Tamarind Institute

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    Concerto

    Bohuslav Horak, Tamarind Institute

    1962

    5-color lithograph (stone and zinc) on nacre paper  Accession ID  1964.8.2191

    Not on view
  • The image depicts a person's face in a sketchy, abstract style. The individual's head and upper torso are visible, facing forward in the artwork. The facial features are outlined with soft lines, including eyes, a nose, and a mouth. The hair is dark and merges with the background. The clothing is not clearly defined and blends into the sketchy texture. The background is a blend of dark and light tones, creating a layered effect around the face. There are no visible objects or scenery in the background, and the person is not shown wearing any jewelry.

    Untitled [left half]

    John Paul Jones, Joseph Zirker, Tamarind Institute

    1962

    Lithograph on wove arches paper  Accession ID  1964.8.2231

    Not on view
  • The image features four stylized sketches of human figures, each depicted from the chest or shoulders up. The top left sketch shows a figure emerging from a shadowy background with minimal facial details visible. In the top right sketch, another figure is portrayed with more facial details, seemingly raising an arm against rough, dark strokes. The lower left sketch depicts a figure with blurred features, including hair and facial details. The bottom right sketch shows a figure with clearer facial features against a shadowy, smudged background. The figures lack distinct hair and features, and the focus is on form and shadow rather than precise detail. No clothing or accessories are visible, and the background is abstract and undefined with dark, blurred strokes. The figures seem isolated, and the background is a plain, light-colored paper.

    Untitled [left half]

    John Paul Jones, Tamarind Institute

    1962

    Lithograph on arches paper  Accession ID  1964.8.2233

    Not on view
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    Overgrown Path

    Karl Schrag, Tamarind Institute

    1962

    Lithograph in black on nacre paper  Accession ID  1964.8.2530

    Not on view
  • The image shows a profile view of a person's head and partial neck, depicted in a contemplative manner. The facial features are subtly outlined with a cross-hatched shading technique. The hair details blend into the background with similar textural patterns. The person's clothing is not visible. There are no visible jewelry or objects in their hand. The background is composed of densely interwoven lines, creating a textured and abstract atmosphere.

    Untitled

    John Paul Jones, Tamarind Institute

    1962

    Lithograph (stone) in black on white arches paper  Accession ID  1983.18.786

    Not on view
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    Elephant Bathers II

    James McGarrell, Tamarind Institute

    1962

    Lithograph on nacre paper  Accession ID  1964.8.2364

    Not on view
  • The image shows two abstract representations of a person's head and shoulders. On the left side, there is a front-facing sketch of a face where only the eyes and mouth are slightly discernible amidst the dark, roughly outlined features that suggest hair. The head takes up the central portion of its allotted space, with an indistinct dark area surrounding the face. On the right side, there is a profile view of a head and neck, characterized by a high forehead and a similar rendering that captures the silhouette's general shape. The surrounding area is left mostly blank, presenting a cream-colored background made of a textured material with visible fibers, with the edges of this material appearing uneven and slightly frayed. At the bottom right, a handwritten signature and some markings are visible.

    Untitled

    John Paul Jones, Joseph Zirker, Tamarind Institute

    1962

    Lithograph on wove nacre paper  Accession ID  1964.8.714

    Not on view
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    Homage to Los Angeles

    Winfred Gaul, Tamarind Institute

    1962

    Lithograph in black on arches paper  Accession ID  1964.8.2187

    Not on view
  • The image shows an abstract portrait of an individual, depicting the head, shoulders, and upper torso facing forward. The features are blurred and diffuse, with a vague outline of eyes, a nose, and hair. The person is wearing a high-collared garment, and there are no visible objects or jewelry. The background is a mix of dark and light areas with sweeping lines and smudges.

    Friday's Lesson

    John Paul Jones, Tamarind Institute

    1962

    Lithograph on nacre paper  Accession ID  1964.8.2224

    Not on view
  • The image shows bold, dark horizontal and vertical lines forming a structure that frames a roughly outlined figure in the center. The heavy use of lines and shading gives the appearance of an abstract doorway or a passage, with the central figure suggesting the shape of a person standing within. The figure's outline is softly defined, reminiscent of a silhouette.

    Untitled

    John Paul Jones, Tamarind Institute

    1962

    Lithograph (stone) in black on white arches paper  Accession ID  1983.18.798

    Not on view
  • The image shows white lines outlining geometric shapes resembling interconnected rectangular prisms on a dark background. The composition creates the illusion of a twisting ribbon or pathway, reminiscent of unfolded boxes or a maze. The sharp angles and parallel lines contribute to a sense of depth, creating a three-dimensional appearance.

    Interlinear K 50

    Josef Albers, Tamarind Institute

    1962

    Lithograph in black on rives bfk wove paper  Accession ID  1964.8.1999

    Not on view
  • The image shows a partial view of a person's figure, mainly focusing on the upper part of the body, but in an abstract manner. The individual is in a frontal position, facing slightly to the right. The facial features are indistinct, absorbed into the textured, dark shading surrounding them, giving a vague suggestion of eyes, a nose, and lips. The hair blends into the dark textures around the person. There are no clear details on clothing, as the figure merges into the dark, shadowy background, which is composed of dense brushstrokes. There is no visible jewelry or objects being held. The background is a continuation of the dark, heavily textured area with various shades and strokes. The name "Fum Jay" and indistinct initials or marks are visible in lighter handwriting near the bottom of the image.

    Untitled

    John Paul Jones, Tamarind Institute

    1962

    Lithograph (stone) in black on white arches paper  Accession ID  1983.18.789

    Not on view