Brandywine Workshop and Archives

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  • The image shows curved lines radiating from a central face-like shape, surrounded by jagged, flame-like black spikes around the outer edges. The face has stylized patterns for features, like the eyes with closed lids and eyelashes resembling feathers or leaves. Small eye-like shapes are scattered across the face.

    El Túnel

    Ibrahim Miranda, Robert Franklin, Brandywine Workshop and Archives

    1999

    Offset lithograph on wove somerset paper  Accession ID  2023.22.31

    Not on view
  • This image depicts the upper body of a young woman, focusing on her face and part of her shoulders. She is positioned with her shoulders turned slightly to one side and her gaze looking forward. The woman has a composed expression, with neatly arranged hair pulled back to highlight her high forehead and delicate facial features. She is wearing a traditional-style garment with a floral or botanical detail on the shoulder, in blue and pink tones against a dark fabric. The background features an intricate composition with elements like bamboo textures, abstract patterns, and nature-inspired motifs, including a dragonfly and a bird. The backdrop showcases a blend of earthy and pastel hues that frame the woman's portrait, creating a culturally evocative setting.

    Portrait/Young Woman

    Tomie Arai, Jim "BJ" Hughes, Brandywine Workshop and Archives

    1998

    Color offset lithograph on wove somerset paper  Accession ID  2023.22.4

    Not on view
  • The image consists of intricate, overlapping lines and speckled textures that create an abstract composition. The patterns resemble a cloudy skyline or a weathered landscape seen through a veil, evoking a sense of worn paper or a film grain effect. In the upper portion, fragmented lines and a circular shape resemble a distant sun or moon, partially obscured by clouds or mist. Towards the lower part, the darker, densely dotted area could be likened to a stretch of land or a body of water, creating a horizon-like divide in the artwork.

    Tsuioku (Recollection)

    Michi Itami, Jim "BJ" Hughes, Brandywine Workshop and Archives

    1997

    Color offset lithograph on wove somerset paper  Accession ID  2023.22.24

    Not on view
  • The image features interlocking angular shapes with circular spirals within a grid-like pattern. The composition resembles a labyrinth or maze, with bold lines and textured details conveying movement and depth. The design evokes ancient architectural motifs, such as traditional mosaics or textile patterns.

    Indigena

    Ester Hernandez, Robert Franklin, Brandywine Workshop and Archives

    1996

    Color offset lithograph on wove somerset paper  Accession ID  2023.22.21

    Not on view

  • Confused Paradise

    Juan Sánchez, Edwin Arocho, Jim "BJ" Hughes, Robert Franklin, Brandywine Workshop and Archives

    1996

    Color offset lithograph and screenprint on two sheets of wove paper  Accession ID  2023.22.46.a-b

    Not on view
  • The image shows an abstract artwork of a person's face and upper shoulders against a textured striped background. The face is centrally positioned and partially obscured by intersecting, broken lines conveying a digital distortion effect. The person's head is slightly tilted, with indistinct facial features and undefined hair. Specific clothing, jewelry, or objects are not visible. The background has alternating bands in blue, cream, and brown tones, resembling a fabric texture. Hand-written text in a serif typeface appears at the upper and lower edges with the quote: "My country needs me, and if I were not here I would have to be invented." The name "Hortense Spillers" is in the lower right corner of the artwork.

    My Country Needs Me

    Rodney Ewing, Robert Franklin, Brandywine Workshop and Archives

    1996

    Color offset lithograph on wove somerset paper  Accession ID  2023.22.13

    Not on view
  • The image features various geometric shapes and lines, including a central circular structure with extensions, and a crescent shape below it. The background consists of interlocking triangular and diamond patterns. The overall composition evokes a sense of a kaleidoscope with vibrant colors and intricate details.

    Kiss

    Akili Ron Anderson, Robert Franklin, Brandywine Workshop and Archives

    1995

    Color offset lithograph on wove arches paper  Accession ID  2023.22.3

    Not on view
  • The image contains geometric shapes and bold lines, with zigzag and triangular patterns. The abstract composition resembles a tapestry, with repeated triangular shapes. The bright red form resembles a bird in flight, centrally positioned. The colors and patterns create a kaleidoscope effect, suggesting nature's elements.

    Untitled II

    James Phillips, Jim "BJ" Hughes, Brandywine Workshop and Archives

    1994

    Color offset lithograph on wove arches paper  Accession ID  2023.22.39

    Not on view
  • The image displays abstract shapes and lines, including zigzags, swirls, and hand outlines, layered over a textured background. In the upper left, a bird-like form can be seen. Nearby, a circular form emanates a warm glow. The lower portion includes an orange-tinted photograph of a young child. Geometric patterns and symbols are interspersed throughout the piece, contributing to its abstract presentation.

    Mothers and the Presence of Myth

    Michael D. Harris, Robert Franklin, Brandywine Workshop and Archives

    1994

    Color offset lithograph on wove arches paper  Accession ID  2023.22.19

    Not on view
  • The image consists of curved lines and concentric circles with vibrant colors. There is an owl outline with circular eyes at the center. The words "PRECIOUS TREASURES" in wavy text are above, and "CULTIVATE THEM" is below. The design includes circle and U-shaped forms with vivid hues, resembling elements of a kaleidoscope.

    Precious Treasures: Cultivate Them

    Wadsworth Jarrell, Robert Franklin, Brandywine Workshop and Archives

    1994

    Color offset lithograph on wove arches paper  Accession ID  2023.22.25

    Not on view
  • This print shows a woman lying on a bed, with her head resting on one arm and her eyes open. She lays horizontally across the print, with her head near the left and the tops of her thighs on the right edge of the print. She has short, dark hair and warm brown skin, red lips, and open eyes that are pure white, with no iris or pupil. She is wearing a bright yellow dress or nightgown that clings tightly to her body and contrasts with the red bedspread below her. Beside her on the bed, partially hanging off of the mattress, is a greenish-blue snake. The bedding below the red blanket has a yellow and white leaf pattern, and the headboard behind her head is brown. The background features a dark blue wall with patches of lighter blue, and in the top right corner is the faint black horizontal outline of a body with its arms outstretched upwards and a crescent moon.

    Black Snake Blues

    Alison Saar, Jim "BJ" Hughes, Brandywine Workshop and Archives

    1994

    Color offset lithograph on wove arches paper  Accession ID  2023.22.44

    Not on view
  • The image shows swirling and jagged shapes and lines with an abstract design. At the center, there are vibrant blues and greens, surrounded by bold splashes of purple, black, and red. Textured patterns resembling natural formations like leaves or feathers in motion are also present.

    Malik I

    Sylvia Snowden, Robert Franklin, Brandywine Workshop and Archives

    1994

    Color offset lithograph on wove somerset paper  Accession ID  2023.22.48

    Not on view