Asa Muir-Harmony

American, active early 21st century

Displaying 37 - 45 of 45

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  • ""

    Figure II

    Nathan Oliveira, Ianne Kjorlie, Catherine Brooks, Asa Muir-Harmony, Crown Point Press

    2007

    Color sugarlift aquatint with drypoint on gampi paper chine collé on somerset wove paper  Accession ID  2011.119.89

    Not on view
  • The image depicts intersecting red lines and shapes, alongside various colored blocks. The red lines overlay a background of soft purple, tan, and lime green hues that form uneven geometric shapes. On the left side, there are vertical swatches of color including beige, brown, olive green, and salmon pink. Each element blends into the next, creating a patchwork effect.

    Ohad + Naomi (O & N 7) (working proof)

    Amy Sillman, Crown Point Press, Catherine Brooks, Ianne Kjorlie, Asa Muir-Harmony

    2007

    Color sugarlift aquatint and spitbite aquatint with red crayon and paint additions on wove paper  Accession ID  2013.127.6

    Not on view
  • The image displays overlapping lines and shapes creating an abstract composition. Thin green lines outline elongated forms against a backdrop of red and pink tones. The overlapping lines suggest motion, and a bold black shape in the center provides contrast.

    S & E

    Amy Sillman, Crown Point Press, Catherine Brooks, Ianne Kjorlie, Asa Muir-Harmony

    2007

    Color sugarlift aquatint and spitbite aquatint with softground etching on wove somerset paper  Accession ID  2011.119.120

    Not on view
  • ""

    Rake

    Pia Fries, Crown Point Press, Emily York, Ianne Kjorlie, Asa Muir-Harmony

    2007

    Color soapground aquatint and spitbite aquatint with photogravure and roulette on wove somerset paper  Accession ID  2011.119.27

    Not on view
  • The image contains swirling lines and shapes in red, green, and black. The lines resemble flowing ribbons or streams of paint, intertwining in a swirling motion. Textures and patterns reminiscent of natural elements are present, such as flower petals or fabric folds. A rose is featured within the design, adding organic familiarity. The balance of bold colors and delicate lines creates a visually striking composition.

    Falc

    Pia Fries, Crown Point Press, Emily York, Ianne Kjorlie, Asa Muir-Harmony

    2007

    Color soapground aquatint and spitbite aquatint with photogravure and roulette on wove somerset paper  Accession ID  2011.119.25

    Not on view
  • The image displays bold, angular lines that intersect and overlap on the canvas. A large, irregular shape in deep purple dominates the composition, surrounded by lighter purple shapes and thin lines. The design suggests movement and depth, resembling a fragmented landscape or urban silhouette. The geometric elements evoke the idea of a modern sculpture or architectural blueprint.

    O / N (working proof)

    Amy Sillman, Crown Point Press, Catherine Brooks, Ianne Kjorlie, Asa Muir-Harmony

    2007

    Color sugarlift aquatint with graphite additions on wove paper  Accession ID  2013.127.4

    Not on view
  • The image displays overlapping geometric shapes and lines with bold colors and a dynamic composition. The dominant colors are green, purple, and yellow, creating a visually striking pattern. The background is a soft, muted pink, contrasting with the vibrant foreground colors.

    O & N (working proof)

    Amy Sillman, Crown Point Press, Catherine Brooks, Ianne Kjorlie, Asa Muir-Harmony

    2007

    Sugarlift aquatint with paint additions  Accession ID  2013.127.5

    Not on view
  • ""

    Figure I

    Nathan Oliveira, Ianne Kjorlie, Catherine Brooks, Asa Muir-Harmony, Crown Point Press

    2007

    Color sugarlift aquatint on somerset wove paper  Accession ID  2011.119.88

    Not on view
  • ""

    Night River

    Wayne Thiebaud, Daria Sywulak, Emily York, Ianne Kjorlie, Asa Muir-Harmony, Crown Point Press

    1998/2011

    Hardground etching, drypoint, and aquatint in blue and black on somerset wove paper  Accession ID  2019.115.314

    Not on view