995.58.41

    Not on view
  • The image displays various bold, sweeping lines and scribbles overlapping each other, forming an abstract composition. The marks imply shapes resembling tangled branches or thickets, similar to a dense forest or overgrown garden. The lines flow in different directions, suggesting movement and depth, creating a chaotic natural impression like twisted vines or creeping plant life.

    Untitled

    George Bunker

    c. 1969

    Felt-tip pen on wove paper  Accession ID  1995.58.31

    Not on view
  • The image shows overlapping and crisscrossing lines of varying thickness, creating a sense of depth and movement. The abstract drawing consists of irregular shapes and jagged edges. The interplay of thick and thin lines, alongside shaded areas, suggests a textured surface.

    Untitled

    George Bunker

    c. 1969

    Felt-tip pen on wove paper  Accession ID  1995.58.39

    Not on view
  • The image depicts a sketch of a natural scene with sparse, expressive lines. Large, abstract forms resembling rocks or boulders are drawn with loose, dark strokes on a light background. Several tree trunks are sketched with simple, linear marks among the rocky terrain. Lighter strokes suggest distant vegetation, creating depth. The composition is in charcoal or soft pencil, creating a monochrome palette against the white paper. The lack of a defined horizon allows for free exploration of the interplay between line and space.

    Untitled

    George Bunker

    c. 1969

    Felt-tip pen on wove paper  Accession ID  1995.58.38

    Not on view
  • The image depicts a pencil sketch with an elevated point of view showing a landscape with trees. The horizon is roughly indicated with horizontal lines blending into tree forms and foliage. The sketch is expressive and loose with quick lines crisscrossing the page. Shading is achieved through hatching and cross-hatching. The image is monochromatic, using black graphite on white paper for contrast. Abstract shapes suggest a mix of terrain and vegetation, with more ambiguous shapes in the distance. The paper edges have a serrated texture.

    Untitled

    George Bunker

    c. 1969

    Graphite on wove paper  Accession ID  1995.58.29

    Not on view
  • The image depicts a sketch drawn from a direct or slightly elevated viewpoint, capturing a scene with natural elements like trees or foliage. The horizon is not clearly marked. The sketch showcases a spontaneous and dynamic style with quick, rough strokes and overlapping lines that create texture and movement. The color palette is limited to black on light cream-colored paper, giving the image a monochrome visual impact. Bold, dark lines represent dense vegetation in the foreground, while lighter lines imply depth in the distance. The paper features a perforated border, suggesting it may be from a sketchbook.

    Untitled

    George Bunker

    c. 1969

    Graphite on wove paper  Accession ID  1995.58.36

    Not on view