Hollander Graphic Workshop

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  • The image displays bold, sweeping lines and curved shapes that converge and diverge across the page to create an abstract form. The dark strokes intertwine to resemble a figure with broad shoulders and elongated legs. The lower section comprises of jagged lines that can evoke the impression of feet on a textured surface. The composition captures fluidity and motion typical of abstract art, blurring the line between human-like forms and free-flowing expression.

    Clam Digger

    Willem de Kooning, Irwin Hollander, Hollander Graphic Workshop

    1966 (published 1967)

    Lithograph in black on arches wove paper  Accession ID  2008.115.137

    Not on view
  • The image displays curving, fluid lines and bold, sketchy strokes forming an abstract design on a plain background. The shapes suggest abstract human-like figures, with the central form resembling a figure standing with arms bent upwards and the top half evoking a head or bust. The lines convey a sense of movement or transformation, reminiscent of textured, folded fabric.

    Clam Digger

    Willem de Kooning, Irwin Hollander, Hollander Graphic Workshop

    1966 (published 1967)

    Lithograph in black on arches wove paper  Accession ID  2002.98.231

    Not on view
  • The image shows a composition with thick, sweeping lines and shapes resembling brushstrokes on a solid blue background. The shapes form an angular formation, with a central triangular shape. Other elements in the design evoke the appearance of splashes or drips, creating an energetic feel. The lines and forms suggest an assembly resembling rocks or abstract figures in motion.

    Untitled

    Robert Motherwell, Irwin Hollander, Hollander Graphic Workshop

    1966 (published 1967)

    Lithograph in blue on arches wove paper  Accession ID  2000.137.1.6

    Not on view
  • The image showcases bold, irregular black shapes and lines on a pale background. The abstract composition includes swirling, looping lines, and dense, solid forms. Some shapes suggest figures or objects like hills or trees, while others hint at abstracted architectural elements or machinery. This juxtaposition challenges perception and prompts connections to everyday objects in an abstract setting.

    Untitled

    Philip Guston, Hollander Graphic Workshop

    1966

    Lithograph in black on arches wove paper  Accession ID  1998.84.2

    Not on view
  • In this abstract composition, a thick, sweeping black stroke arcs diagonally across the white canvas. The bold, textured line is accompanied by scattered splatters and smaller, rounded marks surrounding it. The central form's dynamic and uneven edges evoke the familiar movements of calligraphy, while the surrounding dots might resemble distant stars.

    Calligraphy

    Robert Motherwell, Irwin Hollander, Hollander Graphic Workshop

    1966

    Lithograph in black on rives bfk wove paper  Accession ID  2008.115.228

    Not on view
  • This is a drawing of an abstract figure. The lines form a vague human-like shape with a large central mass and two vertical extensions. The strokes are expressive and suggest movement and energy. The strokes vary in thickness and density, adding texture and depth. The background is plain, bringing focus to the central sketch. The medium appears to be charcoal or pencil on paper, and the style is reminiscent of modern abstract expressionism.

    Clam Digger

    Willem de Kooning, Irwin Hollander, Hollander Graphic Workshop

    1966 (published 1967)

    Lithograph in black on arches wove paper  Accession ID  2000.137.1.3

    Not on view
  • ""

    Summertime in Italy, #12

    Robert Motherwell, Irwin Hollander, Hollander Graphic Workshop

    1966

    Lithograph in black on rives bfk wove paper  Accession ID  2008.115.229

    Not on view
  • The image depicts a bold, angular shape in blue against a textured background of varying intensities in a similar color. The central shape resembles an arch or a triangle. The surrounding texture consists of rough and smooth shapes, suggesting natural or weathered surfaces. The composition combines geometric lines and organic textures.

    Summertime in Italy (with Blue)

    Robert Motherwell, Irwin Hollander, Hollander Graphic Workshop

    1966

    Lithograph in blue on arches cover wove paper  Accession ID  1976.56.116

    Not on view
  • The image consists of irregular shapes and flowing lines to create an abstract composition. There is a contour resembling a tree or plant form on the left with jagged lines and branch-like extensions. Towards the right, there is a circular shape with facial features, similar to a carved mask or a moonlit stone with a face etched into it. Below, undulating lines weave across the scene, suggesting the curves of a river or a vine in a garden. These elements together evoke nature-inspired textures and shapes in an abstract arrangement.

    Magic Garden

    Louise Nevelson, Emiliano Sorini, Hollander Graphic Workshop

    1953-1955 (published 1965-1966)

    Etching with engraving, aquatint, and softground in black on rives bfk wove paper  Accession ID  1990.88.2

    Not on view