Society of American Graphic Artists

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  • This image depicts a bridge under construction in a dramatic perspective. A small steamboat moves along the water, with people in small boats nearby. The scene shows large structures, cranes, and scaffolding covering the middle section. The bridge towers stretch upwards into the sky. The artwork uses a color palette of deep blacks, greys, and whites. The brushstrokes depict intricate details of the steel structures, smoke, and clouds, creating an industrial atmosphere.

    Bridge Builders, Mackinac Straits

    Reynold Weidenaar, Society of American Graphic Artists

    1956

    Mezzotint in black  Accession ID  2008.115.4991

    Not on view
  • This is a drawing of three dancers wearing feathered headdresses and traditional attire, performing in the center of a crowd seated in a circular formation around them. The scene is depicted in sharp lines and shadows that capture the movement of the dance. The feathered headdresses stand out against the background. The audience is rendered in softer lines, suggesting depth and context to the performance. Light and dark areas add to the sense of movement in the drawing, giving the viewer an impression of an energetic cultural performance.

    Friendship Dance

    Gene Kloss, Society of American Graphic Artists

    1953

    Drypoint in black on wove paper  Accession ID  2015.19.1250

    Not on view
  • The image shows a group of dancers performing in traditional attire in front of a seated audience. The dancers are energetically moving, while the audience watches attentively. The drawing conveys the dynamic nature of the performance through blurred lines and shading, and suggests a cultural or ceremonial setting.

    Friendship Dance

    Gene Kloss, Society of American Graphic Artists

    1953

    Drypoint in black  Accession ID  1964.8.1815

    Not on view
  • The image shows a man in front of a market stall filled with various fresh vegetables and produce. The color scheme is grayscale. The man is standing on the left, hands together, facing the stall. The stall is in the center with a canopy and a sign listing available produce. A basket and crates are at the base of the stall. To the right, a "FRESH" sign is displayed. There is a smaller table and items on the wall to the far left.

    Varied Wares

    Peggy Bacon, Society of American Graphic Artists

    1952

    Drypoint in black  Accession ID  1953.6.249

    Not on view
  • This is a drawing of several cows and a kneeling figure in a pastoral setting. The image features a group of cows intertwined with a seated or kneeling figure, all rendered in a highly detailed and textured style. The cows occupy various positions—some standing and others resting on the ground. Their bodies are drawn with great anatomical precision, enhancing the muscular structure and contours of the animals. The background suggests a natural setting, with rolling hills and a sky with stylized clouds. The use of line and cross-hatching creates a sense of depth and formality in the composition. The overall tone of the drawing is serene yet dynamic, suggesting a harmonious interaction between the creatures and their environment.

    Friends

    Carl M. Schultheiss, Society of American Graphic Artists

    1950s

    Engraving in black on wove paper  Accession ID  2015.19.1389

    Not on view
  • The image shows an old stone bridge over a winding river. A path runs parallel to the bridge and river, with a handrail visible on the left. Mountains are outlined in the background, and multi-story buildings with detailed features line the riverbank to the right of the bridge. The artwork features precise linework, creating texture and depth. The monochromatic color palette uses different shades of gray.

    Bridge at Sospel

    Ernest D. Roth, Society of American Graphic Artists

    1950 (published 1951)

    Etching in black on wove paper  Accession ID  2015.19.1363

    Not on view
  • The image shows a rural scene with a house, tree, and pond. The house has a textured facade, and an old tree casts shadows over it. The horizon is obscured by trees, with a few more trees in the distance. The artist depicts details like leaves, brickwork, and the pond's surface with meticulous brushstrokes. The color palette is black and white, creating a stark contrast. Birds fly in the sky, and there are reflections in the pond.

    Along the Canal

    Stow Wengenroth, Society of American Graphic Artists

    1949

    Lithograph in black  Accession ID  1951.10.218

    Not on view
  • The image depicts a rural landscape with a reflective body of water, grass, shrubs, a duck swimming, a wooden dam structure, a stone building with a steep roof, and a large tree with detailed branches and leaves. The viewpoint is from a slightly elevated position. The horizon is high in the image, creating a separation between the earth and the sky. Birds are seen flying across the sky. The image uses monochrome shades and fine brushstrokes for a realistic effect.

    Along the Canal

    Stow Wengenroth, Society of American Graphic Artists

    1949

    Lithograph in black  Accession ID  1964.8.1918

    Not on view
  • This is a drawing of a detailed architectural entrance. The artwork depicts a Gothic-style stone archway leading into a building. The archway is adorned with carvings and decorative elements, showcasing skilled craftsmanship. The stonework shows textures indicating wear. The interior beyond the archway shows architectural details like columns and recessed areas, suggesting depth and grandeur.

    French Lace

    John Taylor Arms, David Strang, Society of American Graphic Artists

    1949

    Etching in black on wove paper  Accession ID  1950.1.11

    Not on view
  • This drawing depicts a Gothic entrance with detailed arches, carvings, and ornamentations that are characteristic of this style. The stonework, patterns on the arches, and intricate faxe7ade are highlighted with precision. The perspective of the drawing adds depth, and surrounding structures complement the central entrance.

    French Lace

    John Taylor Arms, David Strang, Society of American Graphic Artists

    1949

    Etching in black on wove paper  Accession ID  2015.19.1088

    Not on view
  • This drawing features symbolic elements representing American culture and history. It includes an urban skyline with skyscrapers, a Ferris wheel, and a theater entrance on the left side. In the center, there is a domed building resembling the U.S. Capitol, surrounded by light beams. Below, there is a boxing ring with boxers. On the right, there are industrial scenes with factory buildings and smokestacks. In the foreground, a historic wagon is pulled by horses, and a Native American figure stands to the right. A beauty pageant figure, fruits, and vegetables are on the bottom left. Painting supplies are also present, enhancing the theme of creativity and art.

    Americana

    Ralph Fabri, Society of American Graphic Artists

    1948

    Etching and aquatint in black on wove paper  Accession ID  2008.115.1676

    Not on view
  • The image shows a woman standing and holding a newspaper. She has long, dark, wavy hair and is wearing a dark, fur-collared coat. She appears to be reading intently, facing slightly to the left. Next to her stands a man with a broad-brimmed hat, a patterned band, and a large coat. He smiles slightly, revealing pronounced cheekbones. In the background, two women stand together, one with a hand on her chin. They are dressed in skirts and coats. The setting is a busy urban environment with visible signs and a bustling street.

    Express Stop

    Douglas Warner Gorsline, Society of American Graphic Artists

    1948

    Etching on laid paper  Accession ID  1948.11.120

    Not on view