Ives-Sillman

1966 - 1992

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  • The image shows a series of nested rectangular shapes aligned in a row, with each set composed of progressively smaller rectangles positioned within each other. The composition features dominant shades of red and orange with a pale background.

    Folder 27

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.27

    Not on view
  • The image contains two rectangular compositions side-by-side. Each features a series of nested squares and rectangles of varying hues. On the left, there is an abstract arrangement with a green square at the center, surrounded by progressively larger gray and darker green rectangles. On the right, there is another abstract configuration with an orange square at the center, bordered by light orange and darker orange rectangles. Both compositions use contrasting colors to accentuate depth.

    Folder 17

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.17

    Not on view
  • There are two compositions of geometric shapes and lines against a neutral background. On the left, there is an abstract arrangement of black and orange lines forming a grid-like structure. On the right, there is a smaller square composition in shades of gray and green with a pattern that resembles a computer chip or a section of a piano keyboard. Both compositions use simple shapes and a limited color palette to convey rhythm and interconnection.

    Folder 31

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.31

    Not on view
  • The image features two compositions, each consisting of a grid of vertical and horizontal lines forming rectangles within gray squares on a white background. The artwork is abstract, with geometric shapes that resemble patterns of a city skyline or modern skyscrapers. The left composition has a lighter gray background and alternating black and white bands, while the right composition has a darker gray background.

    Folder 11

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in black and gray on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.11

    Not on view
  • The image shows four blue rectangular outlines with complex arrangements of overlapping oval and elliptical shapes. The abstract designs within each rectangle resemble aspects of familiar objects like eyes, masks, or paisley prints. The repetition of ovals and elongated lines creates a sense of fluid movement, and the consistent use of blue and white ties the composition together visually.

    Folder 2

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in blue on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.2

    Not on view
  • The image shows nested rectangles in vibrant shades of red, orange, and pink arranged symmetrically on a plain backdrop. The design creates an optical illusion of depth, resembling stacked boxes or windows receding into the distance. The use of color-blocking and geometric shapes plays with spatial perception, creating a layered frame effect.

    Folder 28

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.28

    Not on view
  • The image displays nested squares in varying shades of gray, creating a pattern of concentric shapes.

    I-S LXXIIa

    Josef Albers, Sirocco Screenprints, Ives-Sillman

    1972

    Color screenprint on german etching wove paper  Accession ID  1976.69.20

    Not on view
  • The image shows geometric shapes with sharp angles and clean lines, primarily in shades of gray and black. The abstract design includes overlapping parallelograms and triangles that create a sense of depth and dimension. These forms are set against a pale background, emphasizing the contrast and interaction between the shapes.

    Folder 26

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in black and gray on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.26

    Not on view
  • ""

    Formulation: Articulation II

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Portfolio of thirty-three screenprints  Accession ID  2015.19.2850.1-33

    Not on view
  • The image shows two sets of nested rectangles positioned next to each other on a neutral background. Each set includes four rectangles of varying colors, creating an abstract shape composition. The left set transitions from deep brown to vibrant orange, while the right set mirrors this with the opposite color scheme. The stacked rectangles resemble layered frames or nested boxes, highlighting symmetry and balance in the image.

    Folder 19

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.19

    Not on view
  • The image shows two abstract compositions side by side. The designs consist of triangles and parallelograms forming a geometric pattern resembling a twisted ribbon or the letter "Z" in three dimensions. One composition is on a light gray background with darker outlines, while the other is on a black background with lighter lines. The design gives the impression of a three-dimensional object like folded paper or a modern sculpture.

    Folder 16

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in black and gray on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.16

    Not on view
  • The image displays two geometric compositions side by side, each featuring overlapping shapes forming abstract 3D structures. The left composition is predominantly green, while the right is various shades of blue. The intersecting lines and planes within each shape give the impression of folded paper or an open book. The shapes create depth and perspective, with each quadrilateral adding to the sense of dimensionality.

    Folder 25

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.25

    Not on view