Carl Sabo

German

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The image shows a river or canal scene in a monochromatic color palette created using an etching or similar technique. The scene is viewed from a slightly elevated point, looking along the waterway towards the horizon in the upper third of the image. On the horizon, there are silhouettes of industrial buildings and cranes. The lines in the image are sketchy and energetic, adding texture to the composition. A large wooden mooring post is on the right side with a small boat tied beside it. Various boats are seen on the water. The sky has swirling, cloud-like patterns made with scratchy lines, adding drama to the landscape.
Emil Nolde, Genthe, Carl Sabo, Hamburg Harbor (Hamburg, Freihafen), 1910, etching on wove paper, Gift of Mr. and Mrs. Jacob Kainen in memory of Lessing J. Rosenwald, 1979.57.1

Hamburg Harbor (Hamburg, Freihafen)

Emil Nolde, Genthe, Carl Sabo · 1910 · etching on wove paper ·  Accession ID  1979.57.1

The image is a sketch of a person's head and neck. The person is facing slightly to the right with detailed facial features, including prominent cheekbones, a straight nose, a slightly downturned mouth, deep-set and expressive eyes, and voluminous hair styled to one side with bold, jagged lines. The focus is on the face and upper neck, with no visible clothing details. The background is plain and light-colored, with a subtle border framing the sketch.
Edvard Munch, Carl Sabo, Otto Felsing, Head of a Girl (Madchenkopf), 1907, etching, Rosenwald Collection, 1951.10.357

Head of a Girl (Madchenkopf)

Edvard Munch, Carl Sabo, Otto Felsing · 1907 · etching ·  Accession ID  1951.10.357

The image shows two people standing next to a wooden railing with water in the background. One person is facing the viewer, wearing a sleeveless dress and holding a round hat with a ribbon. The other person has their back to the viewer, wearing a dark, patterned outfit and also holding a hat.
Edvard Munch, Carl Sabo, The Girls on the Bridge (Pikene på broen), 1903, etching on wove paper, The Epstein Family Collection, 2023.161.2

The Girls on the Bridge (Pikene på broen)

Edvard Munch, Carl Sabo · 1903 · etching on wove paper ·  Accession ID  2023.161.2

The image depicts a sketch of two individuals and a skeleton. One individual on the left is standing in profile with arms crossed behind their back, while the other person on the right is facing towards the skeleton and has one hand resting on its rib. Both individuals are nude with no visible clothing or jewelry. The skeleton is positioned between the two individuals on a stand. The background is plain and minimal, emphasizing the figures.
Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing, Wilh. Scheels Klisjéanstalt, Edvard Munch, Two Girls and a Skeleton (Die Beiden Madchen das Gerippe), 1896, drypoint, Rosenwald Collection, 1944.14.52

Two Girls and a Skeleton (Die Beiden Madchen das Gerippe)

Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing, Wilh. Scheels Klisjéanstalt, Edvard Munch · 1896 · drypoint ·  Accession ID  1944.14.52

The image shows a person lying diagonally across a bed with closed eyes, dark hair, a light top, and a patterned skirt or blanket. Next to the bed on a table are a wine bottle, a smaller bottle, and two glasses. Simple drawn lines imply a wall behind the bed.
Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing, The Morning After (Der Tag danach), 1895, etching and aquatint, Rosenwald Collection, 1943.3.9026

The Morning After (Der Tag danach)

Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing · 1895 · etching and aquatint ·  Accession ID  1943.3.9026

The image shows several individuals sitting around a table in a dimly lit setting. They are shown from the waist up, engaging in conversation. One man is leaning on the table, while another person next to him is talking to someone across from them. The woman across from them has her hair tied back and is holding a drink. The table is filled with bottles and glassware, indicating a social gathering. The background features shadowy figures and unidentifiable structures, adding to the intimate ambiance of the scene.
Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing, Kristiania Bohemians I (Kristiania-Boheme I), 1895, etching and drypoint on Japanese paper, The Epstein Family Collection, 2022.172.33

Kristiania Bohemians I (Kristiania-Boheme I)

Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing · 1895 · etching and drypoint on Japanese paper ·  Accession ID  2022.172.33

The image shows a person standing, seen from the knees up. The person is centered, facing forward with their head slightly tilted upward. The facial features are not detailed, and the hair is dark and blending into the background. They are wearing a long-sleeved dress with a high neckline, and their hands are in front of them. In the background, there are tree trunks, abstract shapes, and a circular shape above the horizon. The background has a textured appearance. The artwork is monochromatic and appears to be a graphite or charcoal sketch.
Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing, Summer Evening (Sommernacht), 1895, aquatint and drypoint on laid paper, Rosenwald Collection, 1944.14.53

Summer Evening (Sommernacht)

Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing · 1895 · aquatint and drypoint on laid paper ·  Accession ID  1944.14.53

The image depicts two figures standing side by side, viewing an abstract landscape. Both figures are seen from behind. The figure on the left has long hair and wears a long dress, while the figure on the right is wearing a dark suit with short hair. The background features swirling, abstract shapes resembling a rocky landscape with faint horizon lines and open space.
Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing, Lovers at the Seaside (Liebespaar am Strande), 1895, drypoint and aquatint, Rosenwald Collection, 1943.3.9024

Lovers at the Seaside (Liebespaar am Strande)

Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing · 1895 · drypoint and aquatint ·  Accession ID  1943.3.9024

This is a drawing of a landscape scene with two figures near the shore. The full composition features two figures standing by the water’s edge. One is leaning forward, perhaps touching the water, while the other stands upright. They appear to be near rocks on a shore, indicated by rough, sketchy lines. The drawing is done in an understated manner, with soft tones and minimal detail that suggest forms. The overall effect is one of quiet introspection and simplicity, capturing a tranquil moment in nature with a delicate touch typical of sketch illustrations.
Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing, Edvard Munch, Women Bathing (Badende kvinner), 1895, drypoint and open bite on Arches laid paper, The Epstein Family Collection, 2022.172.19

Women Bathing (Badende kvinner)

Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing, Edvard Munch · 1895 · drypoint and open bite on Arches laid paper ·  Accession ID  2022.172.19

The image is a portrait sketch showing the upper half of a man's body. The man is depicted seated with his hands resting in front of him. He has a bald head with short hair on the sides, bushy eyebrows, and a large mustache. The man's expression is neutral, with wide eyes. He wears a dark suit jacket, a light-colored shirt, and a bow tie. He has a monocle on his right eye and is holding a cigarette in his mouth. The background is plain and unadorned.
Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing, Dr. Max Asch, 1895, etching, Rosenwald Collection, 1943.3.9025

Dr. Max Asch

Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing · 1895 · etching ·  Accession ID  1943.3.9025

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