Center Street Studio

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  • The image shows a rectangular shape with a dark, textured pattern resembling woven fabric. The surface has a grid-like appearance due to intersecting lines creating a visual effect similar to denim material. In the top right corner, there is an inscription that looks like a signature and a date.

    April 2008

    Charles Ritchie, Center Street Studio, Center Street Studio, James Stroud

    2008

    Artist's book with aquatint, mezzotint, etching, and drypoint  Accession ID  2020.167.11

    Not on view
  • ""

    Etching 1

    Teo González, Center Street Studio

    2005

    Etching and aquatint in black with red chine collé on rives wove paper  Accession ID  2015.19.3501

    Not on view
  • The image is an artistic portrait showing the upper body of a person. The person is facing forward with a serious expression. They are wearing a suit jacket and have closely cropped hair. The background is plain and lightly textured.

    Martin Luther King, Jr.

    John Wilson, James Stroud, Center Street Studio

    2002

    Softground etching, hardground etching, aquatint, spitbite aquatint with scraping and burnishing on chine collé  Accession ID  2016.15.1

    On View: West Building Ground Floor, Gallery G29
  • The image features a series of abstract, etched lines forming a complex composition. There are shapes that resemble a figure standing in profile facing an easel or stand, which hosts an indistinct sketch or form. The figure's head is oblong and sharply outlined, and its body is elongated. The easel holds an abstract representation, suggesting the concept of a painter or artist with a canvas, using a mix of haphazard lines and shapes. The background is filled with a texture of scattered, faint markings.

    Untitled (Soldier and Easel)

    John Walker, James Stroud, Center Street Studio

    1998

    Etching and aquatint with drypoint, printed chine collé on wove bfk rives paper  Accession ID  2023.140.12

    Not on view
  • The image displays a dense mass of intricate, intertwining lines forming a nearly solid black square at the center of the composition. This abstract piece resembles the texture of a tightly woven fabric or perhaps the coarseness of a textured surface, like asphalt or charcoal. The uniformity of the square shape contrasts with the chaotic detail within it.

    Quantum Gray XVI

    Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud

    1995-1996 (published 1996)

    Etching in black on rives bfk wove paper  Accession ID  2019.109.71.16

    Not on view
  • The image displays a square shape composed of fine, overlapping, and swirling lines on a cream-colored rectangular background. The lines create a textured surface, resembling a patch of tangled threads or dense patterns seen in underbrush. The arrangement suggests depth, like viewing a forest floor or closely packed woolen fibers.

    Quantum Gray IX

    Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud

    1995-1996 (published 1996)

    Etching in black on rives bfk wove paper  Accession ID  2019.109.71.9

    Not on view
  • The image shows a central rectangular shape filled with undulating horizontal lines in varying wave-like patterns. These lines resemble ripples on water or the grain of wood, creating an organic motion. The composition suggests an abstract interpretation of natural forms, reminiscent of meandering lines in landscapes or textiles.

    Quantum Gray III

    Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud

    1995-1996 (published 1996)

    Etching in black on rives bfk wove paper  Accession ID  2019.109.71.3

    Not on view
  • The image features a textured square made of intricate lines creating a dark pattern. The space around the square is blank.

    Quantum Gray

    Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud

    1995-1996 (published 1996)

    Etching in black on rives bfk wove paper  Accession ID  2019.109.71.13

    Not on view
  • The image shows a square shape composed of fine, wavy lines creating a textured appearance. The lines resemble the patterns of tightly curled hair or wood grain. The repetitive and undulating lines give depth and complexity to the square, which is placed on a larger rectangular, lightly textured background.

    Quantum Gray II

    Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud

    1995-1996 (published 1996)

    Etching in black on rives bfk wove paper  Accession ID  2019.109.71.2

    Not on view
  • The image shows a square filled with swirling lines that create a textured pattern. The lines interweave and overlap, forming a complex visual tapestry within the square shape. The square is set against a plain background, emphasizing the intricate detail and texture of the design.

    Quantum Gray VI

    Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud

    1995-1996 (published 1996)

    Etching in black on rives bfk wove paper  Accession ID  2019.109.71.6

    Not on view
  • A densely textured black square dominates the center of the image, composed of intricately interwoven lines. The square rests on a larger off-white background.

    Quantum Gray XIV

    Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud

    1995-1996 (published 1996)

    Etching in black on rives bfk wove paper  Accession ID  2019.109.71.14

    Not on view
  • The image shows an abstract rectangular section filled with closely packed wavy lines creating a textured pattern. The wavy lines meander across the surface. The lack of distinct shapes enhances its abstract nature. The image is set against a plain backdrop.

    Quantum Gray IV

    Bill Wheelock, Center Street Studio, Center Street Studio, James Stroud

    1995-1996 (published 1996)

    Etching in black on rives bfk wove paper  Accession ID  2019.109.71.4

    Not on view