Gehenna Press

Mark for Boris Mirski

Leonard Baskin, Gehenna Press

1956 (published 1961)

Wood engraving in black on mokuroku wove paper Accession ID 1964.8.256.c

Not on view

Samuel Palmer, after the Watercolor by Walter

Leonard Baskin, Gehenna Press

1956 (published 1961)

Wood engraving in black on mokuroku wove paper Accession ID 1964.8.260.e

Not on view

Samuel Palmer, after a Photograph

Leonard Baskin, Gehenna Press

1956

Wood engraving in black on mokuroku wove paper Accession ID 1987.43.1.10

Not on view

Edward Calvert, after a Portrait by His Third Son

Leonard Baskin, Gehenna Press

1956

Wood engraving in black on mokuroku wove paper Accession ID 1987.43.1.14

Not on view

An Adamite Vision of Blake

Leonard Baskin, Gehenna Press

1956 (published 1961)

Wood engraving in black on mokuroku wove paper Accession ID 1964.8.259.d

Not on view

Blake, from Life Mask by Deville from The Wood Engravings of Leonard Baskin 1948-1959

Leonard Baskin, Gehenna Press

1956 (published 1961)

Wood engraving on mokuroku wove paper Accession ID 1964.8.223.35

Not on view

A Visionary Portrait of Henry Walter

Leonard Baskin, Gehenna Press

1956

Wood engraving in black on mokuroku wove paper Accession ID 1987.43.1.11

Not on view

William Blake

Leonard Baskin, Gehenna Press

1956 (published 1964)

Wood engraving in black on vellum Accession ID 1980.45.104.e

Not on view

A Visionary Portrait of Henry Walter

Leonard Baskin, Gehenna Press

1956 (published 1961)

Wood engraving in black on mokuroku wove paper Accession ID 1964.8.261.d

Not on view

Samuel Palmer When He First Met William Blake

Leonard Baskin, Gehenna Press

1956

Wood engraving in black on wove paper Accession ID 2013.121.33

Not on view

a) Winter Grasses; b) Open Pomegranate; c) Mark for Boris Mirski; d) Mark for Richard Warren; e) Dog Skeleton from The Wood Engravings of Leonard Baskin 1948-1959

Leonard Baskin, Gehenna Press

1956 (published 1961)

A) wood engraving on mokuroku wove paper b) wood engraving on mokuroku wove paper c) wood engraving on mokuroku wove paper d) wood engraving on mokuroku wove paper e) wood engraving on mokuroku wove paper Accession ID 1964.8.223.34.a-e

Not on view

Samuel Palmer, after a Photograph

Leonard Baskin, Gehenna Press

1956 (published 1961)

Wood engraving in black on mokuroku wove paper Accession ID 1964.8.259.b

Not on view

Mark for Boris Mirski

Mark for Boris Mirski

Samuel Palmer, after the Watercolor by Walter

Samuel Palmer, after the Watercolor by Walter

Samuel Palmer, after a Photograph

Samuel Palmer, after a Photograph

Edward Calvert, after a Portrait by His Third Son

Edward Calvert, after a Portrait by His Third Son

An Adamite Vision of Blake

An Adamite Vision of Blake

Blake, from Life Mask by Deville from The Wood Engravings of Leonard Baskin 1948-1959

Blake, from Life Mask by Deville from The Wood Engravings of Leonard Baskin 1948-1959

A Visionary Portrait of Henry Walter

A Visionary Portrait of Henry Walter

William Blake

William Blake

A Visionary Portrait of Henry Walter

A Visionary Portrait of Henry Walter

Samuel Palmer When He First Met William Blake

Samuel Palmer When He First Met William Blake

a) Winter Grasses; b) Open Pomegranate; c) Mark for Boris Mirski; d) Mark for Richard Warren; e) Dog Skeleton from The Wood Engravings of Leonard Baskin 1948-1959

a) Winter Grasses; b) Open Pomegranate; c) Mark for Boris Mirski; d) Mark for Richard Warren; e) Dog Skeleton from The Wood Engravings of Leonard Baskin 1948-1959

Samuel Palmer, after a Photograph

Samuel Palmer, after a Photograph

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