Daniel Garber

American, 1880 - 1958

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See all 19 works of art
The image shows a landscape with tall trees surrounding a building in the center and a church steeple slightly off-center to the right. The horizon is obscured by trees, and the building and steeple suggest a division between land and sky. The artwork appears to be a detailed sketch, using cross-hatching and shading for texture and depth. The color scheme is monochromatic in shades of sepia and brown for an antique look. A figure stands on a pathway, blending into the shadows and light. The sun casts light from the left, creating shadows and highlighting textures in the scene.
Daniel Garber, Stockton Church, 1941, etching and drypoint in black on wove paper, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee), 2015.143.52

Stockton Church

Daniel Garber · 1941 · etching and drypoint in black on wove paper ·  Accession ID  2015.143.52

The image depicts a serene landscape with a large, arching tree on the right side. In the background, a line of trees and foliage marks the horizon, with a church steeple barely visible above. The painting features soft brushstrokes in grayscale tones, creating a peaceful atmosphere. Additionally, three figures are situated under the tree, adding to the tranquil ambiance.
Daniel Garber, Sycamore—Bloomsbury, 1940-1941, charcoal on wove paper backed with wove paper, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee), 2015.19.519

Sycamore—Bloomsbury

Daniel Garber · 1940-1941 · charcoal on wove paper backed with wove paper ·  Accession ID  2015.19.519

The image shows a garden with houses among trees, viewed from a slightly elevated angle. The horizon is not sharply defined, suggesting the top edge of the trees and rooftops as the boundary between sky and earth. The etching technique creates texture through crosshatching strokes for the trees and buildings. The color palette is monochromatic in shades of sepia. There are garden plots with low fences, a pathway leading into the scene, rustic wooden houses, foliage, and a sky lightly sketched with subtle clouds.
Daniel Garber, Gardens, 1940, etching and drypoint in black on laid paper, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee), 2015.19.528

Gardens

Daniel Garber · 1940 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.528

The image shows a pastoral scene dominated by a large, leafless tree. In the background, there are rolling hills and a structure that resembles a barn. Near the tree, there are two buildings - one small with clapboard siding and a pitched roof, and a larger one at the center and right. Three figures are near the smaller building engaged in conversation. The style features fine linework and textures creating depth with a monochromatic color palette of varying shades of gray.
Daniel Garber, River House, 1938, etching and drypoint in black on laid paper, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee), 2015.143.53

River House

Daniel Garber · 1938 · etching and drypoint in black on laid paper ·  Accession ID  2015.143.53

The image displays a woman in an armchair, seated with her legs crossed and knitting. She has short, dark hair and is wearing a light-colored blouse, cardigan, knee-length skirt, and dark shoes. The room is illuminated with soft light from a window on the left. A plant sits on a nearby table. To the right, a mantelpiece holds a vase with red flowers and decorative objects. An empty chair with a green cushion is beside the mantelpiece, and a rug lies on the wooden floor. The room has softly painted walls and doors, creating a sense of openness.
Daniel Garber, South Room, Cuttalossa, c. 1943, pastel on purple wove paper, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee), 2015.19.532

South Room, Cuttalossa

Daniel Garber · c. 1943 · pastel on purple wove paper ·  Accession ID  2015.19.532

The image depicts a rustic farm setting with tall trees, haystacks, a ladder, thatched structure, cart, and a person walking towards the cart. The artwork shows detailed brushstrokes, shadows for depth, and a monochromatic color palette of browns and sepia.
Daniel Garber, Straw Barracks, 1931, etching in black on laid paper, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee), 2015.143.54

Straw Barracks

Daniel Garber · 1931 · etching in black on laid paper ·  Accession ID  2015.143.54

The image displays a panoramic village scene from an elevated point. The horizon line is high, showing distant hills. A cluster of houses, varying in shape and size, creates the central focal point. The houses are close together, with roofs forming patterns. The pencil brushwork is delicate, with soft strokes capturing light and texture variations. The monochromatic color palette in various shades of grey highlights details. A few animals can be seen grazing. Trees are scattered throughout, balancing the structures. The sky has wisps of clouds.
Daniel Garber, Erwinna, early 1930s, charcoal and graphite on wove paper, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee), 2015.19.520

Erwinna

Daniel Garber · early 1930s · charcoal and graphite on wove paper ·  Accession ID  2015.19.520

The image shows an elevated view of a bridge and the bustling activity underneath. The bridge is detailed with arches, people on top, and a focus on its texture. The monochromatic image uses sepia tones, and features horses and carts, as well as a person on a boat under the bridge.
Daniel Garber, Sand Wharf, 1926, etching and drypoint in black on laid paper, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee), 2015.19.527

Sand Wharf

Daniel Garber · 1926 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.527

The drawing shows a two-story house with trees framing it. The horizon is suggested by the base of the trees and the rooftop of the house. The highest elements are the roof of the house and tall trees. The drawing features delicate pencil strokes, capturing details like the roof's shingles and foliage. The monochromatic palette of various grays gives a serene feel. In the background, more trees and the sky are visible, while foliage and a pathway are hinted at in the foreground.
Daniel Garber, Old House, late 1920s-1930s, charcoal on gray wove paper mounted to paperboard, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee), 2015.19.523

Old House

Daniel Garber · late 1920s-1930s · charcoal on gray wove paper mounted to paperboard ·  Accession ID  2015.19.523

The image displays a landscape with tall trees at the edges and interlocking branches towards the center. The horizon is obscured by dense foliage, lacking distinct features. The artwork has an etching-like technique with fine lines for texture. The color scheme is sepia-toned, creating a warm, earthy atmosphere and emphasizing details and light contrasts. Closer to the viewer, there are dense grasses and shrubs, while further away, less detailed outlines of trees give depth and scale to the scene.
Daniel Garber, The Heron, 1923, etching and drypoint with aquatint in black on laid paper, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee), 2015.143.55

The Heron

Daniel Garber · 1923 · etching and drypoint with aquatint in black on laid paper ·  Accession ID  2015.143.55