Center Street Studio

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The image shows a rectangular shape with a dark, textured pattern resembling woven fabric. The surface has a grid-like appearance due to intersecting lines creating a visual effect similar to denim material. In the top right corner, there is an inscription that looks like a signature and a date.
Charles Ritchie, Center Street Studio, Center Street Studio, James Stroud, April 2008, 2008, artist's book with aquatint, mezzotint, etching, and drypoint, Gift of Christopher and Beverly With in memory of Karl and Gerda With, 2020.167.11

April 2008

Charles Ritchie, Center Street Studio, Center Street Studio, James Stroud · 2008 · artist's book with aquatint, mezzotint, etching, and drypoint ·  Accession ID  2020.167.11

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Etching 1

Teo González, Center Street Studio · 2005 · etching and aquatint in black with red chine collé on Rives wove paper ·  Accession ID  2015.19.3501

The image is an artistic portrait showing the upper body of a person. The person is facing forward with a serious expression. They are wearing a suit jacket and have closely cropped hair. The background is plain and lightly textured.
John Wilson, James Stroud, Center Street Studio, Martin Luther King, Jr., 2002, softground etching, hardground etching, aquatint, spitbite aquatint with scraping and burnishing on chine collé, Gift of the family of John Wilson in honor of President Barack Obama, 2016.15.1

Martin Luther King, Jr.

John Wilson, James Stroud, Center Street Studio · 2002 · softground etching, hardground etching, aquatint, spitbite aquatint with scraping and burnishing on chine collé ·  Accession ID  2016.15.1

The image features a series of abstract, etched lines forming a complex composition. There are shapes that resemble a figure standing in profile facing an easel or stand, which hosts an indistinct sketch or form. The figure's head is oblong and sharply outlined, and its body is elongated. The easel holds an abstract representation, suggesting the concept of a painter or artist with a canvas, using a mix of haphazard lines and shapes. The background is filled with a texture of scattered, faint markings.
John Walker, James Stroud, Center Street Studio, Untitled (Soldier and Easel), 1998, etching and aquatint with drypoint, printed chine collé on wove BFK Rives paper, Gift of Christopher and Beverly With in memory of Karl and Gerda With, 2023.140.12

Untitled (Soldier and Easel)

John Walker, James Stroud, Center Street Studio · 1998 · etching and aquatint with drypoint, printed chine collé on wove BFK Rives paper ·  Accession ID  2023.140.12

A densely textured black square dominates the center of the image, composed of intricately interwoven lines. The square rests on a larger off-white background.
Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud, Quantum Gray XIV, 1995-1996 (published 1996), etching in black on Rives BFK wove paper, Gift of Bob Stana and Tom Judy, 2019.109.71.14

Quantum Gray XIV

Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud · 1995-1996 (published 1996) · etching in black on Rives BFK wove paper ·  Accession ID  2019.109.71.14

The image shows a square filled with swirling lines that create a textured pattern. The lines interweave and overlap, forming a complex visual tapestry within the square shape. The square is set against a plain background, emphasizing the intricate detail and texture of the design.
Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud, Quantum Gray VI, 1995-1996 (published 1996), etching in black on Rives BFK wove paper, Gift of Bob Stana and Tom Judy, 2019.109.71.6

Quantum Gray VI

Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud · 1995-1996 (published 1996) · etching in black on Rives BFK wove paper ·  Accession ID  2019.109.71.6

The image features a large square centered within the boundaries of the paper, with the corners blending subtly into the surrounding white space.
Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud, Quantum Gray I, 1995-1996 (published 1996), etching in black on Rives BFK wove paper, Gift of Bob Stana and Tom Judy, 2019.109.71.1

Quantum Gray I

Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud · 1995-1996 (published 1996) · etching in black on Rives BFK wove paper ·  Accession ID  2019.109.71.1

The image shows a square shape composed of fine, wavy lines creating a textured appearance. The lines resemble the patterns of tightly curled hair or wood grain. The repetitive and undulating lines give depth and complexity to the square, which is placed on a larger rectangular, lightly textured background.
Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud, Quantum Gray II, 1995-1996 (published 1996), etching in black on Rives BFK wove paper, Gift of Bob Stana and Tom Judy, 2019.109.71.2

Quantum Gray II

Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud · 1995-1996 (published 1996) · etching in black on Rives BFK wove paper ·  Accession ID  2019.109.71.2

The image features a textured square made of intricate lines creating a dark pattern. The space around the square is blank.
Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud, Quantum Gray, 1995-1996 (published 1996), etching in black on Rives BFK wove paper, Gift of Bob Stana and Tom Judy, 2019.109.71.13

Quantum Gray

Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud · 1995-1996 (published 1996) · etching in black on Rives BFK wove paper ·  Accession ID  2019.109.71.13

The image shows a central rectangular shape filled with undulating horizontal lines in varying wave-like patterns. These lines resemble ripples on water or the grain of wood, creating an organic motion. The composition suggests an abstract interpretation of natural forms, reminiscent of meandering lines in landscapes or textiles.
Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud, Quantum Gray III, 1995-1996 (published 1996), etching in black on Rives BFK wove paper, Gift of Bob Stana and Tom Judy, 2019.109.71.3

Quantum Gray III

Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud · 1995-1996 (published 1996) · etching in black on Rives BFK wove paper ·  Accession ID  2019.109.71.3